{
 "cells": [
  {
   "cell_type": "code",
   "execution_count": 1,
   "id": "a8ef8b21",
   "metadata": {},
   "outputs": [
    {
     "name": "stderr",
     "output_type": "stream",
     "text": [
      "d:\\python310\\lib\\site-packages\\tqdm\\auto.py:21: TqdmWarning: IProgress not found. Please update jupyter and ipywidgets. See https://ipywidgets.readthedocs.io/en/stable/user_install.html\n",
      "  from .autonotebook import tqdm as notebook_tqdm\n"
     ]
    }
   ],
   "source": [
    "from datasets import load_dataset"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 2,
   "id": "697dee94",
   "metadata": {},
   "outputs": [
    {
     "name": "stderr",
     "output_type": "stream",
     "text": [
      "d:\\python310\\lib\\site-packages\\huggingface_hub\\file_download.py:143: UserWarning: `huggingface_hub` cache-system uses symlinks by default to efficiently store duplicated files but your machine does not support them in C:\\Users\\COLORFUL\\.cache\\huggingface\\hub\\datasets--imdb. Caching files will still work but in a degraded version that might require more space on your disk. This warning can be disabled by setting the `HF_HUB_DISABLE_SYMLINKS_WARNING` environment variable. For more details, see https://huggingface.co/docs/huggingface_hub/how-to-cache#limitations.\n",
      "To support symlinks on Windows, you either need to activate Developer Mode or to run Python as an administrator. In order to activate developer mode, see this article: https://docs.microsoft.com/en-us/windows/apps/get-started/enable-your-device-for-development\n",
      "  warnings.warn(message)\n",
      "Xet Storage is enabled for this repo, but the 'hf_xet' package is not installed. Falling back to regular HTTP download. For better performance, install the package with: `pip install huggingface_hub[hf_xet]` or `pip install hf_xet`\n",
      "Xet Storage is enabled for this repo, but the 'hf_xet' package is not installed. Falling back to regular HTTP download. For better performance, install the package with: `pip install huggingface_hub[hf_xet]` or `pip install hf_xet`\n",
      "Xet Storage is enabled for this repo, but the 'hf_xet' package is not installed. Falling back to regular HTTP download. For better performance, install the package with: `pip install huggingface_hub[hf_xet]` or `pip install hf_xet`\n",
      "Generating train split: 100%|██████████| 25000/25000 [00:00<00:00, 334026.50 examples/s]\n",
      "Generating test split: 100%|██████████| 25000/25000 [00:00<00:00, 567773.79 examples/s]\n",
      "Generating unsupervised split: 100%|██████████| 50000/50000 [00:00<00:00, 571494.91 examples/s]\n"
     ]
    }
   ],
   "source": [
    "dataset = load_dataset(\"imdb\", split=\"train[:1%]\")"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 9,
   "id": "339b92d9",
   "metadata": {},
   "outputs": [
    {
     "data": {
      "text/plain": [
       "250"
      ]
     },
     "execution_count": 9,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "len(dataset)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 10,
   "id": "38335cc1",
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "{'text': 'I rented I AM CURIOUS-YELLOW from my video store because of all the controversy that surrounded it when it was first released in 1967. I also heard that at first it was seized by U.S. customs if it ever tried to enter this country, therefore being a fan of films considered \"controversial\" I really had to see this for myself.<br /><br />The plot is centered around a young Swedish drama student named Lena who wants to learn everything she can about life. In particular she wants to focus her attentions to making some sort of documentary on what the average Swede thought about certain political issues such as the Vietnam War and race issues in the United States. In between asking politicians and ordinary denizens of Stockholm about their opinions on politics, she has sex with her drama teacher, classmates, and married men.<br /><br />What kills me about I AM CURIOUS-YELLOW is that 40 years ago, this was considered pornographic. Really, the sex and nudity scenes are few and far between, even then it\\'s not shot like some cheaply made porno. While my countrymen mind find it shocking, in reality sex and nudity are a major staple in Swedish cinema. Even Ingmar Bergman, arguably their answer to good old boy John Ford, had sex scenes in his films.<br /><br />I do commend the filmmakers for the fact that any sex shown in the film is shown for artistic purposes rather than just to shock people and make money to be shown in pornographic theaters in America. I AM CURIOUS-YELLOW is a good film for anyone wanting to study the meat and potatoes (no pun intended) of Swedish cinema. But really, this film doesn\\'t have much of a plot.', 'label': 0}\n",
      "{'text': '\"I Am Curious: Yellow\" is a risible and pretentious steaming pile. It doesn\\'t matter what one\\'s political views are because this film can hardly be taken seriously on any level. As for the claim that frontal male nudity is an automatic NC-17, that isn\\'t true. I\\'ve seen R-rated films with male nudity. Granted, they only offer some fleeting views, but where are the R-rated films with gaping vulvas and flapping labia? Nowhere, because they don\\'t exist. The same goes for those crappy cable shows: schlongs swinging in the breeze but not a clitoris in sight. And those pretentious indie movies like The Brown Bunny, in which we\\'re treated to the site of Vincent Gallo\\'s throbbing johnson, but not a trace of pink visible on Chloe Sevigny. Before crying (or implying) \"double-standard\" in matters of nudity, the mentally obtuse should take into account one unavoidably obvious anatomical difference between men and women: there are no genitals on display when actresses appears nude, and the same cannot be said for a man. In fact, you generally won\\'t see female genitals in an American film in anything short of porn or explicit erotica. This alleged double-standard is less a double standard than an admittedly depressing ability to come to terms culturally with the insides of women\\'s bodies.', 'label': 0}\n",
      "{'text': \"If only to avoid making this type of film in the future. This film is interesting as an experiment but tells no cogent story.<br /><br />One might feel virtuous for sitting thru it because it touches on so many IMPORTANT issues but it does so without any discernable motive. The viewer comes away with no new perspectives (unless one comes up with one while one's mind wanders, as it will invariably do during this pointless film).<br /><br />One might better spend one's time staring out a window at a tree growing.<br /><br />\", 'label': 0}\n",
      "{'text': \"This film was probably inspired by Godard's Masculin, féminin and I urge you to see that film instead.<br /><br />The film has two strong elements and those are, (1) the realistic acting (2) the impressive, undeservedly good, photo. Apart from that, what strikes me most is the endless stream of silliness. Lena Nyman has to be most annoying actress in the world. She acts so stupid and with all the nudity in this film,...it's unattractive. Comparing to Godard's film, intellectuality has been replaced with stupidity. Without going too far on this subject, I would say that follows from the difference in ideals between the French and the Swedish society.<br /><br />A movie of its time, and place. 2/10.\", 'label': 0}\n",
      "{'text': 'Oh, brother...after hearing about this ridiculous film for umpteen years all I can think of is that old Peggy Lee song..<br /><br />\"Is that all there is??\" ...I was just an early teen when this smoked fish hit the U.S. I was too young to get in the theater (although I did manage to sneak into \"Goodbye Columbus\"). Then a screening at a local film museum beckoned - Finally I could see this film, except now I was as old as my parents were when they schlepped to see it!!<br /><br />The ONLY reason this film was not condemned to the anonymous sands of time was because of the obscenity case sparked by its U.S. release. MILLIONS of people flocked to this stinker, thinking they were going to see a sex film...Instead, they got lots of closeups of gnarly, repulsive Swedes, on-street interviews in bland shopping malls, asinie political pretension...and feeble who-cares simulated sex scenes with saggy, pale actors.<br /><br />Cultural icon, holy grail, historic artifact..whatever this thing was, shred it, burn it, then stuff the ashes in a lead box!<br /><br />Elite esthetes still scrape to find value in its boring pseudo revolutionary political spewings..But if it weren\\'t for the censorship scandal, it would have been ignored, then forgotten.<br /><br />Instead, the \"I Am Blank, Blank\" rhythymed title was repeated endlessly for years as a titilation for porno films (I am Curious, Lavender - for gay films, I Am Curious, Black - for blaxploitation films, etc..) and every ten years or so the thing rises from the dead, to be viewed by a new generation of suckers who want to see that \"naughty sex film\" that \"revolutionized the film industry\"...<br /><br />Yeesh, avoid like the plague..Or if you MUST see it - rent the video and fast forward to the \"dirty\" parts, just to get it over with.<br /><br />', 'label': 0}\n",
      "{'text': \"I would put this at the top of my list of films in the category of unwatchable trash! There are films that are bad, but the worst kind are the ones that are unwatchable but you are suppose to like them because they are supposed to be good for you! The sex sequences, so shocking in its day, couldn't even arouse a rabbit. The so called controversial politics is strictly high school sophomore amateur night Marxism. The film is self-consciously arty in the worst sense of the term. The photography is in a harsh grainy black and white. Some scenes are out of focus or taken from the wrong angle. Even the sound is bad! And some people call this art?<br /><br />\", 'label': 0}\n",
      "{'text': \"Whoever wrote the screenplay for this movie obviously never consulted any books about Lucille Ball, especially her autobiography. I've never seen so many mistakes in a biopic, ranging from her early years in Celoron and Jamestown to her later years with Desi. I could write a whole list of factual errors, but it would go on for pages. In all, I believe that Lucille Ball is one of those inimitable people who simply cannot be portrayed by anyone other than themselves. If I were Lucie Arnaz and Desi, Jr., I would be irate at how many mistakes were made in this film. The filmmakers tried hard, but the movie seems awfully sloppy to me.\", 'label': 0}\n",
      "{'text': 'When I first saw a glimpse of this movie, I quickly noticed the actress who was playing the role of Lucille Ball. Rachel York\\'s portrayal of Lucy is absolutely awful. Lucille Ball was an astounding comedian with incredible talent. To think about a legend like Lucille Ball being portrayed the way she was in the movie is horrendous. I cannot believe out of all the actresses in the world who could play a much better Lucy, the producers decided to get Rachel York. She might be a good actress in other roles but to play the role of Lucille Ball is tough. It is pretty hard to find someone who could resemble Lucille Ball, but they could at least find someone a bit similar in looks and talent. If you noticed York\\'s portrayal of Lucy in episodes of I Love Lucy like the chocolate factory or vitavetavegamin, nothing is similar in any way-her expression, voice, or movement.<br /><br />To top it all off, Danny Pino playing Desi Arnaz is horrible. Pino does not qualify to play as Ricky. He\\'s small and skinny, his accent is unreal, and once again, his acting is unbelievable. Although Fred and Ethel were not similar either, they were not as bad as the characters of Lucy and Ricky.<br /><br />Overall, extremely horrible casting and the story is badly told. If people want to understand the real life situation of Lucille Ball, I suggest watching A&E Biography of Lucy and Desi, read the book from Lucille Ball herself, or PBS\\' American Masters: Finding Lucy. If you want to see a docudrama, \"Before the Laughter\" would be a better choice. The casting of Lucille Ball and Desi Arnaz in \"Before the Laughter\" is much better compared to this. At least, a similar aspect is shown rather than nothing.', 'label': 0}\n",
      "{'text': 'Who are these \"They\"- the actors? the filmmakers? Certainly couldn\\'t be the audience- this is among the most air-puffed productions in existence. It\\'s the kind of movie that looks like it was a lot of fun to shoot\\x97 TOO much fun, nobody is getting any actual work done, and that almost always makes for a movie that\\'s no fun to watch.<br /><br />Ritter dons glasses so as to hammer home his character\\'s status as a sort of doppleganger of the bespectacled Bogdanovich; the scenes with the breezy Ms. Stratten are sweet, but have an embarrassing, look-guys-I\\'m-dating-the-prom-queen feel to them. Ben Gazzara sports his usual cat\\'s-got-canary grin in a futile attempt to elevate the meager plot, which requires him to pursue Audrey Hepburn with all the interest of a narcoleptic at an insomnia clinic. In the meantime, the budding couple\\'s respective children (nepotism alert: Bogdanovich\\'s daughters) spew cute and pick up some fairly disturbing pointers on \\'love\\' while observing their parents. (Ms. Hepburn, drawing on her dignity, manages to rise above the proceedings- but she has the monumental challenge of playing herself, ostensibly.) Everybody looks great, but so what? It\\'s a movie and we can expect that much, if that\\'s what you\\'re looking for you\\'d be better off picking up a copy of Vogue.<br /><br />Oh- and it has to be mentioned that Colleen Camp thoroughly annoys, even apart from her singing, which, while competent, is wholly unconvincing... the country and western numbers are woefully mismatched with the standards on the soundtrack. Surely this is NOT what Gershwin (who wrote the song from which the movie\\'s title is derived) had in mind; his stage musicals of the 20\\'s may have been slight, but at least they were long on charm. \"They All Laughed\" tries to coast on its good intentions, but nobody- least of all Peter Bogdanovich - has the good sense to put on the brakes.<br /><br />Due in no small part to the tragic death of Dorothy Stratten, this movie has a special place in the heart of Mr. Bogdanovich- he even bought it back from its producers, then distributed it on his own and went bankrupt when it didn\\'t prove popular. His rise and fall is among the more sympathetic and tragic of Hollywood stories, so there\\'s no joy in criticizing the film... there _is_ real emotional investment in Ms. Stratten\\'s scenes. But \"Laughed\" is a faint echo of \"The Last Picture Show\", \"Paper Moon\" or \"What\\'s Up, Doc\"- following \"Daisy Miller\" and \"At Long Last Love\", it was a thundering confirmation of the phase from which P.B. has never emerged.<br /><br />All in all, though, the movie is harmless, only a waste of rental. I want to watch people having a good time, I\\'ll go to the park on a sunny day. For filmic expressions of joy and love, I\\'ll stick to Ernest Lubitsch and Jaques Demy...', 'label': 0}\n",
      "{'text': \"This is said to be a personal film for Peter Bogdonavitch. He based it on his life but changed things around to fit the characters, who are detectives. These detectives date beautiful models and have no problem getting them. Sounds more like a millionaire playboy filmmaker than a detective, doesn't it? This entire movie was written by Peter, and it shows how out of touch with real people he was. You're supposed to write what you know, and he did that, indeed. And leaves the audience bored and confused, and jealous, for that matter. This is a curio for people who want to see Dorothy Stratten, who was murdered right after filming. But Patti Hanson, who would, in real life, marry Keith Richards, was also a model, like Stratten, but is a lot better and has a more ample part. In fact, Stratten's part seemed forced; added. She doesn't have a lot to do with the story, which is pretty convoluted to begin with. All in all, every character in this film is somebody that very few people can relate with, unless you're millionaire from Manhattan with beautiful supermodels at your beckon call. For the rest of us, it's an irritating snore fest. That's what happens when you're out of touch. You entertain your few friends with inside jokes, and bore all the rest.\", 'label': 0}\n",
      "{'text': 'It was great to see some of my favorite stars of 30 years ago including John Ritter, Ben Gazarra and Audrey Hepburn. They looked quite wonderful. But that was it. They were not given any characters or good lines to work with. I neither understood or cared what the characters were doing.<br /><br />Some of the smaller female roles were fine, Patty Henson and Colleen Camp were quite competent and confident in their small sidekick parts. They showed some talent and it is sad they didn\\'t go on to star in more and better films. Sadly, I didn\\'t think Dorothy Stratten got a chance to act in this her only important film role.<br /><br />The film appears to have some fans, and I was very open-minded when I started watching it. I am a big Peter Bogdanovich fan and I enjoyed his last movie, \"Cat\\'s Meow\" and all his early ones from \"Targets\" to \"Nickleodeon\". So, it really surprised me that I was barely able to keep awake watching this one.<br /><br />It is ironic that this movie is about a detective agency where the detectives and clients get romantically involved with each other. Five years later, Bogdanovich\\'s ex-girlfriend, Cybil Shepherd had a hit television series called \"Moonlighting\" stealing the story idea from Bogdanovich. Of course, there was a great difference in that the series relied on tons of witty dialogue, while this tries to make do with slapstick and a few screwball lines.<br /><br />Bottom line: It ain\\'t no \"Paper Moon\" and only a very pale version of \"What\\'s Up, Doc\".', 'label': 0}\n",
      "{'text': \"I can't believe that those praising this movie herein aren't thinking of some other film. I was prepared for the possibility that this would be awful, but the script (or lack thereof) makes for a film that's also pointless. On the plus side, the general level of craft on the part of the actors and technical crew is quite competent, but when you've got a sow's ear to work with you can't make a silk purse. Ben G fans should stick with just about any other movie he's been in. Dorothy S fans should stick to Galaxina. Peter B fans should stick to Last Picture Show and Target. Fans of cheap laughs at the expense of those who seem to be asking for it should stick to Peter B's amazingly awful book, Killing of the Unicorn.\", 'label': 0}\n",
      "{'text': 'Never cast models and Playboy bunnies in your films! Bob Fosse\\'s \"Star 80\" about Dorothy Stratten, of whom Bogdanovich was obsessed enough to have married her SISTER after her murder at the hands of her low-life husband, is a zillion times more interesting than Dorothy herself on the silver screen. Patty Hansen is no actress either..I expected to see some sort of lost masterpiece a la Orson Welles but instead got Audrey Hepburn cavorting in jeans and a god-awful \"poodlesque\" hair-do....Very disappointing....\"Paper Moon\" and \"The Last Picture Show\" I could watch again and again. This clunker I could barely sit through once. This movie was reputedly not released because of the brouhaha surrounding Ms. Stratten\\'s tawdry death; I think the real reason was because it was so bad!', 'label': 0}\n",
      "{'text': \"Its not the cast. A finer group of actors, you could not find. Its not the setting. The director is in love with New York City, and by the end of the film, so are we all! Woody Allen could not improve upon what Bogdonovich has done here. If you are going to fall in love, or find love, Manhattan is the place to go. No, the problem with the movie is the script. There is none. The actors fall in love at first sight, words are unnecessary. In the director's own experience in Hollywood that is what happens when they go to work on the set. It is reality to him, and his peers, but it is a fantasy to most of us in the real world. So, in the end, the movie is hollow, and shallow, and message-less.\", 'label': 0}\n",
      "{'text': 'Today I found \"They All Laughed\" on VHS on sale in a rental. It was a really old and very used VHS, I had no information about this movie, but I liked the references listed on its cover: the names of Peter Bogdanovich, Audrey Hepburn, John Ritter and specially Dorothy Stratten attracted me, the price was very low and I decided to risk and buy it. I searched IMDb, and the User Rating of 6.0 was an excellent reference. I looked in \"Mick Martin & Marsha Porter Video & DVD Guide 2003\" and \\x96 wow \\x96 four stars! So, I decided that I could not waste more time and immediately see it. Indeed, I have just finished watching \"They All Laughed\" and I found it a very boring overrated movie. The characters are badly developed, and I spent lots of minutes to understand their roles in the story. The plot is supposed to be funny (private eyes who fall in love for the women they are chasing), but I have not laughed along the whole story. The coincidences, in a huge city like New York, are ridiculous. Ben Gazarra as an attractive and very seductive man, with the women falling for him as if her were a Brad Pitt, Antonio Banderas or George Clooney, is quite ridiculous. In the end, the greater attractions certainly are the presence of the Playboy centerfold and playmate of the year Dorothy Stratten, murdered by her husband pretty after the release of this movie, and whose life was showed in \"Star 80\" and \"Death of a Centerfold: The Dorothy Stratten Story\"; the amazing beauty of the sexy Patti Hansen, the future Mrs. Keith Richards; the always wonderful, even being fifty-two years old, Audrey Hepburn; and the song \"Amigo\", from Roberto Carlos. Although I do not like him, Roberto Carlos has been the most popular Brazilian singer since the end of the 60\\'s and is called by his fans as \"The King\". I will keep this movie in my collection only because of these attractions (manly Dorothy Stratten). My vote is four.<br /><br />Title (Brazil): \"Muito Riso e Muita Alegria\" (\"Many Laughs and Lots of Happiness\")', 'label': 0}\n",
      "{'text': \"This film is just plain horrible. John Ritter doing pratt falls, 75% of the actors delivering their lines as if they were reading them from cue cards, poor editing, horrible sound mixing (dialogue is tough to pick up in places over the background noise), and a plot that really goes nowhere. I didn't think I'd ever say this, but Dorothy Stratten is not the worst actress in this film. There are at least 3 others that suck more. Patti Hansen delivers her lines with the passion of Ben Stein. I started to wonder if she wasn't dead inside. Even Bogdanovich's kids are awful (the oldest one is definitely reading her lines from a cue card). This movie is seriously horrible. There's a reason Bogdanovich couldn't get another project until 4 years later. Please don't watch it. If you see it in your television listings, cancel your cable. If a friend suggests it to you, reconsider your friendship. If your spouse wants to watch it, you're better off finding another soulmate. I'd rather gouge my eyes out with lawn darts than sit through this piece of garbage again. If I could sum this film up in one word, that word would be: Suckotrocity\", 'label': 0}\n",
      "{'text': \"My interest in Dorothy Stratten caused me to purchase this video. Although it had great actors/actresses, there were just too many subplots going on to retain interest. Plus it just wasn't that interesting. Dialogue was stiff and confusing and the story just flipped around too much to be believable. I was pretty disappointed in what I believe was one of Audrey Hepburn's last movies. I'll always love John Ritter best in slapstick. He was just too pathetic here.\", 'label': 0}\n",
      "{'text': \"I have this film out of the library right now and I haven't finished watching it. It is so bad I am in disbelief. Audrey Hepburn had totally lost her talent by then, although she'd pretty much finished with it in 'Robin and Marian.' This is the worst thing about this appallingly stupid film. It's really only of interest because it was her last feature film and because of the Dorothy Stratten appearance just prior to her homicide.<br /><br />There is nothing but idiocy between Gazzara and his cronies. Little signals and little bows and nods to real screwball comedy of which this is the faintest, palest shadow.<br /><br />Who could believe that there are even some of the same Manhattan environs that Hepburn inhabited so magically and even mythically in 'Breakfast at Tiffany's' twenty years earlier? The soundtrack of old Sinatra songs and the Gershwin song from which the title is taken is too loud and obvious--you sure don't have to wait for the credits to find out that something was subtly woven into the cine-musique of the picture to know when the songs blasted out at you.<br /><br />'Reverting to type' means going back up as well as going back down, I guess. In this case, Audrey Hepburn's chic European lady is all you see of someone who was formerly occasionally an actress and always a star. Here she has even lost her talent as a star. If someone whose talent was continuing to grow in the period, like Ann-Margret, had played the role, there would have been some life in it, even given the unbelievably bad material and Mongoloid-level situations.<br /><br />Hepburn was a great person, of course, greater than most movie stars ever dreamed of being, and she was once one of the most charming and beautiful of film actors. After this dreadful performance, she went on to make an atrocious TV movie with Robert Wagner called 'Love Among Thieves.' In 'They all Laughed' it is as though she were still playing an ingenue in her 50's. Even much vainer and obviously less intelligent actresses who insisted upon doing this like Lana Turner were infinitely more effective than is Hepburn. Turner took acting seriously even when she was bad. Hepburn doesn't take it seriously at all, couldn't be bothered with it; even her hair and clothes look tacky. Her last really good work was in 'Two for the Road,' perhaps her most perfect, if possibly not her best in many ways.<br /><br />And that girl who plays the country singer is just sickening. John Ritter is horrible, there is simply nothing to recommend this film except to see Dorothy Stratten, who was truly pretty. Otherwise, critic David Thomson's oft-used phrase 'losing his/her talent' never has made more sense.<br /><br />Ben Gazarra had lost all sex appeal by then, and so we have 2 films with Gazarra and Hepburn--who could ask for anything less? Sandra Dee's last, pitiful film 'Lost,' from 2 years later, a low-budget nothing, had more to it than this. At least Ms. Dee spoke in her own voice; by 1981, Audrey Hepburn's accent just sounded silly; she'd go on to do the PBS 'Gardens of the World with Audrey Hepburn' and there her somewhat irritating accent works as she walks through English gardens with aristocrats or waxes effusively about 'what I like most is when flowers go back to nature!' as in naturalized daffodils, but in an actual fictional movie, she just sounds ridiculous.<br /><br />To think that 'Breakfast at Tiffany's' was such a profound sort of light poetic thing with Audrey Hepburn one of the most beautiful women in the world--she was surely one of the most beautiful screen presences in 'My Fair Lady', matching Garbo in several things and Delphine Seyrig in 'Last Year at Marienbad.' And then this! And her final brief role as the angel 'Hap' in the Spielberg film 'Always' was just more of the lady stuff--corny, witless and stifling.<br /><br />I went to her memorial service at the Fifth Avenue Presbyterian Church, a beautiful service which included a boys' choir singing the Shaker hymn 'Simple Gifts.' The only thing not listed in the program was the sudden playing of Hepburn's singing 'Moon River' on the fire escape in 'Breakfast at Tiffany's,' and this brought much emotion and some real tears out in the congregation.<br /><br />A great lady who was once a fine actress (as in 'The Nun's Story') and one of the greatest and most beautiful of film stars in many movies of the 50's and 60's who became a truly bad one--that's not all that common. And perhaps it is only a great human being who, in making such things as film performances trivial, nevertheless has the largeness of mind to want to have the flaws pointed out mercilessly--which all of her late film work contained in abundance. Most of the talk about Hepburn's miscasting is about 'My Fair Lady.' But the one that should have had the original actress in it was 'Wait Until Dark,' which had starred Lee Remick on Broadway. Never as celebrated as Hepburn, she was a better actress in many ways (Hepburn was completely incapable of playing anything really sordid), although Hepburn was at least adequate enough in that part. After that, all of her acting went downhill.\", 'label': 0}\n",
      "{'text': \"I think I will make a movie next weekend. Oh wait, I'm working..oh I'm sure I can fit it in. It looks like whoever made this film fit it in. I hope the makers of this crap have day jobs because this film sucked!!! It looks like someones home movie and I don't think more than $100 was spent making it!!! Total crap!!! Who let's this stuff be released?!?!?!\", 'label': 0}\n",
      "{'text': \"Pros: Nothing<br /><br />Cons: Everything<br /><br />Plot summary: A female reporter runs into a hitchhiker that tells her stories about the deaths of people that were killed by zombies.<br /><br />Review: Never in my life have I come across a movie as bad The Zombie Chronicles. Filmed on a budget of what looks to be about 20 bucks, TZC is a completely horrible horror movie that relies on lame, forgetable actors whom couldn't act to save their lives and gore that's more gross than frightening. How does a movie like this even get made? Simply put, avoid TZC like a sexually-transmitted disease.<br /><br />My last 2 cents: Humorously enough, this movie was made by a movie company called Brain Damage Films. They're brains must have really been damaged to come up with a craptacular movie like this.<br /><br />My rating: 1 out of 10(If it were up to me, this movie would get the rating of negative bajillion)\", 'label': 0}\n",
      "{'text': 'If the crew behind \"Zombie Chronicles\" ever read this, here\\'s some advice guys: <br /><br />1. In a \"Twist Ending\"-type movie, it\\'s not a good idea to insert close-ups of EVERY DEATH IN THE MOVIE in the opening credits. That tends to spoil the twists, y\\'know...? <br /><br />2. I know you produced this on a shoestring and - to be fair - you worked miracles with your budget but please, hire people who can actually act. Or at least, walk, talk and gesture at the same time. Joe Haggerty, I\\'m looking at you...<br /><br />3. If you\\'re going to set a part of your movie in the past, only do this if you have the props and costumes of the time.<br /><br />4. Twist endings are supposed to be a surprise. Sure, we don\\'t want twists that make no sense, but signposting the \"reveal\" as soon as you introduce a character? That\\'s not a great idea.<br /><br />Kudos to the guys for trying, but in all honesty, I\\'d rather they hadn\\'t...<br /><br />Only for zombie completists.', 'label': 0}\n",
      "{'text': \"1st watched 8/3/2003 - 2 out of 10(Dir-Brad Sykes): Mindless 3-D movie about flesh-eating zombies in a 3 story within a movie chronicle. And yes, we get to see zombies eating human flesh parts in 3D!! Wow, not!! That has been done time and time again in 2D in a zombie movie but what usually makes a zombie movie better is the underlying story not the actual flesh-eating. That's what made the original zombie classics good. The flesh-eating was just thrown in as an extra. We're actually bored throughout most of this 3-part chronicle because of the lame(twilight-zone like) easily understood and slow-pacingly revealed finale's. The last story is actually the story the movie started with(having a reporter investigating a so-called ghost town) and of course we get to see flesh eating zombie's in that one as well. Well, I think I've said enough. Watch the classics, not this 3D bore-feast.\", 'label': 0}\n",
      "{'text': \"There's tons of good-looking women in this flick. But alas, this movie is nudity-free. Grrrrrrrrrr Strike one.<br /><br />Ahem. One story in this film takes place in 1971. Then why the hell are the main characters driving a Kia Sportage? Hello? Continuity, anyone?<br /><br />As you might know, this movie was released in stereoscopic 3D. And it is the most hideous effect I have ever seen. I'm not sure if someone botched the job on this, but there WAS no 3D, just double-vision blurs. I didn't have the same problem with this company's other 3D movies, HUNTING SEASON and CAMP BLOOD. Sure, the 3D in those ones sucked too, but with them I could see a semblance of 3D effect.<br /><br />This thing is a big ball of nothing.<br /><br />And whoever that women was who played the daughter of the ear-eating dame, yum! I'd like to see more of her. In movies, as well. Looks like Janet Margolin at a young age. Purrrrrrrrrrrrrrrr<br /><br />\", 'label': 0}\n",
      "{'text': \"En route to a small town that lays way off the beaten track (but which looks suspiciously close to a freeway), a female reporter runs into a strange hitch-hiker who agrees to help direct her to her destination. The strange man then recounts a pair of gruesome tales connected to the area: in the first story, an adulterous couple plot to kill the woman's husband, but eventually suffer a far worse fate themselves when they are attacked by a zombie; and in the second story, a group of campers have their vacation cut short when an undead outlaw takes umbrage at having his grave peed on.<br /><br />The Zombie Chronicles is an attempt by writer Garrett Clancy and director Brad Sykes at making a zombie themed anthology\\x97a nice idea, but with only two stories, it falls woefully short. And that's not the only way in which this low budget gore flick fails to deliver: the acting is lousy (with Joe Haggerty, as the tale-telling Ebenezer Jackson, giving one of the strangest performances I have ever seen); the locations are uninspired; the script is dreary; there's a sex scene with zero nudity; and the ending.... well, that beggars belief.<br /><br />To be fair, some of Sykes' creative camera-work is effective (although the gimmicky technique employed as characters run through the woods is a tad overused) and Joe Castro's cheapo gore is enthusiastic: an ear is bitten off, eyeballs are plucked out, a face is removed, brains are squished, and there is a messy decapitation. These positives just about make the film bearable, but be warned, The Zombie Chronicles ain't a stroll in the park, even for seasoned viewers of z-grade trash.<br /><br />I give The Zombie Chronicles 2/10, but generously raise my rating to 3 since I didn't get to view the film with the benefit of 3D (although I have a sneaking suspicion that an extra dimension wouldn't have made that much of a difference).\", 'label': 0}\n",
      "{'text': 'Without wishing to be a killjoy, Brad Sykes is responsible for at least two of the most dull and clichéd films i\\'ve ever seen - this being one of them, and Camp Blood being another. <br /><br />The acting is terrible, the print is shoddy, and everything about this film screams \"seriously, you could do better yourself\". Maybe this is a challenge to everyone to saturate youtube with our own zombie related crap?<br /><br />I bought this for £1, but remember, you can\\'t put a price on 71 minutes of your life. You\\'d do well to avoid this turkey, even at a bargain basement price.', 'label': 0}\n",
      "{'text': \"My girlfriend once brought around The Zombie Chronicles for us to watch as a joke. Little did we realize the joke was on her for paying £1 for it. While watching this film I started to come up with things I would rather be doing than watching The Zombie Chronicles. These included:<br /><br />1) Drinking bleach 2) Rubbing sand in my eyes 3) Writing a letter to Brad Sykes and Garrett Clancy 4) Re-enacting the American civil war 5) Tax returns 6) GCSE Maths 7) Sex with an old lady.<br /><br />Garrett Clancy, aka Sgt. Ben Draper wrote this? The guy couldn't even dig a hole properly. The best ting he did was kick a door down (the best part of the film). This was the worst film I have ever seen, and I've seen White Noise: The Light. Never has a film had so many mistakes in it. My girlfriend left it here, so now I live with the shame of owning this piece of crap.<br /><br />News just in: Owen Wilson watched this film and tried to kill himself. Fact.<br /><br />DO NOT WATCH\", 'label': 0}\n",
      "{'text': 'Amateur, no budget films can be surprisingly good ... this however is not one of them.<br /><br />Ah, another Brad Sykes atrocity. The acting is hideous, except for Emmy Smith who shows some promise. The camera \"direction\" needs serious reworking. And no more \"hold the camera and run\" gimmicks either; it just doesn\\'t work. The special effects are unimaginative, there\\'s a problem when the effect can be identified in real time. If you\\'re going to rip off an ear, please don\\'t let us see the actor\\'s real ear beneath the blood. The scenery is bland and boring (same as Mr. Sykes other ventures), and the music is a cross between cheap motel porn and really bad guitar driven metal (see the scenery comment).<br /><br />Did I mention the lack of any real plot, or character development? Apparently, the scriptwriter didn\\'t.<br /><br />Whoever is funding this guy ... please stop. I\\'ve seen some of his other \"home movies\" (which I will not plug) and they are just as bad. Normally, a \"director\" will grow and learn from his previous efforts ... not this guy. It\\'s one thing to be an amateur filmmaker, but anyone can be a hack.<br /><br />Definitely not even a popcorn film ... of course, chewing on popcorn kernels would be less painful than this effort.<br /><br />Award: The worst ever military push-ups in a film.', 'label': 0}\n",
      "{'text': \"OK its not the best film I've ever seen but at the same time I've been able to sit and watch it TWICE!!! story line was pretty awful and during the first part of the first short story i wondered what the hell i was watching but at the same time it was so awful i loved it cheap laughs all the way.<br /><br />And Jebidia deserves an Oscar for his role in this movie the only thing that let him down was half way through he stopped his silly name calling.<br /><br />overall the film was pretty perfetic but if your after cheap laughs and you see it in pound land go by it.\", 'label': 0}\n",
      "{'text': \"Some films that you pick up for a pound turn out to be rather good - 23rd Century films released dozens of obscure Italian and American movie that were great, but although Hardgore released some Fulci films amongst others, the bulk of their output is crap like The Zombie Chronicles.<br /><br />The only positive thing I can say about this film is that it's nowhere near as annoying as the Stink of Flesh. Other than that, its a very clumsy anthology film with the technical competence of a Lego house built by a whelk.<br /><br />It's been noted elsewhere, but you really do have to worry about a film that inserts previews of the action into its credit sequence, so by the time it gets to the zombie attacks, you've seen it all already.<br /><br />Bad movie fans will have a ball watching the 18,000 continuity mistakes and the diabolical acting of the cast (especially the hitchhiker, who was so bad he did make me laugh a bit), and kudos to Hardgore for getting in to the spirit of things by releasing a print so bad it felt like I was watching some beat up home video of a camping trip.<br /><br />Awful, awful stuff. We've all made stuff like this when we've gotten a hold of a camera, but common sense prevails and these films languish in our cupboards somewhere. Avoid.\", 'label': 0}\n",
      "{'text': 'I received this movie as a gift, I knew from the DVD cover, this movie are going to be bad.After not watching it for more than a year I finally watched it. what a pathetic movie\\x85.<br /><br />I almost didn\\'t finish watching this bad movie,but it will be unfair of me to write a review without watching the complete movie.<br /><br />Trust me when I say \" this movie sucks\" I am truly shocked that some bad filmmaker wane bee got even financed to make this pathetic movie, But it couldn\\'t have cost more than $20 000 to produce this movie. all you need are a cheap camcorder or a cell phone camera .about 15 people with no acting skills, a scrip that were written by a couple of drunk people.<br /><br />In the fist part of this ultra bad move a reporter (Tara Woodley )run a suppose to be drunk man over on her way to report on a hunted town. He are completely unharmed. They went to a supposed to be abandon house ,but luckily for the it almost complete furnished and a bottle of liquor on the door step happens to be there. just for the supposed to be drunk man but all is not what it seems.<br /><br />Then the supposed drunk man start telling Tara ghost/zombies stories.<br /><br />The fist of his stupid lame stories must be the worst in history.<br /><br />his story<br /><br />Sgt. Ben Draper let one of his soldiers die of complete exhaustion (I think this is what happens)after letting the poor soldier private Wilson do sit ups he let him dig a grave and then the soldier collapse ,Ben Draper<br /><br />buries him in a shallow grave.<br /><br />But Sgt. Ben Draper are in for n big surprise. his wife/girl fiend knows about this and she and her lover kills Sgt. Ben Draper to take revenge on private Wilson.(next to the grave of the soldier he sort off murdered) The soldier wakes up from his grave in the form of zombie and kill them for taking revenge on his behalf.<br /><br />The twist ending were so lame.<br /><br />Even if you like B HORROR movies, don\\'t watch this movie', 'label': 0}\n",
      "{'text': 'I have not seen many low budget films i must admit, but this is the worst movie ever probably, the main character the old man talked like, he had a lobotomy and lost the power to speak more than one word every 5 seconds, a 5 year old could act better. The story had the most awful plot, and well the army guy had put what he thought was army like and then just went over the top, i only watched it to laugh at how bad it was, and hoped it was leading onto the real movie. I cant believe it was under the 2 night rental thing at blockbusters, instead of a please take this for free and get it out of our sight. I think there was one semi decent actor other than the woman, i think the only thing OK with the budget was the make up, but they show every important scene of the film in the beginning music bit. Awful simply awful.', 'label': 0}\n",
      "{'text': '..Oh wait, I can! This movie is not for the typical film snob, unless you want to brush up on your typical cinematic definitions, like \"continuity editing\" and \"geographic match\". I couldn\\'t tell where I was in this movie. One second they\\'re in the present, next minute their supposedly in the 70\\'s driving a modern SUV and wearing what looked like to me as 80\\'s style clothing. I think. I couldn\\'t pay long enough attention to it since the acting was just horrible. I think it only got attention because it has a 3d which I did not watch. If you\\'re a b-movie buff, and by b-movie I mean BAD movie, then this film is for you. It\\'s home-movie and all non-sense style will keep you laughing for as long as you can stay awake. If your tastes are more for Goddard and Antonioni, though, just skip this one.', 'label': 0}\n",
      "{'text': \"You have to admire Brad Sykes even if you don't particularly want to, a man who churns out budget horror after budget horror to less than enthusiastic receptions. But keeps on doing it all the same. Even the half-hearted praise than surrounds his Camp Blood films is given grudgingly and I'm as guilty of this as anyone. Brad normally manages to throw something interesting into the mix, a neat idea, a kooky character, whatever, but without the funds to take it further than base level, he relies on the audience to cut him some slack and appreciate it for what it is and what it could be. Joe Haggerty gives a spirited and very funny performance as Ebenezer Jackson and its a credit to Sykes that he can sense that this oddball turn is going to work within the framework of the film. Coming to a multiplex near you, in a parallel universe, somewhere.\", 'label': 0}\n",
      "{'text': \"THE ZOMBIE CHRONICLES <br /><br />Aspect ratio: 1.33:1 (Nu-View 3-D)<br /><br />Sound format: Mono<br /><br />Whilst searching for a (literal) ghost town in the middle of nowhere, a young reporter (Emmy Smith) picks up a grizzled hitchhiker (Joseph Haggerty) who tells her two stories involving flesh-eating zombies reputed to haunt the area.<br /><br />An ABSOLUTE waste of time, hobbled from the outset by Haggerty's painfully amateurish performance in a key role. Worse still, the two stories which make up the bulk of the running time are utterly routine, made worse by indifferent performances and lackluster direction by Brad Sykes, previously responsible for the likes of CAMP BLOOD (1999). This isn't a 'fun' movie in the sense that Ed Wood's movies are 'fun' (he, at least, believed in what he was doing and was sincere in his efforts, despite a lack of talent); Sykes' home-made movies are, in fact, aggravating, boring and almost completely devoid of any redeeming virtue, and most viewers will feel justifiably angry and cheated by such unimaginative, badly-conceived junk. The 3-D format is utterly wasted here.\", 'label': 0}\n",
      "{'text': \"A woman asks for advice on the road to reach a mysterious town, and hears two ghoulish stories from the local weirdo, both zombie related. But perhaps fate has something nasty in store for her too...<br /><br />The Zombie Chronicles is absolutely one of the worst films I have ever seen. In fact I must confess, so bad was it I fast forwarded through most of the garbage. And there was a lot of that, believe me. It runs for just 69 minutes, and there is still tons of filler. You get some skinhead doing a lot of push ups, plenty of dull kissy-kissy scenes between goofy teens (that rhymed, tee hee) and some fine examples of why some people should never become actors.<br /><br />As for the title characters, they barely even have a footnote in the film. Why, you get more undead action in the intro than you do the preceding feature! Though, considering how pathetic the eyes bursting out of sockets and the eating of brains sequences are (amongst other 'delights'), maybe that's a blessing in disguise.<br /><br />And to top it all off, it looks likes it's been filmed on someone's mobile phone for broadcast on Youtube. Jerky camera-work, scratches on the print, flickering lights... I had to rub my eyes when I realised it was made in 2001, and not 1971. Even the clothes and fashioned look about three decades out of date!<br /><br />If you think I'm not qualified to do a review of Chronicles having not seen the whole film, then go ahead. YOU try sitting through it, I betcha you won't even make it to the first appearance of the blue-smartie coloured freaks before making your excuses and leaving. It is truly laughable that anyone chose to release it, and honestly you'll get far more fun resting your drink on the disc than actually torturing your DVD player with this gigglesome excuse for horror. In fact, don't for surprised if it packs it's bags and leaves in the morning, leaving you doomed to watch VHS tapes for the rest of your life. You have been warned... 0/10<br /><br />P.S What kind of 18-rated horror has the woman keep a massive sports bra on during the obligatory sex scene?! See, the movie can't even get that part right...\", 'label': 0}\n",
      "{'text': \"Really, I can't believe that I spent $5 on this movie. I am a huge zombie fanatic and thought the movie couldn't be that bad. It had zombies in it right? Was I wrong! To be honest the movie had it's moments...I thought it was cool when the guy got his head ripped off but that was about it. Overall I think that it would be more enjoyable to slide down a razorblade slide on my bare nutsack into a vat of vinegar then watch this movie again. The movie could have been better if we could see some boob but I had to watch the trailers for the other movies produced by this company to see that. Buyer beware...unless you are into masochism.\", 'label': 0}\n",
      "{'text': \"I rented this movie about 3 years ago, and it still stands out in my mind as the worst movie ever made. I don't think I ever finished it. It is worse than a home video made by a high school student. I remember them doing a flashback to 1970 something and in the flashback there was a man with a polo shirt, oakley sunglasses and a newer SUV, like a Toyota Rav-4 or something (I don't remember). I don't understand how they could have possibly said that to be in the 70s. He might have had a cell phone too, I cant remember, It was just horrible. I returned it to the video store and asked them why they even carry the movie and if I could get the hour of my life back. To this day it is the worst movie I have ever seen, and I have seen some pretty bad ones.\", 'label': 0}\n",
      "{'text': ':Spoilers:<br /><br />I was very disappointed in Love\\'s Abiding Joy. I had been waiting a really long time to see it and I finally got the chance when it re-aired Thursday night on Hallmark. I love the first three \"Love\" movies but this one was nothing like I thought it was going to be. The whole movie was sad and depressing, there were way to many goofs, and the editing was very poor - to many scenes out of context. I also think the death of baby Kathy happened way to soon and Clarks appearance in the movie just didn\\'t seem to fit. It seemed like none of the actors really wanted to be there - they were all lacking emotion. There seemed to be no interaction between Missie and Willie at all.<br /><br />I think the script writers should have went more by the book. It seems like every movie that\\'s been made so far just slips further and further away from Janette Oke\\'s writings. I mean in the movie they never mentioned a thing about the mine and the two boys or Clark getting hurt because of it. And I think Missie and Willies reactions to Kathy\\'s death could have been shown and heard rather than just heard.<br /><br />Out of the four movies that have been made so far I\\'d have to say that Love\\'s Abiding Joy is my least favorite. I hope with the next four movies that more of the book is followed and if Clarks character is in them I hope he\\'s got a bigger part and I hope his part isn\\'t so bland. I also hope there is more of Scottie and Cookie and maybe even Marty but who knows what the script writers will have in store next.', 'label': 0}\n",
      "{'text': 'I\\'ve seen all four of the movies in this series. Each one strays further and further from the books. This is the worst one yet. My problem is that it does not follow the book it is titled after in any way! The directors and producers should have named it any thing other than \"Love\\'s Abiding Joy.\" The only thing about this movie that remotely resembles the book are the names of some of the characters (Willie, Missie, Henry, Clark, Scottie and Cookie). The names/ages/genders of the children are wrong. The entire story line is no where in the book.<br /><br />I find it a great disservice to Janette Oke, her books and her fans to produce a movie under her title that is not correct in any way. The music is too loud. The actors are not convincing - they lack emotions.<br /><br />If you want a good family movie, this might do. It is clean. Don\\'t watch it, though, if you are hoping for a condensed version of the book. I hope that this will be the last movie from this series, but I doubt it. If there are more movies made, I wish Michael Landon, Jr and others would stick closer to the original plot and story lines. The books are excellent and, if closely followed, would make excellent movies!', 'label': 0}\n",
      "{'text': \"I very much looked forward to this movie. Its a good family movie; however, if Michael Landon Jr.'s editing team did a better job of editing, the movie would be much better. Too many scenes out of context. I do hope there is another movie from the series, they're all very good. But, if another one is made, I beg them to take better care at editing. This story was all over the place and didn't seem to have a center. Which is unfortunate because the other movies of the series were great. I enjoy the story of Willie and Missy; they're both great role models. Plus, the romantic side of the viewers always enjoy a good love story.\", 'label': 0}\n",
      "{'text': \"I have read all of the Love Come Softly books. Knowing full well that movies can not use all aspects of the book,but generally they at least have the main point of the book. I was highly disappointed in this movie. The only thing that they have in this movie that is in the book is that Missy's father comes to visit,(although in the book both parents come). That is all. The story line was so twisted and far fetch and yes, sad, from the book, that I just couldn't enjoy it. Even if I didn't read the book it was too sad. I do know that Pioneer life was rough,but the whole movie was a downer. The rating is for having the same family orientation of the film that makes them great.\", 'label': 0}\n",
      "{'text': 'As a Southern Baptist, it pains me that I must give a below average rating to an overtly Christian movie. There certainly aren\\'t so many that I want to discourage film-makers from a genre that\\'s woefully under-exploited. Still, I must honestly say that \"Love\\'s Abiding Joy\" is a typically low budget, low key, self-consciously Christian film. The plot is predictable, the acting mediocre (I\\'m being kind), and the editing atrocious. As a TV movie it might have been slightly above average, but as a feature film it leaves much to be desired. Keep trying guys. You\\'ve got to have a movie about about real Christians inside you somewhere. Might I suggest you turn to G. K. Chesterton or C. S. Lewis for some inspiration?', 'label': 0}\n",
      "{'text': \"WARNING: This review contains SPOILERS. Do not read if you don't want some points revealed to you before you watch the film.<br /><br />With a cast like this, you wonder whether or not the actors and actresses knew exactly what they were getting into. Did they see the script and say, `Hey, Close Encounters of the Third Kind was such a hit that this one can't fail.' Unfortunately, it does. Did they even think to check on the director's credentials? I mean, would YOU do a movie with the director of a movie called `Satan's Cheerleaders?' Greydon Clark, who would later go on to direct the infamous `Final Justice,' made this. It makes you wonder how the people of Mystery Science Theater 3000 could hammer `Final Justice' and completely miss out on `The Return.'<br /><br />The film is set in a small town in New Mexico. A little boy and girl are in the street unsupervised one night when a powerful flashlight beam.er.a spaceship appears and hovers over them. In probably the worst special effect sequence of the film, the ship spews some kind of red ink on them. It looked like Clark had held a beaker of water in from of the camera lens and dipped his leaky pen in it, so right away you are treated with cheese. Anyhow, the ship leaves and the adults don't believe the children. Elsewhere, we see Vincent Schiavelli, whom I find to be a terrific actor (watch his scenes in `Ghost' for proof, as they are outstanding), who is playing a prospector, or as I called him, the Miner 1949er. He steps out of the cave he is in, and he and his dog are inked by the ship. Twenty-five years go by, and the girl has grown up to be Cybill Shepherd, who works with her father, Raymond Burr, in studying unusual weather phenomena. Or something like that. Shepherd spots some strange phenomena in satellite pictures over that little New Mexico town, and she travels there to research it. Once she gets there, the local ranchers harass her, and blame her for the recent slew of cattle mutilations that have been going on, and deputy Jan-Michael Vincent comes to her rescue. From this point on, the film really drags as the two quickly fall for each other, especially after Vincent wards off the locals and informs Shepherd that he was the little boy that saw the ship with her twenty-five years earlier. While this boring mess is happening, Vincent Schiavelli, with his killer dog at his side, is walking around killing the cattle and any people he runs into with an unusual item. You know those glowing plastic sticks stores sell for trick-or-treaters at Halloween, the kind that you shake to make them glow? Schiavelli uses what looks like one of those glow sticks to burn incisions in people. It's the second-worst effect in the movie. Every time Schiavelli is on screen with the glow stick, the scene's atmosphere suddenly turns dark, like the filmmakers thought the glow stick needed that enhancement. It ends up making the movie look even cheaper than it is.<br /><br />And what does all this lead up to? It's hard to tell when the final, confusing scene arrives. See, Burr and his team of scientists try to explain the satellite images that Shepherd found as some kind of `calling card,' but none of it makes sense. Why do Shepherd and Vincent age and Schiavelli does not? Schiavelli explains why he is killing cattle and people and why he wants Shepherd dead, but even that doesn't make much sense when you really think about it. I mean, why doesn't he kill Jan-Michael Vincent? After all, he had twenty-five years to do it. And the aliens won't need him if Shepherd is dead anyhow, so why try to kill her? Speaking of the aliens, it is never clear what they really wanted out of Shepherd and Vincent. What is their goal? Why do they wait so long to intervene? How could they be so sure Shepherd would come back? Not that the answer to any of these and other questions would have made `The Return' any more pleasant. You would still have bad lines, really bad acting, particularly by Shepherd, cheesy effects, and poor direction. Luckily, the stars escaped from this movie. Cybill Shepherd soon went on to star in `Moonlighting' with Bruce Willis. Jan-Michael Vincent went on to be featured in dozens of B-movies, often in over-the-top parts. Raymond Burr made a pile of Perry Mason television movies right up until his death. Vincent Schiavelli went on to be a great character actor in a huge number of films. Martin Landau, who played a kooky law enforcement officer, quickly made the terrific `Alone in the Dark' and the awful `The Being' before rolling into the films he has been famous for recently. You can bet none of these stars ever want their careers to return to `The Return.' Zantara's score: 2 out of 10.\", 'label': 0}\n",
      "{'text': 'As a kid I did think the weapon the murderer wielded was cool, however I was a kid and so I was a bit dumb. Even as a dumb kid though the movies plot was stupid and a bit boring when the killer was not using his light knife to kill people. What amazes me is that the movie has a really solid cast in it. What script did they read when agreeing to be in this movie as it is most assuredly boring and only a means to show off a light saber on a very small scale. The plot at times is incomprehensible and the end is totally chaotic. The whole film seems to rotate around aliens and the one weapon. The plot has two kids and some dude having an alien encounter, flash years later and there seems to be a return as it were in the mix. Dead animals and such to be explored and for some reason the one dude gets the weapon of the aliens and proceeds to use it to go on a very light killing spree. Seriously, you just have to wonder why this movie was made, if you are going to have a killer have some good death scenes, if you are going to have alien encounters show more than a weird light vortex thing, and if you are going to have light sabers then call yourself star wars.', 'label': 0}\n",
      "{'text': \"Jill Dunne (played by Mitzi Kapture), is an attractive, nice woman, over-whelmed by a smart-mouthed teenage daughter, Liv (Martha MacIsaac) and a petty, two-timing husband, Sean (Rick Roberts), both of which were tediously self-centered, and obnoxious.<br /><br />This was advertised as a troubled family stalked by a crazed killer during a relentless storm.<br /><br />The storm doesn't even happen until about the last 5 minutes of the film, and then it isn't anything to send anybody running to the storm cellar.<br /><br />The stalking, likewise doesn't get intense until almost the end of the film.<br /><br />Most of the film we spend listening to Jill and her insufferable daughter, Liv, argue until I just wanted to back slap the daughter into next week.<br /><br />Jill's problem with Liv is that she has taken up with Zack, a boy of questionable character, and they are constantly making out--in fact Jill comes home to find the two of them on Liv's bed.<br /><br />The rest of the time we spend listening to Jill's husband Sean either whine at Jill or criticize her.<br /><br />Sean was not at all appealing--since his face is so covered in freckles you could play connect the dots.<br /><br />The story begins with Jill being notified of an out-standing bill on their credit card for a hotel she has never been to, and that she thought Sean had never been to either.<br /><br />Jill goes to the hotel where she meets the owner & manager, Richard Grant (Nick Mancuso), a very nice, older, divorced man, who is sympathetic to her. In fact, when he spots her husband there again, he phones Jill and tips her off.<br /><br />Jill returns to the hotel, sees Sean with another woman. She is upset, leaves without Sean seeing her, and does absolutely nothing. In fact, she doesn't even say anything to Sean when he arrives home. This made no sense to me.<br /><br />Jill has given Richard her business card, and so he calls her and she is apparently in real estate. She shows him a condo. Afterwards they have a drink, and things get cozy between them.<br /><br />Richard and Jill are getting it on, hot and heavy. In fact, he seems a bit more aggressive than necessary, when Jill suddenly decides to cut out.<br /><br />Jill and Sean have a confrontation about his cheating. Sean whines about how Jill has been letting him down since her father died. Apparently his lack of any morals is all her fault. Eventually Jill confesses her own lack of morals and near adultery to Sean--and of course that's all her fault too, as far as Sean is concerned.<br /><br />The little family decides to go on a camping trip--which means more whining and grousing among them, especially from the spoiled daughter.<br /><br />I was so rooting for the stalker to get everybody, but Jill.<br /><br />3 stars\", 'label': 0}\n",
      "{'text': 'This movie sucked. It really was a waste of my life. The acting was atrocious, the plot completely implausible. Long, long story short, these people get \"terrorized\" by this pathetic \"crazed killer\", but completely fail to fight back in any manner. And this is after they take a raft on a camping trip, with no gear, and show up at a campsite that is already assembled and completely stocked with food and clothes and the daughters headphones. Additionally, after their boat goes missing, they panic that they\\'re stuck in the woods, but then the daughters boyfriend just shows up and they apparently never consider that they could just hike out of the woods like he did to get to them. Like I said, this movie sucks. A complete joke. Don\\'t let your girlfriend talk you into watching it.', 'label': 0}\n",
      "{'text': \"Lifetime did it again. Can we say stupid? I couldn't wait for it to end. The plot was senseless. The acting was terrible! Especially by the teenagers. The story has been played a thousand times! Are we just desperate to give actors a job? The previews were attractive and I was really looking for a good thriller.Once in awhile lifetime comes up with a good movie, this isn't one of them. Unless one has nothing else to do I would avoid this one at all cost. This was a waste of two hours of my life. Can I get them back? I would have rather scraped my face against a brick wall for two hours then soaked it in peroxide. That would have been more entertaining.\", 'label': 0}\n",
      "{'text': 'I have to say I am really surprised at the high ratings for this movie. I found it to be absolutely idiotic. The mother gets \"visions\" when she touches certain things or people? And one thing she touched twice made her vision continue... Just seemed so ridiculous. Deedee Pfieffer\\'s performance was awful I thought. She was very irritating. The girl who played Lori did a good job and so did most of the supporting cast for what they had to work with.<br /><br />I usually love LMN and am very open minded when it comes to movies but this movie seemed to have a ridiculous plot and over the top acting and it just was not for me.', 'label': 0}\n",
      "{'text': \"The original book of this was set in the 1950s but that won't do for the TV series because most people watch for the 1930s style. Ironically the tube train near the end was a 1950s train painted to look like a 1930s train so the Underground can play at that game too. Hanging the storyline on a plot about the Jarrow March was feeble but the 50s version had students who were beginning to think about the world around them so I suppose making them think about the poverty of the marchers is much the same thing. All the stuff about Japp having to cater for himself was weak too but they had to put something in to fill the time. This would have made a decent half hour show or they could have filmed the book and made it a better long show. It is obvious this episode is a victim of style over content.\", 'label': 0}\n",
      "{'text': \"The annoying mouse and lullaby really got to me and really had nothing to do with the story...It's something I would have done my 1st year in film school. Very sad. Additionally, the story just seemed to drag on for no apparent reason...there were too many things just thrown in there that had nothing to do with the story, which makes me feel that the creative team didn't really know what they were doing, or just that it should have been shorter...which would have been a blessing, not a crime. As I have just watched all of the episodes up to this point over the past week...I'd have to say that this was by far the worst, and I just wanted to warn others not to start with this one.\", 'label': 0}\n",
      "{'text': 'I saw this film opening weekend in Australia, anticipating with an excellent cast of Ledger, Edgerton, Bloom, Watts and Rush that the definitive story of Ned Kelly would unfold before me. Unfortunately, despite an outstanding performance by Heath Ledger in the lead role, the plot was paper thin....which doesn\\'t inspire me to read \"Our Sunshine\". There were some other plus points, the support acting from Edgerton in particular, assured direction from Jordan (confirming his talent on show in Buffalo Soldiers as well), and production design that gave a real feel of harshness to the Australian bush, much as the Irish immigrants of the early 19th century must have seen it. But I can\\'t help feeling that another opportunity has been missed to tell the real story of an Australian folk hero (or was he?)....in what I suspect is a concession to Hollywood and selling the picture in the US. Oh well, at least Jordan and the producers didn\\'t agree to lose the beards just to please Universal...<br /><br />Guess I will just have to content myself with Peter Carey\\'s excellent \"Secret History of the Kelly Gang\". 4/10', 'label': 0}\n",
      "{'text': 'I saw this at the premiere in Melbourne<br /><br />It is shallow, two-dimensional, unaffecting and, hard to believe given the subject matter, boring. The actors are passable, but they didn\\'t have much to work with given the very plodding and unimpressive script. For those who might have worried that Ned Kelly would be over-intellectualised, you can take comfort in the fact that this telling of the story is utterly without any literary depth at all, told entirely on the surface and full of central casting standards. However, it doesn\\'t work as a popcorn film either. Its pacing is too off-kilter and its craft is too lacking to satisfy even on the level of a mundane actioner.<br /><br />I very much doubt Gregor Jordan could sit back and say to himself \"this is the best I could have done with the material\".<br /><br />Ned Kelly is a fascinating figure, and equally so is the national response to him. Possibly folk genius, possibly class warrior, possibly psychopath and probably all these things, he has dominated Australian true mythology for over 120 years. Once again, his story has failed miserably on the big screen.<br /><br />Such is life.', 'label': 0}\n",
      "{'text': \"Ned Kelly (Ledger), the infamous Australian outlaw and legend. Sort of like Robin Hood, with a mix of Billy the Kid, Australians love the legend of how he stood up against the English aristocratic oppression, and united the lower classes to change Australia forever. The fact that the lower classes of the time were around 70% immigrant criminals seems to be casually skimmed around by this film. Indeed, quite a few so called `facts' in this film are, on reflection, a tad dubious.<br /><br />I suppose the suspicions should have been aroused when, in the opening credits, it was claimed that this film is based upon the book, `Our Sunshine'. If ever a romanticized version of truth could be seen in a name for a book, there it was. This wasn't going to be a historical epic, but just an adaptation of one of many dubious legends of Ned Kelly, albeit a harsh and sporadically brutal version.<br /><br />Unfortunately, Ned Kelly is nothing more than an overblown Hallmark channel `real life historical drama' wannabe! The story plods along at an alarming rate (alarming because never has a film plodded so slowly!) The feeling of numbness after the two hours of pure drivel brought back memories of Costner's awful Wyatt Earp all those years ago. Simply put, nothing happens in the film, but it takes a long time getting to that nothing. This would possibly have been a tad more bearable if the performances were good (because the direction sure as heck wasn't). However, unless you are looking to play a game of spot the worst Oirish accent, then you're gonna be disappointed. Between that, the game of `Who has the stupidest beard?', `Spot the obvious backstabber!' (clue, they are all ginger for some reason), and `Nature in Australia.including lions', it is an experience similar to flicking through Hallmark, The History Channel, Discovery Channel, and Neighbours whilst suffering a huge hangover. Yup, nature pops up a lot, as to fill even more time (possibly an attempt to look arty), the film keeps showing pointless wildlife shots, and once all the native species are shown, here's a circus to allow for a camel and a lion (which is used during one fight to try to make us actually feel more sorry for the lion than the massacred people).<br /><br />This is a turgid, emotionless piece of historical fluff which should have gone straight to TV. There isn't even one good word I can say about this film. Even the usually fantastic Rush seems embarrassed to be here. When one of the characters comments that there is only 2 bullets left for him and his pal, I myself was wishing I had a gun to blow any memory of this film out of my head!\", 'label': 0}\n",
      "{'text': 'They constructed this one as a kind of fantasy Man From Snowy River meets Butch Cassidy and the Sundance kid, and just for a romantic touch Ned and Joe get to play away with high class talent, the bored young wives of wealthy older men. OK, there are lots of myths about Ned Kelly, but there are also a lot of well documented facts, still leaving space for artistic creativity in producing a good historical dramaticisation. I mean, this is not the Robin Hood story, not the Arthurian legends, not Beowulf, not someone whose life is so shrouded in the mists of many many centuries past that any recreation of their life and times is 99% guesswork. It\\'s only a couple of lifetimes ago. My own grandparents were already of school age when Ned was hanged. <br /><br />So it\\'s silly me for fancifully imagining this movie was a serious attempt to tell the Kelly story. Having recently read Peter Carey\\'s excellent novel \"The True History of the Kelly Gang\" I had eagerly anticipated that this would be in similar vein. But no, the fact is that Mick Jagger\\'s much derided 1970 Kelly was probably far closer to reality, and a better movie overall, which isn\\'t saying a whole lot for it.<br /><br />Glad it only cost me two bucks to hire the DVD! I\\'ll give it 3/10, and that\\'s only because some of the nice shots of the Australian bush make me feel generous.', 'label': 0}\n",
      "{'text': 'This has to be the worst piece of garbage I\\'ve seen in a while.<br /><br />Heath Ledger is a heartthrob? He looked deformed. I wish I\\'d known that he and Naomi Watts are an item in real life because I spent 2 of the longest hours of my life wondering what she saw in him. <br /><br />Orlando Bloom is a heartthrob? With the scraggly beard and deer-in-the-headlights look about him, I can\\'t say I agree.<br /><br />Rachel Griffiths was her usual fabulous self, but Geoffrey Rush looked as if he couldn\\'t wait to get off the set. <br /><br />I\\'m supposed to feel sorry for bankrobbers and murderers? This is a far cry from Butch Cassidy, which actually WAS an entertaining film. This was trite, cliche-ridden and boring. We only stayed because we were convinced it would get better. It didn\\'t.<br /><br />The last 10-15 minutes or so were unintentionally hilarious. Heath and his gang are holed up in a frontier hotel, and women and children are dying because of their presence. That\\'s not funny. But it was funny when they walked out of the hotel with the armor on, because all we could think of was the Black Knight from Monty Python and the Holy Grail. I kept waiting for them to say \"I\\'ll bite yer leg off!\" We were howling with laughter, as were several other warped members of the audience. When we left, pretty much everyone was talking about what a waste of time this film was.<br /><br />I may not have paid cash to see this disaster (sneak preview), but it certainly wasn\\'t free. It cost me 2 hours of my life that I will never get back.', 'label': 0}\n",
      "{'text': 'If the term itself were not geographically and semantically meaningless, one might well refer to \"Ned Kelly\" as an \"Australian Western.\" For the people Down Under, Ned Kelly was, apparently, a folk hero bandit akin to Robin Hood, Jesse James, Bonnie and Clyde, and Butch Cassidy and the Sundance Kid. The descendant of Irish immigrants, Kelly became a fugitive and an outlaw after he was falsely accused of shooting an Australian law officer, a crime for which his equally innocent mother was put into prison. To get back at the government for this mistreatment, Kelly, his brother Dan, and two other companions, became notorious bank robbers, winning over the hearts of many people in the countryside while striking a blow for justice in a land where Irish immigrants were often treated with disrespect and disdain by those who ran the country.<br /><br />Perhaps because we\\'ve encountered this \"gentleman bandit\" scenario so many times in the past, \"Ned Kelly\" feels awfully familiar and unoriginal as it pays homage to any number of the genre\\'s stereotypes and clichés on its way to the inevitable showdown. Ned is the typical heart-of-gold lawbreaker who kills only when he is forced to and, even then, only with the deepest regret. He also has the pulse of the common folk, as when, in the middle of a bank robbery, he returns a valuable watch to one of the customers, after one of his gang has so inconsiderately pilfered it. What movie on this particular subject hasn\\'t featured a scene like that? It\\'s acts of selective generosity like this, of course, that earn him the love and respect of all the little people who come to secretly admire anyone who can get away with sticking it to the powers-that-be and the status quo. Geoffrey Rush plays the typical bedeviled law enforcer who feels a personal stake in bringing down this upstart troublemaker who keeps getting away with tweaking the establishment. There\\'s even the inevitable episode in which one of the ladies being held up goes into the next room and has sex with one of the robbers, so turned on is she by the romantic derring-do of the criminal lifestyle. And the film is riddled with one hackneyed scene like this after another.<br /><br />Heath Ledger fails to distinguish himself in the title role, providing little in the way of substance to make his character either interesting or engaging. It doesn\\'t help that he has been forced to provide a droning voice-over narration that underlines the sanctimoniousness and pretentiousness of both the character and the film.<br /><br />\"Ned Kelly\" might serve a function of sorts as a lesson in Australian history, but as an entertainment, it\\'s just the same old story told with different accents.', 'label': 0}\n",
      "{'text': \"This movie was so unrelentingly bad, I could hardly believe I was watching it. The directing, editing, production, and script all seemed as though they had been done by junior high school students who don't know all that much about movies. There was no narrative flow that made any sort of sense. Big emotional moments and climaxes (like one early on between Heath Ledger and Naomi Watts) and character relationships (like one hinted at at the very beginning) come completely out of no where and are not set up like they would have been in a more elegantly and effectively made film. The characters are sadly underdeveloped, making it difficult for us to have any sort of connection with them. The acting, surprisingly, is not entirely bad, but the terrible writing cancels out the relatively convincing performances. The film plays like a particularly bad T.V. western/epic, and sadly diminishes the fascinating (true) story that it attempts to tell. I have read a lot of reviews that defend the film as being important to Australians because of the subject matter. That's all very well, but just because Ned Kelly is an important Australian historical icon DOESN'T MAKE THE MOVIE GOOD. No one is saying that the subject matter isn't good, just the quality of the movie itself. Pearl Harbor was about a very important historical event to Americans, but that doesn't mean I'm going to defend the movie and say it was good, because it was still bad. A failure all around, though Heath and Orlando are lovely to look at.\", 'label': 0}\n",
      "{'text': \"This movie never made it to theaters in our area, so when it became available on DVD I was one of the first to rent it. For once, I should listened to the critics and passed on this one.<br /><br />Despite the excellent line up of actors the movie was very disappointing. I can see now why it went straight to video. <br /><br />I had thought that with Bloom, Ledger, and Rush it could have some value. All have done wonderful work in the past. <br /><br />The movie was slow moving and never pulled me in. I failed to develop much empathy for the characters and had to fight the urge to fast-forward just to get to the end. <br /><br />I do not recommend this film even if you are thinking of renting it for only for 'eye candy' purposes. It won't satisfy even that.\", 'label': 0}\n",
      "{'text': 'I thought this was a very clunky, uninvolving version of a famous Australian story. Heath Ledger and Orlando Bloom were very good in their roles, and gave their characters some personality; but the whole thing felt forced and mechanical.<br /><br />The beginning could have been a lot more involving; perhaps starting with a shootout, and then flashing back for a recap of how they got there or that sort of thing. And I felt like every scene was routinely predictable and signposted, like a very bad tv soap.<br /><br />I was really looking forward to this movie, and hoping for something a lot better. The only thing I can say in its favour is that it beats the Mick Jagger version, but not by much.', 'label': 0}\n",
      "{'text': \"Ned aKelly is such an important story to Australians but this movie is awful. It's an Australian story yet it seems like it was set in America. Also Ned was an Australian yet he has an Irish accent...it is the worst film I have seen in a long time\", 'label': 0}\n",
      "{'text': 'From the very beginning, the political theme of this film is so obvious and heavy handed, that the outcome is entirely predictable. Any good textbook on writing screenplays will advise layering of characters, incorporating character arcs, and three act structure. In this film you will find none of that. The police are the baddies, and consequently are shown as shallow, incompetent and cowards. It never seems to occur to the makers of this film that police might be honourable citizens who see joining the police as a good way to contribute to the wellbeing of society.<br /><br />The viewer gets no opportunity to make up his or her mind on whether Ned Kelly is a good guy or a ruthless villain. The film opens with him being arrested for stealing a horse, but we get no clue as to his guilt or innocence. We see him walk through the door of a gaol, but only know that he has been inside for three years when we hear this much later in some dialogue.<br /><br />This film contains many shots of Ned looking at the camera with a serious expression. I found the film a real chore to watch. It is the direction for modern films, and this one put me off watching any more.', 'label': 0}\n",
      "{'text': \"I guess I was attracted to this film both because of the sound of the story and the leading actor, so I gave it a chance, from director Gregor Jordan (Buffalo Soldiers). Basically Ned Kelly (Heath Ledger) is set up by the police, especially Superintendent Francis Hare (Geoffrey Rush), he is forced to go on the run forming a gang and go against them to clear his own and his family's names. That's really all I can say about the story, as I wasn't paying the fullest attention to be honest. Also starring Orlando Bloom as Joseph Byrne, Naomi Watts as Julia Cook, Laurence Kinlan as Dan Kelly, Philip Barantini as Steve Hart, Joel Edgerton as Aaron Sherritt, Kiri Paramore as Constable Fitzpatrick, Kerry Condon as Kate Kelly, Emily Browning as Grace Kelly and Rachel Griffiths as Susan Scott. Ledger makes a pretty good performance, for what it's worth, and the film does have it's eye-catching moments, particularly with a gun battle towards the end, but I can't say I enjoyed it as I didn't look at it all. Okay!\", 'label': 0}\n",
      "{'text': \"I don't quite get the rating for The Amati Girls and I think I was REALLY kind giving it a 4 out of 10. What could otherwise have been a wonderful story with actually a set of more or less decent actors became a total farce in my eyes. There are so many clichés in that flick, the women's hair is just awful and most of the scenes are more than unrealistic or seem fake. There's no real passion in this movie but a bunch of actors over-acting over any limits that it hurts. It's not funny enough to be a comedy, it's too fake-sad to really touch, so in my eyes it's just not good. Watching it I couldn't believe how something like that made it to my TV set in my living room in Switzerland. But.. maybe it still was OK and it just got lost in translation? Who knows. Definitely one of the oddest movies I've ever seen and this certainly not in a good way! Sorry.\", 'label': 0}\n",
      "{'text': \"This movie was awful. The ending was absolutely horrible. There was no plot to the movie whatsoever. The only thing that was decent about the movie was the acting done by Robert DuVall and James Earl Jones. Their performances were excellent! The only problem was that the movie did not do their acting performances any justice. If the script would have come close to capturing a halfway decent story, it would be worth watching. Instead, Robert DuVall's and James Earl Jones' performances are completely wasted on a god awful storyline...or lack thereof. Not only was I left waiting throughout the movie for something to happen to make the movie....well an actual movie...not just utterless dialog between characters for what ended up being absolutely no reason. It was nothing more than common dialog that would have taken place back in that period of time. There was nothing special about any of the characters. The only thing special was how Robert DuVall portrayed a rambling, senile, drunk, old man. Nothing worthy happens during the entire movie including the end. When the movie ended, I sat amazed...amazed that I sat through the entire movie waiting for something of interest to happen to make watching the movie worth while. It never happened! The cast of characters suddenly started rolling making it apparent that the movie really was over and I realized that I had just wasted 2 hours of my life watching a movie with absolutely no plot and no meaning. It wasn't even a story. The entire movie takes place in a day's worth of time. That's it. It was one day in the life (and death) of some Southerners on a plantation. How much of a story can take place in a single day (other than the movie Training Day)? The acting performances by the entire cast were excellent, but they were grossly wasted on such a disappointment of a movie...if you can even call it a movie.\", 'label': 0}\n",
      "{'text': \"Holy crap. This was the worst film I have seen in a long time. All the performances are fine, but there is no plot. Really! No plot! A bunch of clowns talk about this and that and that's your film. Ug... Robert Duvall's character is senile and keeps asking the same people the same qestions over and over. This earns him the same responses over and over. I am pretty sure this film got upto a six because people think they should like it. Good performances with famous and well regarded actors, but the actual complete work is a steamy turd. Well, maybe that's a bit deceptive since steam rising from a fresh pile sounds a little like something happening and in this film NOTHING HAPPENS! Sack\", 'label': 0}\n",
      "{'text': \"SWING! is an important film because it's one of the remaining Black-produced and acted films from the 1930s. Many of these films have simply deteriorated so badly that they are unwatchable, but this one is in fairly good shape. It's also a nice chance to see many of the talented Black performers of the period just after the heyday of the old Cotton Club--a time all but forgotten today.<br /><br />Unfortunately, while the film is historically important and has some lovely performances, it's also a mess. The main plot is very similar to the Hollywood musicals of the era--including a prima donna who is going to ruin the show and the surprise unknown who appears from no where to save the day. However, the writing is just god-awful and a bit trashy at times--and projects images of Black America that some might find a bit demeaning. This is because before the plot really gets going, you are treated to a no-account bum who lives off his hard working wife (a popular stereotype of the time) and when he is caught with a hussy (who, by the way, totally overplays this role), they have a fight which looks like a scene from WWE Smackdown! And, the one lady wants to cut the other lady with a straight razor--a trashy scene indeed! Later in the film, when the prima donna is behaving abominably, her husband punches her in the face and everyone applauds him! It seems like the film, at times, wants to appeal to the lowest common denominator in the audience PLUS they can't even do this well--with some of the worst acting I've seen in a very long time.<br /><br />Still, if you can look past a lousy production in just about every way (with trashy characters, bad acting and direction and poor writing), this one might be worth a peek so you can see excellent singing and tap dancing--as well as to catch a glimpse of forgotten Black culture. Just don't say I didn't warn you about the acting--it's really, really bad!\", 'label': 0}\n",
      "{'text': 'There\\'s not a drop of sunshine in \"The Sunshine Boys\", which makes the title of this alleged comedy Neil Simon\\'s sole ironic moment. Simon, who adapted the script from his play (which goes uncredited), equates old age with irrational behavior--and, worse, clumsy, galumphing, mean-spirited irrational behavior. Walter Matthau is merciless on us playing an aged vaudeville performer talked into reuniting with former comedy partner George Burns for a television special (it\\'s said they were a team for 43 years, which begs the question \"how long did vaudeville last, anyway?\"). Burns, who won a Supporting Oscar, has the misfortune of coming to the film some thirty minutes in, after which time Matthau has already blasted the material to hell and back. The noisier the movie gets, the less tolerable and watchable it is. Director Herbert Ross only did solid work when he wasn\\'t coupled with one of Neil Simon\\'s screenplays; here, Ross sets up gags like a thudding amateur, hammering away at belligerent routines which fail to pay off (such as semi-incoherent Matthau showing up at a mechanic\\'s garage to audition for a TV commercial). At this point, Matthau was still too young for this role, and he over-compensates by slouching and hollering. It was up to Ross and Simon to tone down the character, to nuance his temperament to give \"The Sunshine Boys\" some sunniness, yet Walter continues to project as if we\\'d all gone deaf. The picture looks terribly drab and crawls along at a spiritless pace; one loses hope for it early on. *1/2 from ****', 'label': 0}\n",
      "{'text': \"I like Goldie Hawn and wanted another one of her films, so when I saw Protocol for $5.50 at Walmart I purchased it. Although mildly amusing, the film never really hits it a stride. Some scenes such as a party scene in a bar just goes on for too long and really has no purpose.<br /><br />Then, of course, there is the preachy scene at the end of the film which gives the whole film a bad taste as far as I'm concerned. I don't think this scene added to the movie at all. I don't like stupid comedies trying to teach me a lesson, written by some '60's burn out especially!<br /><br />In the end, although I'm glad to possess another Hawn movie, I'm not sure it was really worth the money I paid for it!\", 'label': 0}\n",
      "{'text': \"Protocol is an implausible movie whose only saving grace is that it stars Goldie Hawn along with a good cast of supporting actors. The story revolves around a ditzy cocktail waitress who becomes famous after inadvertently saving the life of an Arab dignitary. The story goes downhill halfway through the movie and Goldie's charm just doesn't save this movie. Unless you are a Goldie Hawn fan don't go out of your way to see this film.\", 'label': 0}\n",
      "{'text': 'When an attempt is made to assassinate the Emir of Ohtar, an Arab potentate visiting Washington, D.C., his life is saved by a cocktail waitress named Sunny Davis. Sunny becomes a national heroine and media celebrity and as a reward is offered a job working for the Protocol Section of the United States Department of State. Unknown to her however, the State Department officials who offer her the job have a hidden agenda.<br /><br />A map we see shows Ohtar lying on the borders of Saudi Arabia and South Yemen, in an area of barren desert known as the Rub al-Khali, or Empty Quarter. In real life a state in this location would have a population of virtually zero, and virtually zero strategic value, but for the purposes of the film we have to accept that Ohtar is of immense strategic importance in the Cold War and that the American government, who are keen to build a military base there, need to do all that they can in order to keep on the good side of its ruler. It transpires that the Emir has taken a fancy to the attractive young woman who saved him and he has reached a deal with the State Department; they can have their base provided that he can have Sunny as the latest addition to his harem. Sunny\\'s new job is just a ruse to ensure that the Emir has further opportunities to meet her.<br /><br />A plot like this could have been the occasion for some hilarious satire, but in fact the film\\'s satirical content is rather toned down. Possibly in 1984 the American public were not in the mood for trenchant satire on their country\\'s foreign policy; this was, after all, the year in which Ronald Reagan carried forty-nine out of fifty states in the Presidential election and his hard line with the Soviet Union was clearly going down well with the voters. (If the film had been made a couple of years later, in the wake of the Iran/Contra affair, its tone might have been different).<br /><br />The film is not so much a satire as a vehicle for Goldie Hawn to show off her brand of cuteness and charm. Sunny is a typical Goldie character- pretty, sweet-natured, naive and not too bright. There is, however, a limit to how far you can go with cuteness and charm alone, and you cannot automatically make a bad film a good one just by making the leading character a dumb blonde. (Actually, that sounds more like a recipe for making a good film a bad one). Goldie tries her best to save this one, but never succeeds. Part of the reason is the inconsistent way in which her character is portrayed. On the one hand Sunny is a sweet, innocent country girl from Oregon. On the other hand she is a 35-year-old woman who works in a sleazy bar and wears a revealing costume. The effect is rather like imagining Rebecca of Sunnybrook Farm grown up and working as a Bunny Girl.<br /><br />The more important reason why Goldie is unable to rescue this film is even the best comedian or comedienne is no better than his/her material, and \"Protocol\" is simply unfunny. Whatever humour exists is tired and strained, relying on offensive stereotypes about Arab men who, apparently, all lust after Western women, particularly if they are blonde and blue-eyed. There was a lot of this sort of thing about in the mid-eighties, as this was the period which also saw the awful Ben Kingsley/ Nastassia Kinski film \"Harem\", about a lascivious Middle Eastern ruler who kidnaps a young American woman, and the mini-series of the same name which told a virtually identical story with a period setting. The film-makers seem to have realised that their film would not work as a pure comedy, because towards the end it turns into a sort of latter-day \"Mr Smith Goes to Washington\". Sunny turns from a blonde bimbo into a fount of political wisdom and starts uttering all sorts of platitudes about Democracy and the Constitution and the Citizen\\'s Duty to Vote and We The People and how the Price of Liberty is Eternal Vigilance blah blah blah\\x85\\x85, but in truth the film is no more successful as a political parable than it is as a comedy.<br /><br />Goldie Hawn has made a number of good comedies, such as \"Cactus Flower\", \"Overboard\" and \"\"Housesitter\", but \"Protocol\" is not one of them. I have not seen all of her films, but of those I have seen this dire comedy is by far the worst. 3/10', 'label': 0}\n",
      "{'text': 'What does the \" Executive producer \" do in a movie . If I remember correctly it\\'s the person who raised the financial backing to make the movie . You might notice in a great number of movies starring Sean Connery that he is also the executive producer which meant Connery himself raised the money since he is a major player . Unfortunately it should also be pointed out that a great number of movies \" starring Sean Connery were solely made because he managed to raise the money since he\\'s a major Hollywood player , it\\'s usually an indication that when the credits read that the executive producer and the star of the movie are one and the same the movie itself is nothing more than a star vehicle with the story/screenplay not being up to scratch <br /><br />PROTOCOL follows the saga of one Sunny Davis a kooky bimboesque cocktail waitress who saves a visiting dignitary and as a reward gets made a top diplomat . Likely ? As things progress Ms Davis ( Who has problems being able to string two sentences together ) finds herself in more outlandish and less likely situations . When I say that PROTOCOL stars Goldie Hawn who is also the film\\'s executive producer do you understand what I\\'m saying about the story/screenplay not being up to scratch ? Exactly', 'label': 0}\n",
      "{'text': \"Outlandish premise that rates low on plausibility and unfortunately also struggles feebly to raise laughs or interest. Only Hawn's well-known charm allows it to skate by on very thin ice. Goldie's gotta be a contender for an actress who's done so much in her career with very little quality material at her disposal...<br /><br />\", 'label': 0}\n",
      "{'text': 'There are only two movies I would give a 1/10 to, this stinker and \"The Man who Fell to Earth.\" I remember seeing Protocol at a theater in the early 80s when I was in high school. The script is insulting to anyone (including a high school student\\'s) intelligence. It completely lost me with the \"hillarious\" gag of someone getting shot in the butt. Goldie Hawn is supposed to be charming but comes across as vapid and moronic. Then there are offensive stereotypes about Arabs, followed by Goldie winning over everyone by spouting populist dribble. The acting was terrible, including Goldie Hawn\\'s. I could not stand to see another movie she was in until IMO she redeemed herself in Everyone Says I Love You. This is the kind of movie you make if you want to put no effort into screenplay writing. The worst.', 'label': 0}\n",
      "{'text': \"The only good thing about this movie was the shot of Goldie Hawn standing in her little french cut bikini panties and struggling to keep a dozen other depraved women from removing her skimpy little cotton top while she giggled and cooed. Ooooof! Her loins rival those of Nina Hartley. This movie came out when I was fourteen and that shot nearly killed me. I'd forgotten about it all tucked away in the naughty Roladex of my mind until seeing it the other day on TV, where they actually blurred her midsection in that scene, good grief, reminding me what a smokin' hottie of a woman Goldie Hawn was in the '80s. Kurt Russell must have had a fun life.\", 'label': 0}\n",
      "{'text': 'I\\'m studying Catalan, and was delighted to find El Mar, a movie with mostly Catalan dialogue, at my art-house video store.<br /><br />Hmmm... not so delighted to have seen it.<br /><br />Yes, as other reviewers have said, it\\'s well-made, and beautifully photographed. Although the opening sequence of the children is shockingly violent, it\\'s well-acted and convincing. (For the most part, that is... Would the Mallorquins strip a corpse in preparation for burial right in the middle of the town square, in full view of the dead man\\'s 10-year-old boy?) Oh, well... minor detail. Up to this point, it had something of the feel of a non-magical Pan\\'s Labyrinth, also set in the Spanish Civil War.<br /><br />Fast-forward, and the three children who survived the opening incident have come of age. Francisca is a nun working at a tuberculosis sanatorium and the two boys, Manuel and Ramallo, both are patients. I know, but hey, coincidences happen.<br /><br />The problem, as with so many Spanish movies (apologies to Almodovar fans), is that with one exception (Francisca) the characters are just so dang *weird*. Their motivations, personalities, and dialogue are often simply incoherent.<br /><br />What\\'s more, it descends into some horrific wretched excess. Be prepared for LOTS of pain and LOTS of blood. The reviewer who called it a \"potboiler\" is quite on track. If it had been made 40 years ago, the poster would\\'ve said: SEE FORBIDDEN LOVE!! RAPE!! MURDER!! MUTILATION!! FANATICISM!! ANIMAL CRUELTY!! BETRAYAL!! <br /><br />The opening sequence is not nearly enough to make the personalities and relationships of the characters believable. To work, this should have had multiple flashbacks to flesh out the characters. As it is, it seems a bizarre and depressing cross between \"Brother Sun, Sister Moon\" and \"Pulp Fiction.\" If that sounds like something you\\'ve got to see, by all means, enjoy. I think I go with something that doesn\\'t make me feel I need to take a shower to wash off the gore and gloom.<br /><br />As for the Catalan, it\\'s the Mallorqui dialect, fairly different than the Barcelona dialect, though I was surprised by the comment that said that even Barcelonans apparently needed Catalan subtitles to understand it.', 'label': 0}\n",
      "{'text': 'I was excited to view a Cataluña´s film in the Berlin´s competition. But after the presentation I was total disappointed and furious. Too much blood, too much time, too much themes for nothing. The Spanish Civil War, like every war, was horrible. The revenge, a very human behavior, not pretty at all, is shown in uncountable films and plays, as well as the relations between homosexuals and the scepticism in Spain about Catholicism . But what Mr Villaronga try, is a pseudo tragedy that can belongs to the worst of the film´s history. It is really a pity to see Angela Molina in this movie. I advise nobody under no circumstances to go to see this film.', 'label': 0}\n",
      "{'text': 'this film was a major letdown. the level of relentless cruelty and violence in this film was very disturbing. some scenes were truly unnecessarily ugly and mean-spirited. the main characters were impossible to identify with or even sympathize with. the lead protagonist\\'s character was as slimy as they come. the sickroom/hothouse atmosphere lent itself to over-the-top theatrics. little or nothing could be learned about the Spanish civil war from this film. fortunately, i\\'ve been to spain and realize this is not realistic! in addition, the use of same-sex attraction as a lurid \"horror\" was also very offensive and poorly handled, while the DVD is being packaged and advertised to attract gay viewers. the actors seemed uncomfortable in their roles,as if they were trying to distance themselves from this mess.i guess if you like watching children and pets being brutally killed,this film might especially appeal to you.', 'label': 0}\n",
      "{'text': 'Three part \"horror\" film with some guy in a boarded up house imploring the viewer not to go \"out there\" and (unfortunately) gives us three tales to prove why.<br /><br />The first story involves a young couple in a car accident who meet up with two psychos. It leads up to two totally predictable twists. Still, it\\'s quick (about 15 minutes), violent, well-acted and well-done. Predictable but enjoyable.<br /><br />The second involves a man on the run after stealing a large amount of money. His car breaks down, he\\'s attacked by a dog and stumbles into a nearby clinic. VERY obvious, badly done and extremely slow. Even at 30 minutes this is too long. Good acting though.<br /><br />The third is just barely a horror story. It involves a beautiful, lonely woman looking for Mr. Right. It has beautiful set designs, a nice erotic feel and a nice sex scene. But (again) predictable and not even remotely scary.<br /><br />It ends very stupidly.<br /><br />All in all, the first one is worth watching, but that\\'s it. Tune in for that one then turn it off.', 'label': 0}\n",
      "{'text': \"A very cheesy and dull road movie, with the intention to be hip and modern, shown in the editing style and some weird camera angles, resulting only in sleepiness. <br /><br />The cast is wasted, the writing is stupid and pretentious. The only thing worthwhile is the top-notch Lalo Schifrin's soundtrack, really cool and also the opening sequence, very original and interesting. <br /><br />Run if you can, the bad opinions and comments about this flick are totally deserved; it is really pure garbage. Of course that this has its charm, of watching a movie which everybody would not drop the beer glass on if it were on fire, but save it for a stormy day where you have absolutely nothing else to do.\", 'label': 0}\n",
      "{'text': 'There are some nice shots in this film, it catches some of the landscapes with such a beautiful light, in fact the cinematography is probably it\\'s best asset.<br /><br />But it\\'s basically more of a made for TV movie, and although it has a lot of twists and turns in the plot, which keeps it quite interesting viewing, there are no subtitles and key plot developments are unveiled in Spanish, so non Spanish speakers will be left a little lost.<br /><br />I had it as a Xmas gift, as it\\'s a family trait to work through the films of a actor we find talented, and Matthew Mconaughey was just awesome in \"A Time to kill\" , and the \"The Newton Boys \" so I expressed I wanted to see more of his work.<br /><br />However although it says on the DVD box it is a Matthew Mconaughey film and uses this as a marketing ploy, he has a few lines and is on screen for not very minutes at the end of the film, he is basically an extra and he doesn\\'t exactly light up the screen while he is on, so die hard fans, really not worth it from that point of view.<br /><br />The films star though, Patrick McGaw is great though and very easy on the eye, and his character is just so nice and kind and caring, a true saint of a guy, he\\'d be well written into a ROM com.<br /><br />So for true Mcconaughey acting brilliance of the ones I\\'ve seen, I\\'d recommend, \"A Time to kill\" , \"The Newton Boys \" \"Frailty\", \"How to Lose a Guy in 10 Days\", \"Edtv\" and \"Amistad\" and avoid too \"Larger Than Life\" and \"Angels in the Outfield\" unless you feel like a kids film or have kids around as neither of these are indicative of his talent, but are quite amusing films for children, again MM is really nothing more that a supporting artist with just a few if any lines.<br /><br />As for Scorpion Springit\\'s not a bad film but it also isn\\'t screen stealing either.', 'label': 0}\n",
      "{'text': \"When a man who doesn't have Alzheimer's can't remember how many films he's made, he probably is the world's most prolific director after all. That man is Jesus Franco, the king of so-called 'eurotrash'. His 1980 flick Devil Hunter is as rushed, opaque, stupid, lazy and exploitative in the truest sense of the word (the film's title is misleading, for starters) as any other Franco film I've seen. That makes it sound pretty awful, and it is... Yet Franco does have some kind of inimitable sensibility, a generous way with the baldly outrageous, with nudity and sleaze and violence, and even with his stupid cheap editing which tries to pave over the extreme haste with which all his films were made. The mix of all these elements causes you to ride his films out, even while you're mostly waiting for them to end because they're so very tedious.<br /><br />Devil Hunter is nigh on incomprehensible for the first half an hour. The kidnap by strangers of a white woman who seems to be a model or film star is intercut with a bunch of native action in South America. There's lots of naked writhing, dancing, and endless repeated zoom-ins on an ugly totem pole. You need to get used to the repetitive zoom-ins and the technique of cutting back to the same shot about three times in a row right away, as these are Franco's main methods of extending a film out to feature length.<br /><br />The monster who looks like the totem pole is actually kind of scary. He has raw bug eyes and his presence is always signalled on the soundtrack by cacophonous groaning, apparently recorded in an echo chamber. Early in the piece he chews on a native lady strapped to a tree, and it's hard to know what really happens here but I think he ate her stomach (or her genitals, sweet Jesus!).<br /><br />Anyway, the adventure begins properly when a studly guy and his freaked out Vietnam vet pal are sent to the island to recover the white girl from the kidnappers. The flakey guy has an accent which, as dubbed, is half Brooklyn-American, half English-Liverpudlian and all retarded. All of the dialogue and dubbing is ridiculous and laughable, making for another layer of the film which can somehow hold your interest.<br /><br />Not too much really happens from here on in, and it happens pretty sluggishly, studded with the odd bit of outrage like a rape. The nebulous action is fleshed out (haha!) by acres of 360 degree nudity from the natives and the two female leads, and even from the monster himself. That he walks around with his penis exposed makes wrestling him an unappetising prospect for the tough guy hero, but it's gotta be done at some point, and it's nice to note that the director will show anyone's genitals on camera.<br /><br />The best feature of Devil Hunter is the location filming. Franco can be extremely cheap with the structural and story aspects of film-making, but he doesn't muck around with sets. You get real islands, jungles, helicopters and mountains, all in widescreen. This is something that is really cool to experience in these days of crappy CGI sets and backdrops ad nauseam.<br /><br />Ultimately, issues of recommendation where this film is concerned seem moot. If you're trying to see all the Video Nasties, you will have to watch this at some point, and you'll be made as restless as I was. If you like Franco, you'll watch this anyway. If you fall into neither of the above categories, the odds are you'll never come across this film. Copies of it aren't just lying around, and I could hardly recommend the seeking out of it. It's Franco. Lazy, crazy Franco.\", 'label': 0}\n",
      "{'text': 'I have been looking for this film for ages because it is quite rare to find as it was one of the video nasties. I finally found it on DVD at the end of last year it is a very low budget movie The story is set around amazon jungle tribes that are living in fear of the devil. Laura Crawford is a model who is kidnapped by a gang of thugs while she is working in South America. They take her into the jungle Laura is guarded by some ridiculous native who calls himself \"The Devil\" she has to go though all unpleasant things until they are happy. Maidens are Chained up. The devil demonstrates eating flesh in a horrible manner. Peter Weston, is the devil hunter, who goes into the jungle to try and rescue her,', 'label': 0}\n",
      "{'text': 'As the number of Video Nasties I\\'ve yet to see dwindles, this little pile of garbage popped up on my \"to rent\" list when I saw it was available.<br /><br />The premise involves a fashion model or something being kidnapped and taken into the jungle to be held for ransom by a motley crew of idiots. Some other goof gets hired to bring her back and is given a sack of money to use as a bargaining chip, though if he returns with the girl and all the money, he gets a significant cut. He\\'s brought a helicopter and pilot with him and, wow, that pilot is one of the worst actors EVER! Granted, they are all totally terrible and the dubbing will make you cry blood. After stealing away into the jungle, we learn that nearby is a cannibal cult whose flesheating earthbound god wanders the woods like a human King Kong looking for tribeswomen to ravage and devour. Now, this fellow is just a naked guy with some of the worst makeup ever, ping-pong balls for eyes and that\\'s pretty much it. His growls and groans are an everpresent feature on the soundtrack, and I found myself muting much of those scenes.<br /><br />Oh, did I forget to mention the almost constant nudity? This is probably the main reason this film was banned, though there is one specific scene, about one second long, where the god attacks a girl and pulls her guts out, but it\\'s not a redeeming factor for gore fans. Also, Jess Franco goes beyond the usual T and A and shows lengthy close-ups of female genitals, and, sadly, male as well. So, if you want \"fair\" in terms of exploitation, you got it.<br /><br />I can\\'t recommend this trash to anyone. It\\'s not even the good bad movie. It\\'s just atrociously padded trash that only a Video Nasty fan will probably view and even then, if you are making your way through the list, leave this for the very last. If you watch it first, you may get the notion that this is the norm for the list, which is certainly not true.', 'label': 0}\n",
      "{'text': 'Not sure if I\\'m referring to those who labeled this a video nasty or to the director...\"Devil Hunter\" sure is one bizarre \\'horror\\' movie.<br /><br />The plot is a loosey goosey combo of superior films like \"Cannibal Ferox\" and \"Cut and Run.\" Chick gets kidnapped in the \\'jungle\\' by a \\'tribe\\' of \\'savages.\\' The jungle looks more like a park somewhere in Mexico. The tribe is like a group of hippies who walk around in Party City-style Halloween costume renditions of tribal garb. And the savages range in race from white to Asian to black to hispanic. I suppose Franco just grabbed anyone who looked even slightly ethnic for this romp.<br /><br />To make matters worse, this film has ultra-minimal gore, no real scares and a lot of unnecessary penis. Not fun. I can find something to like in just about any sleazy Italian or Euro-trash film; this one just fell WAY short.<br /><br />2 out of 10, kids.', 'label': 0}\n",
      "{'text': 'This video nasty was initially banned in Britain, and allowed in last November without cuts.<br /><br />It features the Playboy Playmate of the Month October 1979, Ursula Buchfellner. The opening cuts back and forth between Buchfellner and foggy jungle pictures. I am not sure what the purpose of that was. It would have been much better to focus on the bathtub scene.<br /><br />Laura (Buchfellner) is kidnapped and held in the jungle for ransom. Peter (Al Cliver - The Beyond, Zombie) is sent to find her and the ransom. Of course, one of the kidnappers (Antonio de Cabo) manages to pass the time productively, while another (Werner Pochath) whines incessantly.<br /><br />The ransom exchange goes to hell, and Laura runs into the jungle. Will Peter save her before the cannibals have a meal? Oh, yes, there are cannibals in this jungle. Why do you think it was a video nasty! Muriel Montossé is found by Peter and his partner (Antonio Mayans - Angel of Death) on the kidnapper\\'s boat. Montossé is very comfortably undressed. Peter leaves them and goes off alone to find Laura, who has been captured by now. They pass the time having sex, and don\\'t see the danger approaching. Guts, anyone? Great fight between Peter and the naked devil (Burt Altman).<br /><br />Blood, decapitation, guts, lots of full frontal, some great writhing by the cannibal priestess (Aline Mess), and the line, \"They tore her heart out,\" which is hilarious if you see the film.', 'label': 0}\n",
      "{'text': \"Of the three titles from Jess Franco to find their way onto the Official DPP Video Nasty list (Devil Hunter, Bloody Moon and Women Behind Bars) this is perhaps the least deserving of notoriety, being a dreadfully dull jungle clunker enlivened only very slightly by a little inept gore, a gratuitous rape scene, and loads of nudity.<br /><br />Gorgeous blonde Ursula Buchfellner plays movie star Laura Crawford who is abducted by a gang of ruthless kidnappers and taken to a remote tropical island inhabited by a savage tribe who worship the 'devil god' that lurks in the jungle (a big, naked, bulging-eyed native who likes to eat the hearts of nubile female sacrifices).<br /><br />Employed by Laura's agent to deliver a $6million ransom, brave mercenary Peter Weston (Al Cliver) and his Vietnam vet pilot pal travel to the island, but encounter trouble when the bad guys attempt a double-cross. During the confusion, Laura escapes into the jungle, but runs straight into the arms of the island's natives, who offer her up to their god.<br /><br />Franco directs in his usual torpid style and loads this laughable effort with his usual dreadful trademarks: crap gore, murky cinematography, rapid zooms, numerous crotch shots, out of focus imagery, awful sound effects, and ham-fisted editing. The result is a dire mess that is a real struggle to sit through from start to finish (It took me a couple of sittings to finish the thing), and even the sight of the luscious Buchfellner in all of her natural glory ain't enough to make me revisit this film in a hurry.\", 'label': 0}\n",
      "{'text': 'How can you tell that a horror movie is terrible? when you can\\'t stop laughing about it of course! The plot has been well covered by other reviewers, so I\\'ll just add a few things on the hilarity of it all.<br /><br />Some reviews have placed the location in South America, others in Africa, I thought it was in some random island in the Pacific. Where exactly does this take place, seems to be a mystery. The cannibal tribe is conformed by a couple of black women some black men, and a man who looks like a young Frank Zappa banging the drums... the Devil God is a large black man with a terrible case of pink eyes.<br /><br />One of the \"freakiest\" moments in the film is when, \"Pablito\" find his partner hanging from a tree covered in what seems to be an orange substance that I assume is blood, starts screaming for minutes on and on (that\\'s actually funny), and then the head of his partner falls in the ground and \"Pablito\" kicks it a bit for what I assume is \"shits n\\' giggles\" and the eyes actually move...<br /><br />But, of course, then the \"freak\" is gone when you realize the eyes moved because the movie is just bad...<br /><br />I hadn\\'t laughed like this in a loooong while, and I definitely recommend this film for a Sunday afternoon with your friends and you have nothing to do... grab a case of beers and start watching this film, you\\'ll love it! If you are looking for a real horror or gore movie, though... don\\'t\\' bother.', 'label': 0}\n",
      "{'text': \"A model named Laura is working in South America when she is kidnapped from her hotel room by a gang and taken into the jungle. They demand a huge ransom for her release. Peter is hired to get her home safe and there is a bonus in it for him if he can bring back the money as well as the girl. Peter is taken to the jungle by helicopter with friend Jack. They try to give the kidnappers fake money in return for Laura but the plan goes horribly wrong and they have to bail out in the helicopter. The helicopter is shot and they also have to bail from that (not going well so far). Also roaming the jungles is a devil of sorts. In reality its just a naked black guy with weirdly big eyes and a breathing problem. He starts to kill a few of the kidnappers and Laura escapes only to be captured by some primitives. The rest of the film is a bit of a blur really.<br /><br />Now I'm not a massive Jess Franco fan, in fact to date this is only the second film of his I have seen, but even I can tell that this really isn't one of his best efforts. The films drags along at a pretty slow pace without much at all happening. The whole thing could have been edited down quite easily into a 25 minute TV show. There are plenty of overly long shots of people walking through the jungle that could have just been lifted straight out.<br /><br />Devil Hunter is poorly lit (Infact I don't think it was lit at all), badly dubbed, poorly acted and slow yet for some reason it didn't bore me. I think the main reason for this was some of the hilariously bad scenes in it. For example a scene where Laura is walking in the street was obviously shot in a real street as crowds of people stop to stare straight at the camera as its shooting. Another funny scene has one of the gang who has been killed, hung in a tree dripping blood as one of his friends stands directly under him screaming for what seems like minutes. Then for no reason at all the man in the trees head just falls of and hits the guy under him. It has to be seen to be believed. Then of course there is the actual devil. It is just some naked black guy who despite the fact he has massive eyes, he has very blurry vision.<br /><br />The film was hooked up in part of the video nasty scare in the 80's here in the UK and was banned. Now why it was I have no idea. There is very little gore at all and it's hardly a shocking film. Minus the nudity I would have said that it could get away with a PG almost. The only thing I can think of is that it was never actually watched and was added to the original list because of word of mouth.<br /><br />There is not much reason to watch this film really unless you are a massive Jess Franco fan. There is plenty of nudity to keep you from falling asleep and also some scenes that are so bad you can have a good laugh at them but other wise I would say just pay for a ticket to South America and get lost in a jungle. It would probably be more fun.<br /><br />3/10\", 'label': 0}\n",
      "{'text': 'An actress making a movie in Africa is kidnapped and taken into the jungle where she is held for ransom. The producer hires some one to go and bring her back. Complicating everything are the cannibals in the jungle who worship a really ugly looking \"god\" who likes to eat naked women.<br /><br />This is a gory sleazy movie. There is copious amounts of nudity and violence, not to mention violence against nude people. Its an exploitation film designed to appeal to the deepest darkest parts of our being, and if the movie wasn\\'t so boring this film would be a classic. Lets face it, despite the gore, the nasty sex and abuse,and the ugly monster this movie is a snoozer. The pacing is all off kilter and it puts you out. There are multiple plot lines that all seem to be happening separately from each other, even though its ultimately all one story. Worst of all, almost no one says anything. Most of the minimal dialog concerns the cruelty or one characters protestations that \"I\\'ll do what I want\". Its such a quiet and dull movie that if it weren\\'t for the frequent screams of the victims I\\'d recommend this as a sleep aide.<br /><br />This is a movie to avoid unless you need sleep, or unless you need to see every Euro-cannibal movie.<br /><br />(An aside. VideoAsia just released this as part of their Terror Tales series. Their print is oddly letter-boxed which looks to be the result of taking their print from a Japanese source (there is fogging) that was cropped to remove the subtitles. Their print also has no opening titles)', 'label': 0}\n",
      "{'text': \"or anyone who was praying for the sight of Al Cliver wrestling a naked, 7ft tall black guy into a full nelson, your film has arrived! Film starlet Laura Crawford (Ursula Buchfellner) is kidnapped by a group who demand the ransom of $6 million to be delivered to their island hideaway. What they don't count on is rugged Vietnam vet Peter Weston (Cliver) being hired by a film producer to save the girl. And what they really didn't count on was a local tribe that likes to offer up young women to their monster cannibal god with bloodshot bug eyes.<br /><br />Pretty much the same filming set up as CANNIBALS, this one fares a bit better when it comes to entertainment value, thanks mostly a hilarious dub track and the impossibly goofy monster with the bulging eyes (Franco confirms they were split ping pong balls on the disc's interview). Franco gets a strong EuroCult supporting cast including Gisela Hahn (CONTAMINATION) and Werner Pochath (whose death is one of the most head-scratching things I ever seen as a guy who is totally not him is shown - in close up - trying to be him). The film features tons of nudity and the gore (Tempra paint variety) is there. The highlight for me was the world's slowly fistfight between Cliver and Antonio de Cabo in the splashing waves. Sadly, ol' Jess pads this one out to an astonishing (and, at times, agonizing) 1 hour and 40 minutes when it should have run 80 minutes tops. <br /><br />For the most part, the Severin DVD looks pretty nice but there are some odd ghosting images going on during some of the darker scenes. Also, one long section of dialog is in Spanish with no subs (they are an option, but only when you listen to the French track). Franco gives a nice 16- minute interview about the film and has much more pleasant things to say about Buchfellner than his CANNIBALS star Sabrina Siani.\", 'label': 0}\n",
      "{'text': 'Devil Hunter gained notoriety for the fact that it\\'s on the DPP \\'Video Nasty\\' list, but it really needn\\'t have been. Many films on the list where there for God (and DPP) only known reasons, and while this isn\\'t the tamest of the bunch; there isn\\'t a lot here that warrants banning...which is a shame because I never would have sat through it where it not for the fact that it\\'s on \\'the shopping list\\'. The plot actually gives the film a decent base - or at least more of a decent base than most cannibal films - and it follows an actress who is kidnapped and dragged off into the Amazon jungle. A hunter is then hired to find her, but along the way he has to brave the natives, lead by a man who calls himself \"The Devil\" (hence the title). The film basically just plods along for eighty five minutes and there really aren\\'t many scenes of interest. It\\'s a real shame that Jess Franco ended up making films like this because the man clearly has talent; as seen by films such as The Diabolical Dr Z, Venus in Furs, Faceless and She Kills in Ecstasy, but unfortunately his good films are just gems amongst heaps of crap and Devil Hunter is very much a part of the crap. I saw this film purely because I want to be able to say I\\'ve seen everything on the DPP\\'s list (just two more to go!), and I\\'m guessing that\\'s why most other people who have seen it, saw it. But if you\\'re not on the lookout for Nasties; there really is no reason to bother with this one.', 'label': 0}\n",
      "{'text': \"This film seemed way too long even at only 75 minutes. The problem with jungle horror films is that there is always way too much footage of people walking (through the jungle, up a rocky cliff, near a river or lake) to pad out the running time. The film is worth seeing for the laughable and naked native zombie with big bulging, bloody eyes which is always accompanied on the soundtrack with heavy breathing and lots of reverb. Eurotrash fans will be plenty entertained by the bad English dubbing, gratuitous female flesh and very silly makeup jobs on the monster and native extras. For a zombie/cannibal flick this was pretty light on the gore but then I probably didn't see an uncut version.\", 'label': 0}\n",
      "{'text': \"Sexo Cannibal, or Devil Hunter as it's more commonly known amongst English speaking audiences, starts with actress & model Laura Crawford (Ursula Buchfellner as Ursula Fellner) checking out locations for her new film along with her assistant Jane (Gisela Hahn). After a long days work Laura is relaxing in the bath of her room when two very dubious character's named Chris (Werner Pochath) & Thomas (Antonio Mayans) burst in & kidnap her having been helped by the treacherous Jane. Laura's agent gets on the blower to rent-a-hero Peter Weston (Al Cliver) who is informed of the situation, the kidnappers have Laura on an isolated island & are demanding a 6 million ransom. Peter is told that he will be paid 200,000 to get her back safely & a further 10% of the 6 million if he brings that back as well, faster than a rat up a drain pipe Peter & his Vietnam Vet buddy helicopter pilot Jack are on the island & deciding on how to save Laura. So, the kidnappers have Laura & Peter has the 6 million but neither want to hand them over that much. Just to complicate things further this particular isolated island is home to a primitive tribe (hell, in all the generations they've lived there they've only managed to build one straw hut, now that's primitive) who worship some cannibal monster dude (Burt Altman) with bulging eyes as a God with human sacrifices & this cannibal has a liking for young, white female flesh & intestines...<br /><br />This Spanish, French & German co-production was co-written & directed by the prolific Jesus Franco who also gets the credit for the music as well. Sexo Cannibal has gained a certain amount of notoriety here in the UK as it was placed on the 'Video Nasties' list in the early 80's under it's alternate Devil Hunter title & therefore officially classed as obscene & banned, having said that I have no idea why as it is one bad film & even Franco, who isn't afraid to be associated with a turkey, decides he wants to hide under the pseudonym of Clifford Brown. I'd imagine even the most die-hard Franco fan would have a hard time defending this thing. The script by Franco, erm sorry I mean Clifford Brown & Julian Esteban as Julius Valery who was obviously another one less than impressed with the finished product & wanted his named removed, is awful. It's as simple & straight forward as that. For a start the film is so boring it's untrue, the kidnap plot is one of the dullest I've ever seen without the slightest bit of tension or excitement involved & the horror side of things don't improve as we get a big black guy with stupid looking over-sized bloodshot eyes plus two tame cannibal scenes. As a horror film Sexo Cannibal fails & as an action adventure it has no more success, this is one to avoid.<br /><br />Director Franco shows his usual incompetence throughout, a decapitated head is achieved by an actor lying on the ground with large leaves placed around the bottom of his neck to try & give the impression it's not attached to anything! The cannibal scenes are poor, the action is lame & it has endless scenes of people randomly walking around the jungle getting from 'A' to 'B' & not really doing anything when they get there either. It becomes incredibly dull & tedious to watch after about 10 minutes & don't forget this thing goes on for 94 minutes in it's uncut state. I also must mention the hilarious scene when Al Cliver is supposed to be climbing a cliff, this is achieved by Franco turning his camera on it's side & having Cliver crawl along the floor! Just look at the way his coat hangs & the way he never grabs onto to anything as he just pulls himself along! The gore isn't that great & as far as Euro cannibal films go this is very tame, there are some gross close ups of the cannibals mouth as it chews bits of meat, a man is impaled on spikes, there's some blood & a handful of intestines. There's a fair bit of nudity in Sexo Cannibal & an unpleasant rape scene.<br /><br />Sexo Cannibal must have had a low budget & I mean low. This is a shoddy poorly made film with awful special effects & rock bottom production values. The only decent thing about it is the jungle setting which at least looks authentic. The music sucks & sound effects become annoying as there is lots of heavy breathing whenever the cannibal is on screen. The acting sucks, the whole thing was obviously dubbed anyway but no one in this thing can act.<br /><br />Sexo Cannibal is a terrible film that commits the fatal mistake of being as boring as hell. The only good things I can say is that it has a certain sleazy atmosphere to it & those close ups of the cannibal chewing meat are pretty gross. Anyone looking for a decent cinematic experience should give Sexo Cannibal as wide a berth as possible, one to avoid.\", 'label': 0}\n",
      "{'text': 'Not only is it a disgustingly made low-budget bad-acted movie, but the plot itself is just STUPID!!!<br /><br />A mystic man that eats women? (And by the looks, not virgin ones)<br /><br />Ridiculous!!! If you´ve got nothing better to do (like sleeping) you should watch this. Yeah right.', 'label': 0}\n",
      "{'text': \"This is the worst thing the TMNT franchise has ever spawned. I was a kid when this came out and I still thought it was deuce, even though I liked the original cartoon.<br /><br />There's this one scene I remember when the mafia ape guy explains to his minions what rhetorical questions are. It's atrocious. Many fans hate on the series for including a female turtle, but that didn't bother me. So much so that I didn't even remember her until I read about the show recently. All in all, it's miserably forgettable.<br /><br />The only okay thing was the theme song. Guilty pleasure, they call it... Nananana ninja...\", 'label': 0}\n",
      "{'text': \"Sometime in 1998, Saban had acquired the rights to produce a brand-new Ninja Turtles live-action series. Naturally, being a fan of the TMNT back in the day, this obviously peaked my interest. So when I started watching the show... to say I was disappointed by the end result is an understatement. Some time later (more like recently), I got a chance to revisit the series.<br /><br />First off, let's talk about some of the positives. They managed to re-create the Turtles' lair as it was last seen in the movies fairly well given the limited budget they threw in with this. There tends to be this darker atmosphere overall in terms of the sets and whatnot. And the Turtle suits, while not the greatest piece of puppetry and whatnot, were functional and seemed pretty sturdy for most of the action stuff that would follow in the series.<br /><br />People tend to complain about getting rid of Shredder quickly and replacing him with these original villains who could have easily been used in a Power Rangers show. But you can only have Shredder get beat so many times before it gets boring and undermines his worth as a villain... and besides, most fans don't realize or don't remember or just plain ignore the fact that in the original comic, the Shredder was offed in the very first issue! Never mind the countless resurrections that would follow. So on a personal standpoint, I was sort of glad they got rid of Shredder because then the anticipation would build to the point where they would eventually bring him back in a later episode. I find that Shredder in small quantities work best because then his encounters with the Turtles are all the more memorable.<br /><br />Unfortunately, they end up replacing him with these original villains who, as stated, seemed more fit for a Power Rangers show than a Ninja Turtles show. And with these new magic-wielding generics comes a new female magic-wielding turtle, the infamous Venus De Milo. I'll be honest; I never got comfortable with her. I'm not against the idea of a female turtle; I'm just against the idea of one who uses magic and thus sticks out like a sore sight among a clan of ninja turtles who seem somewhat out of their domain. I almost get the impression that this could have easily been the Venus De Milo show dealing with her make-believe enemies and the TMNT are just there to provide the star power (or whatever was left considering the timeframe this was released). Fortunately, they all share the spotlight together.<br /><br />Next Mutation was canned after a season on the air and the creators were more than happy to ignore it. Given time and maybe another season, I really believe this live iteration of the TMNT could have been something and might have gotten a chance at greatness. But while the idea was sound, the execution was flawed (although there are a couple good episodes in this series). As it stands, Next Mutation is one of those oddities in Turtledom that is best left buried and forgotten.\", 'label': 0}\n",
      "{'text': \"This is the biggest insult to TMNT ever. Fortunantely, officially Venus does not exist in canon TMNT. There will never be a female turtle, this took away from the tragic tale of 4 male unique mutants who will never have a family of their own, once gone no more. The biggest mistake was crossing over Power Rangers to TMNT with a horrible episode; the turtle's voices were WRONG and they all acted out of character. They could have done such a better job, better designs and animatronics and NO VENUS. <br /><br />don't bother with this people...it's cringe worthy material. the lip flap was slow and unnatural looking. they totally disrespected shredder. the main baddie, some dragonlord dude was corny. the turtles looked corny with things hanging off their bodies, what's with the thing around raph's thigh? the silly looking sculpted plastrons!? <br /><br />If they looked normal, acted in character and got rid of Venus, got rid of the stupid kiddie cartoon sounds...and better writing it could have been good.\", 'label': 0}\n",
      "{'text': \"I did not like the idea of the female turtle at all since 1987 we knew the TMNT to be four brothers with their teacher Splinter and their enemies and each one of the four brothers are named after the great artists name like Leonardo , Michelangleo, Raphel and Donatello so Venus here doesn't have any meaning or playing any important part and I believe that the old TMNT series was much more better than that new one which contains Venus As a female turtle will not add any action to the story we like the story of the TMNT we knew in 1987 to have new enemies in every part is a good point to have some action but to have a female turtle is a very weak point to have some action, we wish to see more new of TMNT series but just as the same characters we knew in 1987 without that female turtle.\", 'label': 0}\n",
      "{'text': \"I cannot stay indifferent to Lars van Trier's films. I consider 'Breaking the Waves' nothing less than a masterpiece. I loved 'Dancer in the Night'. I admired the idea in 'Dogville' but the overall exercise looked to me too dry and too theatrical, less cinema. 'Europa' which I see only now was a famous film at its time, succeeded in the US the relative success of an European film and got the Oscar for the best foreign language movie, but did not survive well the time in my opinion. It is also a too much explicit and extrovert exercise in cinema art to my taste.<br /><br />The story has a level of ambiguity that cannot escape the viewer. Treating the period that immediately followed the second world war not in the black and white colors of victors and vanquished, of executioners and victims but as rather ambiguous times when people of both sides were fighting for survival in the aftermath of a catastrophic event that change the lives of nations and individuals forever is still a source of disputes even today, more such was novel and courageous two decades ago. Yet it is the means of expression that really do not appear fit to the task.<br /><br />The film seems to include a lot of quotes descending directly from the films of Hitchcock, especially his early films set in the pre-war Europe, with brave British spies fighting evil German spies on trains crossing at high speed the continent at dark. The trains were a symbol of the world and its conflicts with all their intensity and dramatism. Here the train also becomes the symbol of the first sparkles of the re-birth of Germany after war, of its might, of its obsession with order and regulation, of punctuality and civility. The characters that populate the train are far from being the classical spy stories good or bad guys. The principal character a young American of German origin coming to post-war Europe willing to be part of a process of help and reconciliation finds himself in an ambiguous world of destruction and corruption, with liberators looking more like oppressive occupiers, with the vanquished not resigned to their fate but rather willing to continue on the path of self-destruction, with love doubtfully mixed with treason.<br /><br />It is yet this classical film treatment that betrays the director in this case. The actions of the characters, especially of Leopold Kessler played by Jean-Marc Barr seem confused, and lack credibility. The overall cinematography seems to be not Hitchcock-like but rather from a bad imitation of Hitchcock in the late 30s. The usage of color over the black-and-white film used in the majority of the time in moments of emotional intensity is also too demonstrative. It is not that Van Trier does not master his artistic means, but he is too demonstrative, he seems to try too hard to show what a great filmmaker he is. He really is great, as he will show in some of his later films, but it will be left to the viewers to decide this alone.\", 'label': 0}\n",
      "{'text': \"This film is terrible. You don't really need to read this review further. If you are planning on watching it, suffice to say - don't (unless you are studying how not to make a good movie).<br /><br />The acting is horrendous... serious amateur hour. Throughout the movie I thought that it was interesting that they found someone who speaks and looks like Michael Madsen, only to find out that it is actually him! A new low even for him!!<br /><br />The plot is terrible. People who claim that it is original or good have probably never seen a decent movie before. Even by the standard of Hollywood action flicks, this is a terrible movie.<br /><br />Don't watch it!!! Go for a jog instead - at least you won't feel like killing yourself.\", 'label': 0}\n",
      "{'text': \"Terrible movie. Nuff Said.<br /><br />These Lines are Just Filler. The movie was bad. Why I have to expand on that I don't know. This is already a waste of my time. I just wanted to warn others. Avoid this movie. The acting sucks and the writing is just moronic. Bad in every way. The only nice thing about the movie are Deniz Akkaya's breasts. Even that was ruined though by a terrible and unneeded rape scene. The movie is a poorly contrived and totally unbelievable piece of garbage.<br /><br />OK now I am just going to rag on IMDb for this stupid rule of 10 lines of text minimum. First I waste my time watching this offal. Then feeling compelled to warn others I create an account with IMDb only to discover that I have to write a friggen essay on the film just to express how bad I think it is. Totally unnecessary.\", 'label': 0}\n",
      "{'text': 'Assuming this won\\'t end up a straight-to-video release, I would have to say void this title at all costs. Unless you\\'re bored of good, well-executed movies, that is. I saw this last night at AFI Dallas, and I left with 20 minutes remaining, simply because I didn\\'t care anymore (about the plot, not about insulting the director...that is awkward). When you can spot a goof only 5 minutes into the movie (a shot out, shattered window before any shots are fired...and then the window breaks with the first shot), things are going to bad. Let\\'s just say this is only an indicator of things to come...unfortunately.<br /><br />I\\'ll spare you all the details, but this is sub-par in every manner, even the half-assed acting by Michael Madsen is disappointing when you\\'re expecting half-assed acting from him. And the rape scene...Christ! \"Shut up and take it\" should never be used in a rape scene. EVER.<br /><br />3/10', 'label': 0}\n",
      "{'text': \"Sometimes a movie is so comprehensively awful it has a destructive effect on your morale. You begin to really ask yourself, what does it mean for our society that the standard is so terribly low? Can they honestly expect that we'll endure this many clichés and still be entertained?<br /><br />Of course, it is still a Hollywood mainstay to make the GUN the major character, plot device, and the source of all conflict and resolution in films. Character needs a gun. Gets a gun. Can't do that because he has a gun. Puts his gun down first. OH MY GOD What are we going to do!? He has a gun! He waves it around, acting more malicious than real human beings ever do. He pushes it in someone's face for 90 minutes, shouting questions. The hallmark of any conclusion will be the comforting sound of police sirens. <br /><br />It's a real challenge to make such a tired, hackneyed formula work again; a film has to be very clever and well executed. This one is neither. It has no life and no personality, and it will suck these components from YOU. it will make you feel WORSE about living in the time and space that you do. Really, who needs that!? So yes, I'll say it: I think this may well be the worst film I have ever seen. Anyone who was involved in the making of this sub- mediocre soul killing trash should be publicly embarrassed for the disservice they've done to us all.\", 'label': 0}\n",
      "{'text': \"I have to congratulate the genius who approved this one. Edward Furlong, you're not as good as you think mate, you can't grab on every piece of low-cost amateur crap, which sole intention has to be to get some bucks.<br /><br />The filming is bad, and I mean BAD. Anyone with a camera would get the same result, or better.<br /><br />The acting, lets just say: don't go to the supermarket looking for actors. The good ones usually come with a degree or, at least, have some damn experience! The director.. Mr. Jon Keeyes, please find your purpose in life, as a director you simply suck. Your directing is poor, the angles are all messed up (not in a good way), the lines seem as if they're being read out of toilet paper, and the damn music.. it always comes up when it shouldn't and goes out for no apparent reason. And don't go for writer either, by the way. Making movies isn't like serving on a coffeshop, it requires art and skill, things I really doubt you'll ever have.<br /><br />Instead of making a badass shootout movie, you should've shot this one back to oblivion and wait 'till something good came up.. Or just go find a job on a coffeshop. You'll have less stress and you'll save movie goers some money and a bad night.<br /><br />vote: 1/10 (my first one)\", 'label': 0}\n",
      "{'text': \"I rented this one on DVD without any prior knowledge. I was suspicious seeing Michael Madsen appearing in a movie I have never heard of, but it was a freebie, so why not check it out.<br /><br />Well my guess is that Mr. Blonde would very much like to forget he's ever taken part in such a shame of a film.<br /><br />Apparently, if your script and dialogs are terrible, even good actors cannot save the day. Not to mention the amateur actors that flood this film. Too many non-native-English-speakers play parts of native-English-speakers, reading out lines from a script that should have been thrown away and not having been made into a movie. It's unbelievable how unbelievable all the lines in the movie sound. The music is awful and totally out of place, and the whole thing looks and sounds like a poor school play.<br /><br />I recommend you watch it just so you would appreciate other, better, movies. This is why I gave it a 3 instead of the 1 it deserves.\", 'label': 0}\n",
      "{'text': \"I saw this DVD in my friends house and thought that this was a Turkish action movie with some Hollywood-not very big-names in it. Interested enough I decide to give it a shot later.. It was a tough to bear experience believe me. Then, after finally seeing the credits roll I tought 'We Turks really suck at Hollywood style film making.. This is an insult to the heist|hostage movie genre..' but then wait! I checked some names and no, they were not Turkish names and no, this was not a Turkish movie; on the contrary it was literally shot in America with an American director & crew! That made me thinking-again!- How on earth can you persuade names like Micheal Madsen, Edward Furlong or even Arnold Vosloo to take part in such a project? with money probably.. That kept me thinking further.. How can you raise such amount of money to offer them and a supposedly international cast? Then all my meditation paid off and I came to find the answer.By hiring the cheapest equipment and crew that you can find. And if you still have to difficulty in adjustin your budget then: by writing and directing the movie you are trying to produce-or vice versa I don't have any information on that-. So bottom line this is not a bad movie as everybody are so anxious to present as.. It makes you think -in my case even meditate- and there are a lot of movies outthere that doesn't give even that affect.. This one at least makes you think; It makes you wonder.. It leaves you with disbelief.. and then It makes you wonder again..\", 'label': 0}\n",
      "{'text': 'What was with all the Turkish actors? No offense but I thought it was all for nothing for all these actors. The film had no script to test any actors acting skill or ability. It demanded next to nothing I bought this film to see Michael Madsen. He is one of my favorite actors but this film was another failure for him. The script was so bad. Their was just nothing to sink your teeth into and all the characters were two dimensional. Madsen tried to act like a hard ass but the script and direction didn\\'t even allow him to do enough with his character to make it more interesting or 3 dimensional.<br /><br />Even the sound effects of the gunfight at the beginning of the film sounded like the noise of paint ball guns when they are fired in a skirmish. It was really weird and they didn\\'t sound like real guns. A video game had better sound effects than this film. There was also a really annoying bloke at the beginning of the film who was a member of the robbery gang. He had this American whining voice like a girl shouting lines like \"Lets get the F#$k out of here\" and What are we going to do man\". He sounded like a girl. As a positive It was funny to watch and it made me laugh too. For a few seconds. Whoo Hoo ! Dumb Film. Poor Madsen. He will bounce back...', 'label': 0}\n",
      "{'text': \"This movie was terrible. at first i just read the plot summary and it looked OK, so i watched it. The acting was TERRIBLE. it was like the actor were almost camera shy. everything seemed fake. i feel bad for Edward Furlong, terminator 2 was my favorite a few years ago.. I've watched it at least 20 times....<br /><br />the plot was also crap. the writers were probably sleep deprived when they came up with the lines.<br /><br />on the plus side, it's the good kind of bad movie. the one you keep watching just to see how much worst could it will get, so that later you can tell other people how you couldn't believe how terrible the movie was.<br /><br />i think everybody should watch this, so that then we could appreciate better other, REAL, movies.\", 'label': 0}\n",
      "{'text': \"I am a big fan of Arnold Vosloo. Finally seeing him as the star of a recent movie, not just a bit part, made me happy.<br /><br />Unfortunately I took film appreciation in college and the only thing I can say that I didn't like was that the film was made in an abandoned part of town and there was no background traffic or lookie loos.<br /><br />I have to say that the acting leaves something to be desired, but Arnold is an excellent actor, I have to chalk it up to lousy direction and the supporting cast leaves something to be desired.<br /><br />I love Arnold Vosloo, and he made the film viewable. Otherwise, I would have written it off as another lousy film.<br /><br />I found the rape scene brutal and unnecessary, but the actors that got away at the end were pretty good. But the sound effects of the shoot-out were pretty bad. There are some glitches in the film (continuity) but they are overlookable considering the low-caliber of the film.<br /><br />All in all I enjoyed the film, because Arnold Vosloo was in it.<br /><br />Jackie\", 'label': 0}\n",
      "{'text': 'This is an art film that was either made in 1969 or 1972 (the National Film Preservation Foundation says 1969 and IMDb says 1972). Regardless of the exact date, the film definitely appears to be very indicative of this general time period--with some camera-work and pop art stylings that are pure late 60s-early 70s.<br /><br />The film consists of three simple images that are distorted using different weird camera tricks. These distorted images are accompanied by music and there is absolutely no dialog or plot of any sort. This was obviously intended as almost like a form of performance art, and like most performance art, it\\'s interesting at first but quickly becomes tiresome. The film, to put it even more bluntly, is a total bore and would appeal to no one but perhaps those who made the film, their family and friends and perhaps a few people just too hip and \"with it\" to be understood by us mortals.', 'label': 0}\n",
      "{'text': \"Nine minutes of psychedelic, pulsating, often symmetric abstract images, are enough to drive anyone crazy. I did spot a full-frame eye at the start, and later some birds silhouetted against other colors. It was just not my cup of tea. It's about 8½ minutes too long.\", 'label': 0}\n",
      "{'text': 'There are lots of extremely good-looking people in this movie. That\\'s probably the best thing about it. Perhaps that even makes it worth watching.<br /><br />\"Loaded\" tells the story of Tristan Price (Jesse Metcalfe), a young man who\\'s about to make his mark on the world. He\\'s the son of a well-to-do family with a good reputation, and he\\'s on his way to law school. But like so many such settings, things aren\\'t quite as perfect as they appear. The expectations in this family far outweigh the love. Except for school, Tristan\\'s father rarely lets him leave the house. This seems to be the result of some past traumatic event that shook the family, which is partially revealed through flashbacks but isn\\'t spelled out until the very end. Tristan\\'s claustrophobic environment causes him to let loose in very extreme ways at the first possible opportunity, when his friends take him out to a strip club to celebrate his graduation. The celebration soon follows some strippers back to a beach house party, and from there, Tristan befriends Sebastian Cole (Corey Large), who pulls him into a drug dealing underworld.<br /><br />While technically well-made, this movie suffers from a lackluster script and a storyline that isn\\'t very engaging. Also counting against this film are some constant camera tricks that generally seemed annoying and out-of-place, such as slow-motion, fast-motion, freeze-frames and echos. These are the types of effects a director might normally utilize to show a character\\'s perspective while on drugs, except in this case they seem to have been sporadically tossed in at random points, in some cheap attempt at style.<br /><br />Despite its cast of relative unknowns, performances were good all around, most notably with respect to the main antagonist (Corey Large). I suspect we\\'ll be seeing at least a couple of these people in bigger and better projects in the future.<br /><br />Of course, when mentioning the actors, I must mention their looks. Rating based on hotness, this movies scores an 11. The women in this movie are incredible-looking and almost distract you from what a boring movie you\\'re watching. I\\'m sure the male characters are also quite attractive, but you\\'ll have to ask someone else to comment on that.<br /><br />Overall, I can\\'t recommend this movie, not for buying, renting, or even seeing for free. It\\'s unfortunately just not worth the effort it takes to sit through.', 'label': 0}\n",
      "{'text': 'This is it. This is the one. This is the worst movie ever made. Ever. It beats everything. I have never seen worse. Retire the trophy and give it to these people.....there\\'s just no comparison.<br /><br />Even three days after watching this (for some reason I still don\\'t know why) I cannot believe how insanely horrific this movie is/was. Its so bad. So far from anything that could be considered a movie, a story or anything that should have ever been created and brought into our existence.<br /><br />This made me question whether or not humans are truly put on this earth to do good. It made me feel disgusted with ourselves and our progress as a species in this universe. This type of movie sincerely hurts us as a society. We should be ashamed. I really cannot emphasize that our global responsibility as people living here and creating art, is that we need to prevent the creation of these gross distortions of our reality for our own good. It\\'s an embarrassment. I don\\'t know how on earth any of these actors, writers, or the director of this film sleeps at night knowing that they had a role in making \"Loaded\". I don\\'t know what type of disgusting monsters enjoy watching these types of movies.<br /><br />That being said, I love a good \"bad\" movie. I love Shark Attack 3, I love Bad Taste, they are HILARIOUS. I tell all my friends to see them because they are \"bad\".<br /><br />But this.......this crosses the line of \"bad\" into a whole new dimension. This is awkward bad. This is the bad where you know everything that is going to happen, every line, every action, every death, every sequence BEFORE they happen; and not just like a second or two before, I mean like, after watching the first 5 minutes before.<br /><br />Every cheesy editing \"effect\" is shamelessly used over and over again to a sickening point. I really never want to see the \"shaky\" camera \"drug buzz rush\" effect or jump cuts or swerve cuts or ANY FANCY CUT EVER AGAIN EVER. This is meticulously boring, repetitive and just tortures the audience.<br /><br />But.......and let me be specific here, the most DISTURBING thing about this movie is that given the production, it appears that a somewhat decent amount of money was actually put into this excrement. I personally will grab the shoulders of the director if I ever see him and shake him into submission, demanding that he run home and swallow two-gallons of Drain-O or I will do it for him.<br /><br />If we ever needed a new form of inhumane torture for our war prisoners abroad, just keep showing them this movie in a padded cell over and over again. Trust me, I think they will become more extravagant with suicide methods after the 72nd time of sitting through this.<br /><br />Stop these movies, they are just the most vile of all facets of our society. Please. Stop. NOW.', 'label': 0}\n",
      "{'text': 'There are times when finishing a film one wishes to have a refund for the time just spent. This was one of those times. I almost gave up with only 15 minutes left to endure... and I wish I had...<br /><br />The pace that a man goes from a straight-laced, controlled life to one of complete spinelessness and irresponsibility could never be this rapid.<br /><br />From a graduation celebration to the predictable ending Tristan Price (Jesse Metcalfe) man of privilege and culture allows himself to be seduced by a woman, by violence, and by mind altering substances. Of course, the woman part is understandable when observing the talents of the beautiful April (Nathalie Kelley). But the in for a penny in for a pound aspect of the drugs, violence and dedication to a person he has just met is impossible to understand.<br /><br />Frankly, besides being able to stare at Nathalie Kelley and Monica Keena, this film has no redeeming qualities. Save your money, save your time... do anything else...', 'label': 0}\n",
      "{'text': 'Weak plot, predictable violence, only semi interesting characters. Like the writer (also one of the stars?) was fictionalizing his own screw ups and added an incredulous fantasies of drugs and murder to make it \"hot\". From the predictable rap and house soundtrack, to the family conflicts, it\\'s poorly acted, stereotypical, and ultimately terribly boring. Even the title has been done before - IMDb lists FIVE movies with the same name released in 2007-2008!! <br /><br />Note: Saw it on Showtime, which listed the synopsis for one of the other movies. Was halfway thru before I realized no one was an undercover cop. Even tho another stereotype, would have made it interesting if it happened.', 'label': 0}\n",
      "{'text': \"All I could think of while watching this movie was B-grade slop. Many have spoken about it's redeeming quality is how this film portrays such a realistic representation of the effects of drugs and an individual and their subsequent spiral into a self perpetuation state of unfortunate events. Yet really, the techniques used (as many have already mentioned) were overused and thus unconvincing and irrelevant to the film as a whole.<br /><br />As far as the plot is concerned, it was lacklustre, unimaginative, implausible and convoluted. You can read most other reports on this film and they will say pretty much the same as I would.<br /><br />Granted some of the actors and actresses are attractive but when confronted with such boring action... looks can only carry a film so far. The action is poor and intermittent: a few punches thrown here and there, and a final gunfight towards the end. Nothing really to write home about.<br /><br />As others have said, 'BAD' movies are great to watch for the very reason that they are 'bad', you revel in that fact. This film, however, is a void. It's nothing.<br /><br />Furthermore, if one is really in need of an educational movie to scare people away from drug use then I would seriously recommend any number of other movies out there that board such issues in a much more effective way. 'Requiem For A Dream', 'Trainspotting', 'Fear and Loathing in Las Vegas' and 'Candy' are just a few examples. Though one should also check out some more lighthearted films on the same subject like 'Go' (overall, both serious and funny) and 'Halfbaked'.<br /><br />On a final note, the one possibly redeeming line in this movie, delivered by Vinnie Jones was stolen from 'Lock, Stock and Two Smokling Barrels'. To think that a bit of that great movie has been tainted by 'Loaded' is vile.<br /><br />Overall, I strongly suggest that you save you money and your time by NOT seeing this movie.\", 'label': 0}\n",
      "{'text': 'If you look at Corey Large\\'s information here on IMDb, apparently there\\'s a movie called \"Reload\" in production (as of June \\'08) in which he\\'s playing a character named Sebastian Cole.<br /><br />First of all, how does such a crappy movie ever earn a sequel ... and second, didn\\'t Sebastian get killed at the end of \"Loaded\"?<br /><br />I watched this in the wee hours of the morning when I was battling insomnia, and so I was drifting in and out while it was on. I\\'m sure I missed some plot points, but overall, it seemed really weak. Large\\'s performance was (for me) one of the stronger parts of the film. I\\'m also a bit surprised at all the people commenting on the beautiful girls, since I thought the actress playing Brooke was pretty, but not exceptional.', 'label': 0}\n",
      "{'text': \"This film had a lot of promise, and the plot was relatively interesting, however the actors, director and editors seriously let this film down.<br /><br />I feel bad for the writers, it could have been good. The acting is wooden, very few of the characters are believable.<br /><br />Who ever edited this clearly just learnt some new edit techniques and wanted to splash them all over the film. There are lots of quick 'flashy' edits in almost every scene, which are clearly meant to be symbolic but just end up as annoying.<br /><br />I wanted to like this film and expected there to be a decent resolution to the breakdown of equilibrium but alas no, it left me feeling like I'd wasted my time and the film makers had wasted their money.\", 'label': 0}\n",
      "{'text': \"This is one of the dumbest films, I've ever seen. It rips off nearly ever type of thriller and manages to make a mess of them all.<br /><br />There's not a single good line or character in the whole mess. If there was a plot, it was an afterthought and as far as acting goes, there's nothing good to say so Ill say nothing. I honestly cant understand how this type of nonsense gets produced and actually released, does somebody somewhere not at some stage think, 'Oh my god this really is a load of shite' and call it a day. Its crap like this that has people downloading illegally, the trailer looks like a completely different film, at least if you have download it, you haven't wasted your time or money Don't waste your time, this is painful.\", 'label': 0}\n",
      "{'text': '6/10 Acting, not great but some good acting.<br /><br />4/10 Director, makes some stupid decisions for this film.<br /><br />2/10 Writer, story makes no sense at all and has huge amount of flaws.<br /><br />4/10 Overall score for this movie.<br /><br />Don\\'t waste your time with this film, it\\'s not worth it. I gave 4 for this movie and it may be too much. Characters are so over exaggerated than they can ever be in real life and some pretty unexplainable stuff happens \"storywise\", not in good way. Because of the style this film has been filmed you get bored after 30 minutes (too many special effects: slow motions and camera shakes and fast forwards). It\\'s always good that movie uses music to make the story go smooth but there\\'s too many tracks in this one. In the first hour there is almost 50/50 dialogs and musics', 'label': 0}\n",
      "{'text': 'This is really a new low in entertainment. Even though there are a lot worse movies out.<br /><br />In the Gangster / Drug scene genre it is hard to have a convincing storyline (this movies does not, i mean Sebastians motives for example couldn\\'t be more far fetched and worn out cliché.) Then you would also need a setting of character relationships that is believable (this movie does not.) <br /><br />Sure Tristan is drawn away from his family but why was that again? what\\'s the deal with his father again that he has to ask permission to go out at his age? interesting picture though to ask about the lack and need of rebellious behavior of kids in upper class family. But this movie does not go in this direction. Even though there would be the potential judging by the random Backflashes. Wasn\\'t he already down and out, why does he do it again? <br /><br />So there are some interesting questions brought up here for a solid socially critic drama (but then again, this movie is just not, because of focusing on \"cool\" production techniques and special effects an not giving the characters a moment to reflect and most of all forcing the story along the path where they want it to be and not paying attention to let the story breath and naturally evolve.) <br /><br />It wants to be a drama to not glorify abuse of substances and violence (would be political incorrect these days, wouldn\\'t it?) but on the other hand it is nothing more then a cheap action movie (like there are so so many out there) with an average set of actors and a Vinnie Jones who is managing to not totally ruin what\\'s left of his reputation by doing what he always does.<br /><br />So all in all i .. just ... can\\'t recommend it.<br /><br />1 for Vinnie and 2 for the editing.', 'label': 0}\n",
      "{'text': 'From the beginning of the movie, it gives the feeling the director is trying to portray something, what I mean to say that instead of the story dictating the style in which the movie should be made, he has gone in the opposite way, he had a type of move that he wanted to make, and wrote a story to suite it. And he has failed in it very badly. I guess he was trying to make a stylish movie. Any way I think this movie is a total waste of time and effort. In the credit of the director, he knows the media that he is working with, what I am trying to say is I have seen worst movies than this. Here at least the director knows to maintain the continuity in the movie. And the actors also have given a decent performance.', 'label': 0}\n",
      "{'text': \"I basically skimmed through the movie but just enough to catch watch the plot was about. To tell you the truth it was kind of boring to me and at some spots it didn't make sense. The only reason I watched this movie in the first place was to see CHACE CRAWFORD!!! He is so hot, but in this movie his hair was kind of weird. But still hot.<br /><br />However, despite how hot CHACE is, it really did not make up for the film. I guess the plot isn't that bad but what really threw me over was the fact that they cuss in like every sentence. Is it that hard to express your anger without saying the F word every time?The cussing was annoying and the whole flashy, camera shaking thing gave me a headache.<br /><br />All in all, although the plot was OK, I found the film to be a bore and over dramatic. That's why I only cut to scenes with CHACE in it. LOL Anyways, not worth renting unless your a die-hard fan of a specific cast member like I was. Oh yeah the cast was Hot. The girls were HOT!!! But CHACE IS THE BEST!!\", 'label': 0}\n",
      "{'text': \"This fanciful horror flick has Vincent Price playing a mad magician that realizes his vocational talents have been sold to another. He devise ways of avenging all those that have wronged him. His master scheme seems to back fire on him.<br /><br />Price is a little below par compared to his masterpieces, but is still the only reason to watch this thriller. Supporting cast includes Patrick O'Neal, Mary Murphy, Eva Gabor and Jay Novello.<br /><br />\", 'label': 0}\n",
      "{'text': \"If I had not read Pat Barker's 'Union Street' before seeing this film, I would have liked it. Unfortuntately this is not the case. It is actually my kind of film, it is well made, and in no way do I want to say otherwise, but as an adaptation, it fails from every angle.<br /><br />The harrowing novel about the reality of living in a northern England working-class area grabbed hold of my heartstrings and refused to let go for weeks after I had finished. I was put through tears, repulsion, shock, anger, sympathy and misery when reading about the women of Union Street. Excellent. A novel that at times I felt I could not read any more of, but I novel I simply couldn't put down. Depressing yes, but utterly gripping.<br /><br />The film. Oh dear. Hollywood took Barker's truth and reality, and showered a layer of sweet icing sugar over the top of it. A beautiful film, an inspiring soundtrack, excellent performances, a tale of hope and romance...yes. An adaptation of 'Union Street'...no.<br /><br />The women of Union Street and their stories are condensed into Fonda's character, their stories are touched on, but many are discarded. I accept that some of Barker's tales are sensitive issues and are too horrific for mass viewing, and that a film with around 7 leading protagonists just isn't practical, but the content is not my main issue. The essence and the real gut of the novel is lost - darkness and rain, broken windows covered with cardboard, and the graphically described stench of poverty is replaced with sunshine, pretty houses, and a twinkling William's score.<br /><br />If you enjoyed the film for its positivity and hope in the face of 'reality', I advise that you hesitate to read the book without first preparing yourself for something more like 'Schindler's List'...but without the happy ending.\", 'label': 0}\n",
      "{'text': 'I saw the capsule comment said \"great acting.\" In my opinion, these are two great actors giving horrible performances, and with zero chemistry with one another, for a great director in his all-time worst effort. Robert De Niro has to be the most ingenious and insightful illiterate of all time. Jane Fonda\\'s performance uncomfortably drifts all over the map as she clearly has no handle on this character, mostly because the character is so poorly written. Molasses-like would be too swift an adjective for this film\\'s excruciating pacing. Although the film\\'s intent is to be an uplifting story of curing illiteracy, watching it is a true \"bummer.\" I give it 1 out of 10, truly one of the worst 20 movies for its budget level that I have ever seen.', 'label': 0}\n",
      "{'text': \"Robert DeNiro plays the most unbelievably intelligent illiterate of all time. This movie is so wasteful of talent, it is truly disgusting. The script is unbelievable. The dialog is unbelievable. Jane Fonda's character is a caricature of herself, and not a funny one. The movie moves at a snail's pace, is photographed in an ill-advised manner, and is insufferably preachy. It also plugs in every cliche in the book. Swoozie Kurtz is excellent in a supporting role, but so what?<br /><br />Equally annoying is this new IMDB rule of requiring ten lines for every review. When a movie is this worthless, it doesn't require ten lines of text to let other readers know that it is a waste of time and tape. Avoid this movie.\", 'label': 0}\n",
      "{'text': \"Story of a man who has unnatural feelings for a pig. Starts out with a opening scene that is a terrific example of absurd comedy. A formal orchestra audience is turned into an insane, violent mob by the crazy chantings of it's singers. Unfortunately it stays absurd the WHOLE time with no general narrative eventually making it just too off putting. Even those from the era should be turned off. The cryptic dialogue would make Shakespeare seem easy to a third grader. On a technical level it's better than you might think with some good cinematography by future great Vilmos Zsigmond. Future stars Sally Kirkland and Frederic Forrest can be seen briefly.\", 'label': 0}\n",
      "{'text': 'Are you familiar with concept of children\\'s artwork? While it is not the greatest Picasso any three-year-old has ever accomplished with their fingers, you encourage them to do more. If painting is what makes them happy, there should be no reason a parent should hold that back on a child. Typically, if a child loves to paint or draw, you will immediately see the groundwork of their future style. You will begin to see their true form in these very primitive doodles. Well, this concept of children\\'s artwork is how I felt about Fuqua\\'s depressingly cheap and uncreative film Bait. While on all accounts it was a horrid film, it was impressive to see Fuqua\\'s style begin emerging through even the messiest of moments. If you have seen either Training Day or King Arthur, you will be impressed with the birth of this director in his second film Bait. While Foxx gives a horrid, unchained performance, there are certain scenes, which define Fuqua and demonstrate his brilliance behind the camera. Sadly it only emerged in the final thirty minutes of the film, but if you focus just on those scenes, you will see why Fuqua\\'s name appears on so many \"Best Of\\x85\" film lists.<br /><br />I will never disagree with someone that Fuqua\\'s eye behind the camera is refreshing and unique. His ability to place a camera in the strangest of places to convey the simplest of emotions is shocking. I am surprised that more of Hollywood hasn\\'t jumped aboard this bandwagon. Even in the silly feature Bait, you are witness to Fuqua\\'s greatness. Two scenes that come directly to mind are the explosion scene near the middle of the film and the horse scene close to the end. In both of these scenes I saw the director Fuqua at work. Alas, in the rest of this film, all I saw was a combination of nearly every action film created. The likable hero down on his luck that suddenly finds his life turned around by some unknown force is a classic structure that just needs to die in Hollywood. We have seen this two often, and no matter who you are (unless you are Charlie Kaufmann), you cannot recreate the wheel. It is just impossible with this genre, and it is proved with Bait. I was annoyed with Fuqua for just sitting back and allowing this to happen, which could explain why it took me three viewings to finish this film. I was just tired of the structure, and while I hoped that Fuqua would redefine it, he did not.<br /><br />Then, there was the acting. While Jamie Foxx has never impressed me as an actor, I was willing to give this helmed vehicle a try. I wanted to see if he could pull off another dramatic role similar to Collateral. I was under the impression that perhaps this was the film chosen to show producers that Foxx could handle the role in Collateral. Again, I was disappointed. Foxx was annoying. Not in the sense that it was the way that his character was to be, but in the sense that it felt as if neither Fuqua nor Foxx took the time to fully train Foxx on what should be ad-libed and what should be used to further the plot. Instead, we are downtrodden with scene over scene of Foxx just trying to make the audience laugh. Adding second long quips and culture statements just to keep his audience understanding that he was a comedian first, an actor second. Fuqua should have stopped this immediately. Foxx\\'s jokes destroyed his character, which in turn left me with nothing solid to grasp ahold of. Instead of character development, he would crack a joke. Neither style worked, no joke was funny. The rest of the cast was average. By this I mean I have seen them all in similar roles. They were brining nothing new to the table, nothing solid to the story, and nothing substantial to the overall themes of the film. They were pawns filling in dead air space. Fuqua had no control over this mess, and the final verdict only supports that accusation.<br /><br />Overall, this was a sad film. With no creativity in sight and unmanaged actors just trying to upstage themselves, what originally started as a decent story eventually sunk faster into the cinematic quicksand. Foxx was annoying, without character lines, and a complete bag of cheese. In each scene I saw no emotion, and when emotion was needed to convey a message, he chose to take his shirt off rather than tackle the issues. Are my words harsh? I don\\'t think so. When you watch any movie you want to see some creativity, some edible characters, and themes that seem to hit close to home. Bait contained none of these. While I will give Fuqua some credit for two of the scenes in this film, the remaining five hundred were disastrous. Apparently, I took the bait when renting this film, but now having seen it, hopefully I can stop others from taking that curious nibble.<br /><br />Grade: ** out of ***** (for his two scenes that were fun to watch)', 'label': 0}\n",
      "{'text': 'Ah, Bait. How do I hate thee? Let me count the ways. 1. You try to be funny, but are corny and unenjoyable; every joke is predictable and expected, and when it comes, does not inspire laughter. Instead, I want to hurl. 2. You try to be dramatic, but are unbelievable; the woman overacts to a terrible degree, and the \"bad guy\" looks like Bill Gates, and is about as scary as...well, Bill Gates. (Just try to imagine Bill Gates trying to intimidate somebody with a gun. Doesn\\'t work, does it? A lawyer, maybe, but not a gun. Doesn\\'t fit.) As for Jamie Foxx, well, just watching him try to deliver a dramatic and heartfelt dialogue is ludicrous, and makes me want to hurl. 3. You try to be action-packed, but instead are dull and dragging too many times. And when the action heats up, the tripod for the camera must have been lost, for the scenes wobble more than those in The Blair Witch Project, and I find myself nauseated, and once again I want to hurl. 4. You try to be a good movie, but you failed, you FAILED, YOU FAILED! I would rather walk barefoot across the Sahara with a pack full of beef jerky and no water, no sunscreen, and only Meryl Streep for company. This hell would be lovelier than a single minute more spent watching everyone in Bait overact their way through an idiotically written story with Bill Gates for a bad guy, and let\\'s not even talk about the massive bomb that goes off in a car that Jamie Foxx\\'s character has just driven OFF A CLIFF, but somehow manages to escape...just kill me now, or do the right thing and promise me that somehow I\\'ll never have to watch a movie that is this bad, ever again.', 'label': 0}\n",
      "{'text': \"The premise of the movie has been explained and if you've gotten this far you don't me to pretend that I'm a movie critic. With that being said my own opinion of the movie is quite low. I'm a fan of Takashi Miike but this goes down in the category of his not so great work along with DOA 2 and 3, and some others (many).<br /><br />The movie seems to get a free pass because it is a Takashi film and nothing Takashi does can be wrong. This is a highschoolers approach to cinema. For the rest of us we'll find and hour and a half of a kid screaming for no real reason completely annoying (and yes, this does take away from the film), the pace of the film almost reaching levels of rigomortis, and the acting...well...hmmm. <br /><br />If one is a Takashi fan you'll see it regardless to peak your interests. It lacks any originality (see the Neverending Story) or any character development from the lead character in the face of conflict other then a quite superficial one. <br /><br />As it has been pointed out this is the first film Miike has been credited with co-writing, but that doesn't mean much as non of what we'd hope would be Miike's personality would spill over into the screen. All we get are some of the token Miike shots vis the director of photography.<br /><br />The movie had the potential to be something great. The premise is not a difficult one to run wild with. But this one seemed to have been run into the ground.<br /><br />My suggestion is if you're just getting into Miike is go with some of the standards like Gozu, Ichi, and Audition. Then movie into his works like Blue's Harp, Fudoh, Rainy Dog, Bird People of China.\", 'label': 0}\n",
      "{'text': \"Uninspired direction leaves a decent cast stranded in a handsome but bland adaptation, in which dialogue seems recited rather than heartfelt, and cash strapped appearances by the ghosts fail to round up any sense of awe or magic; Edward Woodward, as the Ghost of Christmas Present, wobbles around on stilts and seems to be doing an impression of Bernard Cribbins. As Scrooge, George C. Scott is too wry, and he never seems to truly believe in it, which robs his performance of its effect. The scenes in which he's shown his past have as much impact as if he was half-heartedly flicking through his family album. No one else seems to be putting any effort in, except Frank Finlay, who chronically overacts.\", 'label': 0}\n",
      "{'text': 'I was sooooo excited to see this movie after finally reading the book this week. My 13 year old son was looking forward to it too. I rented it and snuggled down to enjoy a classic holiday story brought to life on screen.<br /><br />Boy, was I disappointed. This movie veered off from the book more times than is forgivable. George C. Scott is an excellent actor but in this, it seemed that he was fully into character only about 20% of the time. The rest of the time he was quite flat.<br /><br />I realize that this was made in \\'84, pre-CG effects, for the most part. But it looked to be very B-movie quality, especially the encounter with Jacob Marley.<br /><br />The biggest disappointment was the fact that they left out one of the most moving parts of the story: When the Spirit of Christmas Present takes Scrooge on the whirlwind tour of the world, observing people in the bleakest of circumstances still having the light and love of Christmastime.<br /><br />I will admit that Mr. Scott did a good job with the \"reformed\" Scrooge at the end. That was a refreshing portrayal.<br /><br />I wish that Bob Cratchit had been portrayed as a little more ragged and down-trodden. And Tiny Tim... oh don\\'t even get me started on bad child actors...', 'label': 0}\n",
      "{'text': \"Having seen three other versions of the same film, I am afraid for me this is by far the weakest, primarily due to Scott's rather dull and leaden performance. His emotions throughout are so bland it makes it difficult to engage in the film. Alistair Sim portrayed the role infinitely better. When Scrooge was at his meanest, you don't get the sense Scott is saying the dialogue with much conviction and when he undergoes his metamorphosis he is similarly unconvincing. I cannot think of any actors in this film who match those from the Alistair Sim version. Even the musical version (and frankly the Muppets) take on this are better executed. Very disappointing.\", 'label': 0}\n",
      "{'text': 'Saw this movie in my English class this afternoon and was surprised by how bad this version was. Don\\'t get me wrong, George C. Scott was terrific as Scrooge, but the rest of the cast fails so very badly. Sometimes I couldn\\'t stop laughing at the stupid acting and the repeated line: \"Merry Christmas to everyone!\" Other times I almost fell asleep.<br /><br />The movie is based on a Charles Dickens short story about a rich guy, who don\\'t think Christmas is nothing but humbug. After 30 minutes, the rich guy is visited by three ghosts, who persuade him to celebrate Christmas after all.<br /><br />I can not understand how this movie, with a script so bad it must have been written in five minutes, can be so well-rated. Instead of this piece of garbage, I recommend to you, the Bill Murray comedy Scrooged. That at least, was funny...', 'label': 0}\n",
      "{'text': 'When will the hurting stop? I never want to see another version of a Christmas Carol again. They keep on making movies with the same story, falling over each other in trying to make the movie better then the rest, but sadly fail to do so, as this is not a good story. Moralistic, old-fashioned, conservative happy-thinking. As if people learn. The numerous different versions of this film prove that we don´t.', 'label': 0}\n",
      "{'text': \"It was 9:30 PM last night at my friend's camping trailer and we were so hyped to watch South Park (a new episode). The thing is, in my country, South Park airs at 10:30 PM and we decided to kill time by watching the show now airing, Father of the Pride. I'll start by saying that I have only watched to episodes. The first time I watched it, I found it unfunny and crude for nothing, so I thought ''Holy sh*t, I have a football game early tomorrow, so I have to stop watching stupid cartoons''. But yesterday, I tried to give Father of the Pride a second chance. I find that it's a complete rip-off of The Simpsons, only replacing yellow human characters by lions instead.<br /><br />The second thing is I wonder why it got it's TV-14 rating. I find The Simpsons a lot more vulgar, and the only real vulgarity in this show is a few homosexual (unfunny) jokes. The Simpsons is also a lot more violent (Halloween specials) and crude. I also heard that the creator of the series has also directed Shrek 2, well I've got news for him: Shrek 2 was way better and I think he stayed too much in the family thematic. However, I must admit that Father of the Pride did make me smile (even burst out laughing once) three or four times.<br /><br />All in all, I don't mind Father of the Pride. I don't hate it, but I don't like either. I've seen way better from ''The Simpsons''.<br /><br />3.5/10\", 'label': 0}\n",
      "{'text': 'This is blatantly a futuristic adaptation of Jules Verne\\'s \"Mysterious Island\". The sound editing is pretty bad. You hear the dialogue on set and you hear the voices being recorded on a recording booth at the same time! This is an amateur film with actors from Boston and shot around New Hampshire. For those living in New Engalnd and who is reading this comment will be wowed with a capital W. This film is full of flaws. You get to hear the director\\'s voice giving directions and giving out directions to the actress. \"OK now stand up.\" As for the other characters. There is this guy who talks with his mind instead of his voice and this blue alien. The alien guy talks with a deep voice. When he is yawning or grunting when he is fighting you hear the actor\\'s voice. As for the special effects, man! This was Brett Piper\\'s early work for crying out loud! The creatures are good but the animation is jerky. Really jerky. Sort of like Karl Zeman animation in JOURNEY TO BEGINNING OF TIME (1955). The special effects are imaginative. Thge music is good. Bottom line, this film makes EQUINOX or PLANET OF THE DINOSAURS look like a Ray Harryhausen epic. Did you know MYSTERIOUS PLANET was a home movie and was on a shoes string budget? A must watch for aspiring film makers.', 'label': 0}\n",
      "{'text': \"Beyond a shadow of a doubt Mysterious Planet is one of the worst movies ever made, yet retains an affection in my heart because the poverty of its special effects and astoundingly awful sound track in the first 15 minutes (and to be honest that's all you need to see) combine to create something that is hilariously side-splitting.<br /><br />The opening scene in 'space' is just about as unfathomable as cinematography gets, as washing-up liquid bottles whiz past your eyes to muffled dialogue. Before you've had time to work out whether it's you who's gone mad, the credits roll and the action struggles to life.<br /><br />And aside from the double-headed plasticine giant snail that terrorises our heroes, you also get the added double bonus of having both the original actors voices AND the dubbed voices at the same time. Pure genius.<br /><br />The sad thing for fans of this kind of fare is that I've only ever seen one copy, so the chances of ever seeing it yourself is highly unlikely. Perhaps I own the only copy in existence.<br /><br />\", 'label': 0}\n",
      "{'text': 'The silent one-panel cartoon Henry comes to Fleischer Studios, billed as \"The world\\'s funniest human\" in this dull little cartoon. Betty, long past her prime, thanks to the Production Code, is running a pet shop and leaves Henry in charge for far too long -- five minutes. A bore.', 'label': 0}\n",
      "{'text': 'William Russ is the main character throughout this made for TV movie. He left his family behind to only reappear and begin paying off his debts. But he tries to keep away from his family. Thats where Peter Falk (Colombo) comes in, playing several different roles, to convince him to come home.<br /><br />The story is average and they actually managed to get a former star (Peter Falk) and use him to a fairly nice degree. But William Russ wasn\\'t truly a star. However, it appears his acting is still OK.<br /><br />I found the delivery and story very cheesy in how everything was predictable. In fact, the last 20 minutes I could almost dictate word for word before it happened. A good movie should never be like that.<br /><br />Overall, it was a sub-par movie. In a letter grading system, it would receive a \"D\".', 'label': 0}\n",
      "{'text': 'From a poorly contrived plot line that makes almost no sense to bad dialogue and disjointed scenes to the ultimate downer, bad acting (even Peter Falk can\\'t find his way) \"Finding John Christmas\" is better left lost. Ms. Bertinelli\\'s performance is without depth or emotion as are her co-stars, William Russ as brother Hank and David Cubitt as love interest Noah. Jennifer Pisana as Soccoro, the daughter of single dad Noah is almost unbearable to watch let alone listen to singing. But who can blame them with material like this. Michael J. Murray\\'s script is juvenile at best. <br /><br />Each year at this time I search the TV guides and wait anxiously for some of the really classic Christmas and inspirational holiday films to appear on the small screen. Films like \"Miracle on 34th Street\", Ernst Lubitsch\\'s delightful \"The shop around the corner\" and, of course the 1951 version of \"Scrooge\". There\\'s Frank Capra\\'s classics \"It\\'s a wonderful life\" and \"Meet John Doe\". Hey, forget the classics. What about \"Home Alone\" or \" Home for the Holidays\" with Holly Hunter and a great performance by Robert Downey Jr.? <br /><br />My present to you is by way of advice. Your time would be better spent searching out these films than finding \"Finding John Christmas\". Merry Christmas!', 'label': 0}\n",
      "{'text': \"In director Sooraj Barjatya's Vivah,20-something Delhi boy Shahid Kapur finds himself smitten by the demure, small-town girl his father has selected for him to marry. Drawn to her innocence and simplicity, Shahid agrees to the marriage barely moments after he's met her at her home in Madhupur, and the young lady in question Amrita Rao seems equally floored by her charming suitor. The marriage is fixed for six months later, and the couple find themselves in the first throes of young, budding love, their geographical distance notwithstanding. But Amrita, who's been raised by her uncle and her aunt after her parents' death, is struck by a horrible calamity just hours before the marriage. And then, it's up to Shahid to play the honourable lover and to embrace her unconditionally.Much in the same vein as Hum Aapke Hain Koun and Hum Saath Saath Hain, Barjatya's new film Vivah too is on one level a family drama with an extremely idealistic premise. But sadly, the plot of this new film comes off looking way too outdated, even more far-fetched than those regressive Ekta Kapoor soaps. And the problem is clear \\x96 you just can't relate to such squeaky-clean characters who don't have one bad bone in their bodies. There are many things that work in favour of and against Hindi films, and timing is one such important factor. Twenty-five years ago, perhaps the plot of Vivah may not have felt like such a stretch, but today it just seems like the product of a mind stuck in a time warp. Perhaps the film's only saving grace is the fact that it oozes sincerity from start to finish, you can make out right away that the filmmaker's intention is not to deceive. Judging both by Barjatya's previous films and by closely examining this new one you can safely declare that Barjatya believes in a perfect world, he believes in his good-as-gold characters, he believes that large families can live together happily under the same roof without the slightest bumps.But alas, he's unable to translate his vision to the screen. It's difficult to overlook how one-dimensional his protagonists are \\x96 Shahid and Amrita, both virtuous and virginal \\x96 I mean, think about it, the first time they hold hands is an hour and twenty minutes into the film. Barjatya may think he's returning to his Maine Pyar Kiya roots with Vivah, but truth is that the reason we embraced Salman and Bhagyashree in that film, or even Salman and Madhuri in Hum Aapke Hain Koun is because they had such fantastic chemistry. Because although they were created out of the same mould as Shahid and Amrita in Vivah, those pairs had mischief and masti. Shahid and Amrita are just insipid and boring.For a film that relies so heavily on music to narrate its story, the filmmaker chooses a string of 70s-style tunes that only further slacken the film's deadening pace. But if I had to choose just one reason to explain why Vivah doesn't work for me, it's because I'm not sure I can relate to any of the characters who inhabit Barjatya's story. To some perhaps, Vivah will give hope, that a perfect world like this is actually out there somewhere. But I'm a little cynical I guess. So, give me the coquettish Madhuri of Hum Aapke Hain Kaun, give me the bratty Salman of Maine Pyar Kiya, I'll even take that mischievous Karisma Kapoor of Hum Saath Saath Hain. But save me from these dullards. You know, some marriages aren't made in heaven. This one's Vivah!\", 'label': 0}\n",
      "{'text': \"I never like to comment on a good film but when it comes to a bad movie, I gotta come really hard on it. Talking about Vivah, this guy, Sooraj Badjatya, seems to have completely lost it. After success of Hum Aapke Hain Kaun, he thought he can make money with cheesy wedding videos. Vivah is so so cheesy that Badjatyas have left Johars and Chopras behind.<br /><br />There was not a single moment during the movie where I can say 'Oh! at least this thing is good'. Aloknath does cliché in a role of Girl's father, Shahid kapoor looks fat and Shahrukhed, Amrita rao is another disaster in addition to ugly looking sets, bad costumes, hackneyed storyline, monstrous stepmother, trying-hard-to-act actors, cacophonous background music, cheap soundtracks.<br /><br />Now the spoiler, I'm warning you guys that as happens in all his other movies, after a calamitous incidence movie ends on a happy note.\", 'label': 0}\n",
      "{'text': \"I won't say this movie was bad, but it wasn't good either. I expected something good but I guess Hum Aapke Hain Kaun was much better than this. This was completely old fashioned. At every stage of this movie, I hoped for some twist and what do I get? The girl gets burned and wins her aunt's love. <br /><br />Despite of being engaged, they have to take permission for every little move they make. They are so darn shy even after so many meetings. I expected the aunt to be much more brutal than that. All she did was crib madly. <br /><br />Hey, we have kids too, but we don't watch them and have tears in our eyes always. This movie is a dream. Happy family, one cruel woman, good in-laws and a man who loves her to death. In HAHK Anupam Kher was the poor bride's father and now it's vice versa. And I somehow knew that Mohnish Behl would be in this movie. Anyway I believe I wasted my time. I give it a 2/10.\", 'label': 0}\n",
      "{'text': \"A Cinderella story made for adults who live in dreamland. The romance is very unrealistic, fluttery, lovey dovey, perfect etc. The Cinderella plot till the very end and Shahid Kapoor is the only reason for my stars. If you're looking for a dreamy romance with a twist, this is definitely you're movie, but for the rest of us real world people, I'd highly recommend saving your three hour watch time. Wake up people!<br /><br />Four out of the five people that saw the film with me would not recommend the film. We had a great time bashing majority of the unrealistic scenes. Maybe I'm missing something.. I just can't believe a movie like this can beat a classic like HDDCS!!\", 'label': 0}\n",
      "{'text': 'After being hugely entertained by Mr. Brosnan\\'s performance as a cad in \"The Tailor of Panama\" (which I rate 10/10 across the board: casting, acting, script, story, editing, pace, music, emotional impact, etc.), I enthusiastically anticipated this film. I was hugely disappointed. It is a script reading not a film, vulgar for the sake of being vulgar, bankrupt in every way that \"The Tailor of Panama\" is rich and satisfying. Blame it on the screen writing and directing. I sat in the theater waiting for the \"good part;\" it never came. I neither laughed nor cried, although one line of dialog did make me smile. Worth $7? Hardly.', 'label': 0}\n",
      "{'text': 'I very nearly walked out, but I\\'d paid my money, and my nearly-as-disgusted friend wanted to hold out. After the endearing, wide-eyed innocence of \"A New Hope\" and the thrilling sophistication of \"The Empire Strikes Back,\" I remember awaiting \"Return of the Jedi\" with almost aching anticipation. But from the opening scene of this insultingly commercial sewage, I was bitterly disappointed, and enraged at Lucas. He should have been ashamed of himself, but this abomination undeniably proves that he doesn\\'t have subatomic particle of shame in his cold, greedy heart. Episode I would go on to reinforce this fact -- your honor, I call Jarjar Binks (but please issue barf bags to the members of the jury first).<br /><br />From the initial raising of the gate at Jabba\\'s lair, this \"film\" was nothing more than a two-plus-hour commercial for as many licensable, profit-making action figures as Lucas could cram into it -- the pig-like guards, the hokey flesh-pigtailed flunky, that vile muppet-pet of Jabba\\'s, the new and recycled cabaret figures, the monsters, etc., etc., ad vomitum. Then there were the detestably cute and marketable Ewoks. Pile on top of that all of the rebel alliance aliens. Fifteen seconds each on-screen (or less) and the kiddies just GOTTA have one for their collection. The blatant, exploitative financial baiting of children is nauseating.<br /><br />Lucas didn\\'t even bother to come up with a new plot -- he just exhumed the Death Star from \"A New Hope\" and heaved in a boatload of cheap sentiment. What an appalling slap in the face to his fans. I can\\'t shake the notion that Lucas took a perverse pleasure in inflicting this dreck on his fans: \"I\\'ve got these lemmings hooked so bad that I can crank out the worst piece of stinking, putrid garbage that I could dream up, and they\\'ll flock to the theaters to scarf it up. Plus, all the kiddies will whine and torture their parents until they buy the brats a complete collection of action figures of every single incidental undeveloped, cartoonish caricature that I stuffed in, and I get a cut from every single one. It\\'ll make me even more obscenely rich.\"<br /><br />There may have been a paltry, partial handful of redeeming moments in this miserable rip-off. I seem to recall that Harrison Ford managed to just barely keep his nose above the surface of this cesspool. But whatever tiny few bright spots there may be are massively obliterated by the offensive commercialism that Lucas so avariciously embraced in this total, absolute sell-out to profit.', 'label': 0}\n",
      "{'text': 'The fine cast cannot uplift this routine tale of a secretary murdered by her married paramour. In fact there are more questions than answers in this one-sided tale of romance and murder; and since we are only provided with the prosecution\\'s side, none of these questions will be answered. This is the type of fare that appeals to the \"He Woman, Man Hater\" clubs of America. As presented, it is the tale of an innocent woman who just happens to be \"caught up\" in a romance with a married, high-profile attorney. Is it possible that IF, she had not been two timing her boy friend and having an affair with a married man, the whole nasty murderous, sordid incident could have been avoided? When you watch this, don\\'t worry about going to the \\'fridge, you won\\'t miss anything.', 'label': 0}\n",
      "{'text': \"This film was choppy, incoherent and contrived. It was also an extremely mean-spirited portrayal of women. I rented it because it was listed as a comedy (that's a stretch), and because the cover said Andie McDowell was acting up a storm in it. She wasn't. I'm a gal, I watched this film with two guys, and we spent an hour afterwards exclaiming over how bad it was.<br /><br />WARNING: PLOT SUMMARY BELOW! RAMPANT SPOILERS!<br /><br />The movie starts out with a fairly hackneyed plot about an older woman who takes up with a younger man, to the severe disapproval of her two jealous single girlfriends. They want her to marry a boring guy their own age who is kind of in love with her. But she's so happy with her oversexed puppy that you're rooting for them to stick it out, and sure enough, she decides to marry the guy. But her harpy girlfriend, aided by the wishy-washy one, sets up a plot to trick our heroine into thinking the guy is cheating on her. It works. She has a fight with him, he runs out of the house and is crushed by a truck (Remember the movie's title?) So now he's dead, two-thirds of the way through the film. And although our heroine is a school headmistress who spends her time watching over girls, she apparently forgot to use birth control and is pregnant.<br /><br />She's already broken off relations with her girlfriends, because they were so unsupportive. Alone and pitiful, she decides to marry the boring guy. Did I mention that the boring guy who kind of loves her is a minister? She had asked him to marry her to the young guy (nice, huh?), but now she tells him she'll marry him, and apparently he has no objections to being dicked around in this fashion. But her girlfriends rescue her at the altar and take her home, where they not-quite-confess that they were mostly responsible for the love of her life getting smushed. She has the kid. In the final scene, they leave it in a crib inside her house while they go out on the porch to drink, smoke and be smug. I kid you not, it's that bad. I left out the part about the cancer red-herring and the harpy's ridiculous lesbian moment.\", 'label': 0}\n",
      "{'text': \"This film is a calculated attempt to cash in the success of Sex in the City and Four Weddings and a Funeral. In fact, if they'd called it Sex at a Funeral, they might have done better at the box office.<br /><br />But the film falls between two stools and can't get up. The characters spout improbably bright dialog, but never act in any way remotely recognizable as human. One arbitrary, senseless action follows another to advance what passes for a plot, and one soon tires of the falsity of the whole enterprise.<br /><br />Andie MacDowell gets points for acting her little heart out, but the performing honors are stolen by Imelda Staunton, as of all things, a police detective (don't they have a height requirement over there?). Ms. Staunton seems unable to make a false move. Would that we could say the same about the writer-director.<br /><br />If Notting Hill annoyed you as being bogus, stay away from this one. Phonus bolognus on the half-shell.\", 'label': 0}\n",
      "{'text': \"This had to be one of the worst films ever. When Kate shows up and Jed is with a bunch of guys and they all start clapping...so Hollywood. Another bad scene was when Kate was running her hands over the pavement it appeared that she was examining the texture of the pavement. Andie's acting is so bad in this film - I could not connect with them or feel there love for each other. The other 2 women however were very good and overshadowed Andie. Anyway this was such a campy movie. I usually like these type of films but I just couldn't get into this film. Too many unlikely situations and again Andie's acting didn't help the film. Also, she is all gums. Lancome must put her makeup on with a putty knife because she looks glamorous in the commericals.\", 'label': 0}\n",
      "{'text': \"This starts off bad, what with the three women acting like simpering junior high school wussies sitting around giggling with their gin, endless cigarettes and a caramel chocolate treat for the one who tells the best 'man' story, and then it gets worse -=- spoiler alert =-= what with Andie's character falling for the young organ player who used to be her student when he was 14 (she's the headmistress of an English school, believe it or not), only to have him destroyed thanks to her bitch-from-hell 'girlfriend' . ..and then from there, it's basically unwatchable claptrap: she forgives her 'friend' and has the organ player's love child and the 3 women end up as they started, drinking more gin and smoking more cigarettes blah blah blah. Andie's character throws the caramel chocolates out in the street, in a pathetic attempt to symbolize growth. Have mercy.\", 'label': 0}\n",
      "{'text': \"This was awful. Andie Macdowell is a terrible actress. So wooden she makes a rocking horse look like it could do a better job. But then remember that turn in Four Weddings, equally as excruciating. Another film that portrays England as full of Chocolate box cottages, and village greens. I mean that school, how many schools apart from maybe Hogwarts look like that? The twee police station looked like the set from Heartbeat ( a nauseating British series set in the 60s).This film just couldn't make its mind up what it wanted to be- a comedy or a serious examination of the undercurrents in women's friendships. If it had stuck to the former then the graveyard sex scenes and the highly stupid storming of the wedding might just have worked( i say just). But those scenes just didn't work with the tragedy in the second half. I also find it implausible that Kate would ever speak to Molly again after her terrible behaviour. A final note- what is a decent actress like Staunton doing in this pile of poo? Not to mention Anna Chancellor. Macdowell should stick to advertising wrinkle cream.\", 'label': 0}\n",
      "{'text': 'Caught this on IFC yesterday, and can\\'t believe the positive reviews! Am I the only one who thought these \"ladies\" were anything but? Kate tells Jed she could get fired because she\\'s supposed to be a pillar of the community, but puts out for him! Then they suddenly decide they\\'re in love? And she\\'s SO devastated over his death, she doesn\\'t go to his funeral, much less, tell his family the \"good news\"! By the way, how did an American get to be the headmistress of a very proper British school? Janine should have been kicked off the force for her inexcusable abuse of power, but nothing happens! And she winds up boffing a con she brought in for questioning! And the less said about Molly, the better!<br /><br />As for the guilt Janine and Molly feel over Jed, please! It\\'s the punk\\'s own damn fault he got turned into roadkill! Where\\'s the guilt over poor Gerald, who gets puked on? If only I could do the same to the bozos behind this \"movie\"!', 'label': 0}\n",
      "{'text': 'I thought it was a New-York located movie: wrong! It\\'s a little British countryside setting.<br /><br />I thought it was a comedy: wrong! It\\'s a drama.... Well, up to the last third, because after the story becomes totally \"abracadabrantesque\", the symbolic word for a French presidential mandate. It means, close to nonsense even it the motives would like to bring a sincere feeling.<br /><br />What Do I have left? Maybe, a good duo of actress: Yes, I know, they are 3 friends, but the redhead policewoman is a bit invisible for me. The tall doctoress surprises by her punch, and McDowell delivers a fine acting as usual, all in delicate, soft and almost mute attitude. This gentleness puzzles me, because as other fine artists or directors, the same pattern is repeating over and over. In her case, it\\'s like, whatever the movie, it\\'s always the same character defined by her feelings, her values, who lives infinite different stories. I still don\\'t know how to set the limit (or the fusion) between the artists and the works.<br /><br />Another positive side of this movie is its feminine touch & the interesting different points of view. The women have each their own way of living, even if they are all single. It brings a lot of tolerance and learning to witness how a same and unique reality can be perceived in as many ways as people.<br /><br />Finally, the movie is quite viewable, but the great final cuts the desire of a next vision.', 'label': 0}\n",
      "{'text': \"Was this meant to be a comedy or a serious drama? This film starts with a light-hearted banter between three women. Fine. It moves into a conflict between the women when one of them meets a man. Fine. There are a few antics between them. Fine. But when the plot thickens and finally becomes black I started to wonder whether I had misinterpreted the first part of the movie. It continues in this vein for a while until, in the end, it tries to go back to the original light-hearted banter. But by now it's too late. It's hard to see why these women would still be talking to one another and the finale is unconvincing. Truly a lesson (for British filmmakers anyway) of how not to make films. Difficult to see how the producers ever convinced themselves this film would work. And the box office proved it to be a real flop, because I'd never heard of this film until this weekend (four years after its release).\", 'label': 0}\n",
      "{'text': 'Andie McDowell is beautiful as the 40-ish woman whose late start at a serious relationship leads her to a considerably younger man and a subsequenet falling-out with 2 long-time best girldfriends.<br /><br />Seeing a gigolo/gold-digger in the sincere young man, the \"girl-friends\", dead-set on terminating this \"silly relationship\", go over and beyond the call of duty in \"helping out\" their friend (who obviously is blinded by this gigolo\\'s tricky game\".<br /><br />A short succession of situations is absolutely ridiculous. Far fetched no longer covers it. Without these unbelievable scenes, there may have been hope for a sweet love story. Instead, all the viewer is left with is an involuntary shaking of head -- these things just don\\'t happen! Without giving away cliff-hanger details, I warn the viewer of having high expectations for this film; most (like me) will be very disappointed. On a scale of 1 to 10, this one ranks a weak 4 with me. There is much better material out there. This one isn\\'t worth your time.', 'label': 0}\n",
      "{'text': 'SPOILER: The young lover, Jed, is kicked out by the spinster, Kate (Andie McDowell), because she wrongly believes that Jed is having an affair with one of her two catty girlfriends. Kate thought she caught them en flagrante delicto. Kate throws Jed\\'s shoes out the door. Jed reluctantly leaves, and then sits in the middle of the road to put his shoes on. Then he gets run over (\"Crushed\", one of the meaning of the title) by a truck. And dies.<br /><br />\"And then he gets run over by a truck.\" Can you imagine a screenwriter actually submitting a script with this plot element? Up to then, its a comedy that intends to be frothy, but lacks any real fizz. Everybody but Jed is just annoying. And then they kill Jed, and everybody\\'s sad, until the end where the gals learn to love one another and be supportive, instead of destructive. I give it 2 ugh\\'s.', 'label': 0}\n",
      "{'text': \"The worst thing about Crush is not that it's acted pretty bad, or that the plot is virtually non-existent, and it's not even that bad that the camerawork could have been better.<br /><br />No, the worst part of this movie is that it has a few absolutely brilliant moments that keep you hoping that there are more to come.<br /><br />But in the end, it's too little, too late. If you are a fan of violin-music and cheap tearjerking scenes of 40+ women crying and hugging and talking about babies and marriage - then by all means, don't miss it.<br /><br />I myself am not exactly thrilled to see the things listed above in a movie, and as a result I had a pretty horrible time. The few absolutely brilliant jokes can not make up for the rest of it.<br /><br />The verdict: 4/10. Guilty of wasting my time.<br /><br />\", 'label': 0}\n",
      "{'text': \"Not a `woman film' but film for the gang. One of the worst films ever made by a male director about woman. Director Andy McKay simply doesn't know woman. Peaks of bad taste, American Pie's humor style, crude story, no sense, groundless story, refuted characters. Vulgar fantasies came to life on screen. Insulting and definitely not funny. I wonder how three good actresses accepted to take part in it.\", 'label': 0}\n",
      "{'text': 'As a single woman over 40, I found this film extremely insulting and demeaning to single women over 40, not to mention every other woman, of any age. It was a sad, pathetic attempt by a man to write and direct a \"chick flick\", and it failed miserably. Andy McDowell isn\\'t much of an actress to begin with, but given the non-existent \"plot\" (I hate to even refer to it as a plot) in this, she didn\\'t have a chance. There was no character development, no reason to feel sympathy/empathy for any of the characters, and no attempt to make the film in any way realistic or believable. And then there\\'s the obligatory male-fantasy of an attractive straight woman suddenly deciding to give lesbianism a try -- PLEASE.<br /><br />Not only do I wish I could get my money back for the DVD rental, I also want those 112 minutes of my life back. What a ripoff.', 'label': 0}\n",
      "{'text': \"I was gifted with this movie as it had such a great premise, the friendship of three women bespoiled by one falling in love with a younger man.<br /><br />Intriguing.<br /><br />NOT! I hasten to add. These women are all drawn in extreme caricature, not very supportive of one another and conspiring and contriving to bring each other down.<br /><br />Anna Chancellor and Imelda Staunton could do no wrong in my book prior to seeing this, but here they are handed a dismal script and told to balance the action between slapstick and screwball, which doesn't work too well when the women are all well known professionals in a very small town.<br /><br />And for intelligent women they spend a whole pile of time bemoaning the lack of men/sex/lust in their lives. I felt much more could have been made of it given a decent script and more tension, the lesbian sub-plot went nowhere and those smoking/drinking women (all 3 in their forties???) were very unrealistic - even in the baby scene - screw the baby, gimme a cigarette! Right.<br /><br />Like I said, a shame of a waste. 4 out of 10.\", 'label': 0}\n",
      "{'text': '\"The Crush\" is a pleasant enough 40-something friends romantic chick flick for the first two-thirds or so, as it tries to be a Brit \"Sex and the City\". <br /><br />I particularly enjoyed the turn-around of the trophy young hunk whose character is not much fleshed out (come to think of it we didn\\'t see all that much physical flesh of him either and Kenny Doughty is worth seeing more of). <br /><br />They sure make a lot more deal of young man/older woman than was made of the opposite in either version of \"Sabrina\" (neither movie do I like) or for that matter with the Douglas/Zeta-Jones or Dion/Svengali nuptials.<br /><br />Surrounding Andie MacDowell as an ex pat otherwise are welcome familiars from Brit dramas and comedies, such as tart-tongued Anna Chancellor. <br /><br />The plot twists towards the end feel very deus ex machina. But it wasn\\'t until the credits came up at the end that I realized what might really be wrong. Just as with \"Sex and the City,\" the writer/director is male, here first-timer Scot John McKay, and I think he really wanted to do a script about three gay men, probably about them coming out in relation to their lovers and at work (the characters are a school principal, a cop and a doctor), which would have been a better and more interesting movie. The working title for the film was \"The Sad F*cker\\'s Club\" which would have made its parallels with the gay \"Broken Hearts Club\" even more obvious.<br /><br />(originally written 4/6/2002)', 'label': 0}\n",
      "{'text': 'it MIGHT have been a good movie if it had explored something more interesting rather than just the surface of a lesbian relationship if this was the meaning of the movie...it is quite predictable not mentioning that the two girls resemble the Russian group t.A.T.u....coincidence? i don\\'t think so. There is nothing original in this movie to support it so they had to use something which is already famous.You know the recipe. The other actors...well,i just don\\'t know what their role is supposed to be. Most of them are well - known people in Romania and i must mention some of them are not even actors(e.g.Mihaela Radulescu).SO to summarize it: \"girl band tatty\"+desperate/publicity needing \"actors\"+ a non-existing plot+ the occasion to use bad language in order to shock= Love sick....too bad...the idea was good,though...and i am seriously holding myself from commenting the title...', 'label': 0}\n",
      "{'text': \"***LIGHT SPOILER ALERT*** The story sounds good and if you've read the novel, then you're probably expecting a deep and intense movie that could offer some insight for some interesting and insufficiently explored human relationships.<br /><br />True enough, the script tries to do that, the director tries to do that, but the main cast fails miserably. Maria's acting is so dry that lacks any feeling whatsoever, her most intense moments seem almost comical. Sometimes she seems to be nervous due to the camera. Her only really feeling scene is near the end where she gets dumped by her girlfriend.<br /><br />Ioana seems even more tense than Maria and even worse, she doesn't seem natural at all. Maria had the attitude, even if it was artificially pushed towards being obvious, but she had it and her character received some credibility. And to make matters worse, we don't have an insight on her: where does she come from, how come she got involved in the lesbian relationship, how did the relationship evolve? We only get some bits from her parents and their relationship just seems to 'be' there: it has a content and and end, but no beginning. Just like her partner Maria, she has only once scene that is truly touching, the scene where she dumps Maria's character Kiki.<br /><br />Tudor is the only person in this movie (aside from the landlady, great acting there) who manages to prove some acting talent. He has his character's attitude and it fits him. Only once or twice he seems to falter (the scene at his parents' meal, he tries to be obvious when it wasn't necessary at all).<br /><br />I love the story, Tudor Chirila is OK there, the landlady actually acts and Puya delivers his couple of lines with style, but this doesn't save the movie. Too bad, the entire setting had huge potential and the Romanian cinematography could've used a movie on this theme.<br /><br />Oddly enough, the incestuous relationship between brother and sister seems to have more credibility than the no-background no-feeling (well, Maria's spoken interludes are a nice try in this direction) lesbian relationship of Maria and Ioana. I'm quite sorry for spending money on a ticket, I'd rather had watched it from the comfort of my room.\", 'label': 0}\n",
      "{'text': 'This is a movie that relies solely on the somewhat controversial image of incest and lesbianism to get noticed.That is it.The dialogs are pathetic and the sensuality of the \"sex scenes\" is absolutely absent.The acting and the dialog are more suited for high-school children,yet the subject is intended for adult audiences. It is a gutless and shallow movie.It could have been way better if it had a story and more drama. Ah and on top of that, one more thing: why are inner monologues so excessively used? Makes it seem so cheap.All in all an embarrassing movie for Romanian cinema as well as for mature audiences attempting to view it.I know the means are scarce but, that is not always an excuse for a movie flopping as this one does.And please start using some good actors in your movies and stop recycling them from musicians (Tudor Chirila) - they can\\'t act!', 'label': 0}\n",
      "{'text': 'I am not so much like Love Sick as I image. Finally the film express sexual relationship of Alex, kik, Sandu their triangle love were full of intenseness, frustration and jealous, at last, Alex waked up and realized that they would not have result and future.Ending up was sad.<br /><br />The director Tudor Giurgiu was in AMC theatre on Sunday 12:00PM on 08/10/06, with us watched the movie together. After the movie he told the audiences that the purposed to create this film which was to express the sexual relationships of Romanian were kind of complicate.<br /><br />On my point of view sexual life is always complicated in everywhere, I don\\'t feel any particular impression and effect from the movie. The love proceeding of Alex and Kiki, and Kiki and her brother Sandu were kind of next door neighborhood story.<br /><br />The two main reasons I don\\'t like this movie are, firstly, the film didn\\'t told us how they started to fall in love? Sounds like after Alex moved into the building which Kiki was living, then two girls are fall in love. It doesn\\'t make sense at all. How a girl would fall in love with another girl instead of a man. Too much fragments, you need to image and connect those stories by your mind. Secondly, The whole film didn\\'t have a scene of Alex and Kik\\'s sexual intercourse, that \\'s what I was waiting for\\x85\\x85. However, it still had some parts were deserved to recommend. The \"ear piercing \" part was kind of interesting. Alex was willing to suffer the pain of ear piercing to appreciate kik\\'s love. That was a touching scene which gave you a little idea of their love. Also, the scene of they were lying in the soccer field, the conversation express their loves were truthful and passionate.', 'label': 0}\n",
      "{'text': 'I am not so much like Love Sick as I image. Finally the film express sexual relationship of Alex, kik, Sandu their triangle love were full of intenseness, frustration and jealous, at last, Alex waked up and realized that they would not have result and future.Ending up was sad.<br /><br />The director Tudor Giurgiu was in AMC theatre on Sunday 12:00PM on 08/10/06, with us watched the movie together. After the movie he told the audiences that the purposed to create this film which was to express the sexual relationships of Romanian were kind of complicate.<br /><br />On my point of view sexual life is always complicated in everywhere, I don\\'t feel any particular impression and effect from the movie. The love proceeding of Alex and Kiki, and Kiki and her brother Sandu were kind of next door neighborhood story.<br /><br />The two main reasons I don\\'t like this movie are, firstly, the film didn\\'t told us how they started to fall in love? Sounds like after Alex moved into the building which Kiki was living, then two girls are fall in love. It doesn\\'t make sense at all. How a girl would fall in love with another girl instead of a man. Too much fragments, you need to image and connect those stories by your mind. Secondly, The whole film didn\\'t have a scene of Alex and Kik\\'s sexual intercourse, that \\'s what I was waiting for\\x85\\x85. However, it still had some parts were deserved to recommend. The \"ear piercing \" part was kind of interesting. Alex was willing to suffer the pain of ear piercing to appreciate kik\\'s love. That was a touching scene which gave you a little idea of their love. Also, the scene of they were lying in the soccer field, the conversation express their loves were truthful and passionate.', 'label': 0}\n",
      "{'text': 'Considering that this movie had a serious and quite successful launching campaign, I would have expected something to be worth the fuzz...from the opening scene on (in which the two brothers \"sensually\" caress each other, laying naked in a bed) it goes rapidly downwards...nothing to get the attention, not a mind-catching thing in the whole plot, baaad baad acting (a few minor exceptions, but artificiality is at its best). Incest and lesbianism are promising themes, but the script analyses none of the two in depth ( mind that a possible excuse of the makers, saying that they aimed for a subtle movie would be hilarious, unless subtle and superficial mean the same thing...). The too curious viewers will not get any interesting scene...at this point, that could have saved some of the movie...so you can imagine how bad it is. Many other things could be said...but please watch the movie yourselves...I am an egoist and I would like as many people as possible to waste about 1 1/2h of their lives...like I did :(', 'label': 0}\n",
      "{'text': \"Yes, indeed, it could have been a good movie. A love biangle, (sorry for the poetical license, but is not a triangle!) an interesting story, unfortunately badly told. The image is sometimes weird, sometimes OK, the picture looks crowded and narrow-sighted. The sound needs more attention (it usually does in Romanian movies), the light and color filters are sometimes badly chosen. The soundtrack is short and is not helping the action. About the acting... sorry but the best actress is the landlady. The others are acting immaturely and cannot convince the viewer. The acting is poetical when it should be realistic, and realistic when it should be poetical. It's a picture for adults, told by the children. Bother only if extremely curious.\", 'label': 0}\n",
      "{'text': 'Closer to reality and containing more depth than \"Breakdance\", Stan Lathan\\'s \"Beat Street\" is still a pretty dull show. Again this pic is really only cashing in on the \\'breakin\\' craze but at least we get a little bit of entertainment from the plot, which concerns the lives of three young friends and a younger brother, all growing up in Queens, New York. Each has their own unique talent. One is a hustler, one a d.j., another an artist who creates \\'burners\\', while little bro\\' Lee is a hot \\'hip hop\\' dancer.<br /><br />Lathan is unable to generate any real audience interest in the story though, and his young cast are likewise struggling with their characters. Therefore it is left almost entirely to the funky music and the \\'fresh\\' dancing to save the day.<br /><br />Choreography is again sharp for both club and street scenes, but this alone is not enough to lift \"\"Beat Street\" to greater heights. Unfortunately the film really falls flat late on, after showing a glimmer of hope that it just might get interesting.<br /><br />Sunday, August 25, 1996 - Video', 'label': 0}\n",
      "{'text': 'Hilariously obvious \"drama\" about a bunch of high school (I think) kids who enjoy non-stop hip-hop, break dancing, graffiti and trying to become a dj at the Roxy--or something. To be totally honest I was so bored I forgot! Even people who love the music agree this movie is terribly acted and--as a drama--failed dismally. We\\'re supposed to find this kids likable and nice. I found them bland and boring. The one that I REALLY hated was Ramon. He does graffiti on subway trains and this is looked upon as great. Excuse me? He\\'s defacing public property that isn\\'t his to begin with. Also these \"great\" kids tap into the city\\'s electricity so they can hold a big dance party at an abandoned building. Uh huh. So we\\'re supposed to find a bunch of law breakers lovable and fun.<br /><br />I could forgive all that if the music was good but I can\\'t stand hip hop. The songs were--at best--mediocre and they were nonstop! They\\'re ALWAYS playing! It got to the point that I was fast-forwarding through the many endless music numbers. (Cut out the music and you haver a 30 minute movie--maybe) There are a few imaginative numbers--the subway dance fight, a truly funny Santa number and the climatic Roxy show. If you love hip hop here\\'s your movie. But it you\\'re looking for good drama mixed in--forget it. Also HOW did this get a PG rating? There\\'s an incredible amount of swearing in this.', 'label': 0}\n",
      "{'text': \"Maybe you shouldn't compare, but Wild Style and Style Wars are original Hip Hop. Beat Street does have a lot of the original artists of early Hip Hop, but they've been obviously made clear that this could be their big break, of course for some it was and that's nice. But if you view this as original Hip Hop Culture you're wrong. It's overproduced and has a Hollywood sauce. Rather look for the first two movies i mentioned. They have convey the grittiness that comes with life in the ghetto. Yes, the rating for this movie is low, but the reviews are mostly positive or even raving. This is probably because although the story, the acting, the dialogues and the direction all are dreadful, the music and dancing is what the people love about it. Me, i do love the dancing but at the time thought that electro was the death of Hip Hop (i was so glad when round '86 a new generation of now classic Hip Hop artists appeared, like Krs One, Public Enemy, Ultramagnetic Mc's, Jungle Brothers, Bizmarkie to name a few), and i still don't like most of the beats in this movie and that is why it doesn't work for me. I mean, Wild Style has not much of a story but the music there is great and authentic. Of course tastes differ and that's alright. But as far as i'm concerned, this movie is trash except for the break dancing and some of the music and so i can't rate it higher than a 4 out of ten.\", 'label': 0}\n",
      "{'text': 'I could never stand watching Happy Days after Chachi joined the cast, so I knew I was in trouble when the best scene in this movie featured Scott Baio (a skateboard chase scene!). Jodie Foster in her first \"grown-up\" role turns in her usual professional performance but that is no excuse for this boring mess. Two hours out of my life that I\\'ll never get back! No noteworthy characters, unbelievable storyline, questionable editing and horrendous cinematography but worst of all, I couldn\\'t have cared less. The story of California teens in the 1970\\'s, where the kids live miserable lives and all their parents are idiots. Don\\'t waste your time watching this ugly excuse for a movie.', 'label': 0}\n",
      "{'text': \"Horrible film with bits of the Ramones strewn about. Your worse than average 1970's/80's comedy format of the cool kids taking over the school with some whimsical plan. This movie is terrible. The plot consists of a girl who enjoys the Ramones and a school bent on fighting against their oppressive administration. Forget this movie and watch something like Wild Zero starring Guitar Wolf if you want an entertaining B movie. Terrible acting, terrible writing, terrible plot with the stamp of approval of the Ramones who probably needed some money quick so they said yes to this movie. That is the only logical thing I can think of because this movie blows.\", 'label': 0}\n",
      "{'text': 'This movie is a 90 minute Ramones concert with brief periods of stupidity and absolute boredom. What kind of high school is this anyway?<br /><br />Unless you are a major Ramones fan, DO NOT and I repeat DO NOT waste your time like I did. This is utterly unwatchable from start to finish. This movie should be called Ramone Fever. Everyone appears to like them in this movie. There is not a plot to be found in this flick. As far as teen comedies go, you are scraping the bottom of the barrel with this one.', 'label': 0}\n",
      "{'text': 'I gave this film 2 stars only because Dominic Monaghan actually put effort through in his acting. Everything else about this film is extremely amateur. Everything associated with the direction of this film was very poorly executed. Not only should the director rethink what she is doing for a life career but maybe she should watch a few films. As Dominic Monaghan is a very credible actor, placing him in a film of this caliber makes him look awful. Whomever the \"actor\" was that played Jack\\'s best friend should never have stepped in front of the camera. I didn\\'t expect much from such a small film, but perhaps a little more time and effort should be put into the characters and their surroundings. Don\\'t waste your time or money on this film (like I did) you will be sorely disappointed.', 'label': 0}\n",
      "{'text': 'I jumped at the chance to view this movie uncut and uninterrupted, remembering rahs and raves for it. But wherever it seemed about to slip into being truly scary, it backed off and went somewhere else. The dripping water throughout the house, the black rain, the prophetic dreams, taking the wrong turn in raw sewage were dropped before they could work up to a scream.<br /><br />What a disappointment. Chamberlain\\'s nearly expressionless mask of a face offered little but confused disbelief, something I found myself mirroring as the film wore on. What could have been eerie Aboriginal chanting and instruments in the background were instead a cacophony seemingly designed to beat terror into one\\'s head. The ideas that modern people can embody ancient gods, that the Aboriginal peoples believe red-haired white men were the first priests, and many other possibilities are passed along more like a shopping list than a hint at another dimension (the Dream Time).<br /><br />[SPOILER] In the final scene, it wasn\\'t clear to me what the director was trying to tell. Is there a big wave? So what? How big? A tsunami? Yeah, okay. That\\'s devastating but not apocalyptic. Is it the end of the world? From a wave? The last wave? That\\'d have to be a pretty darn big wave. Why? Was the world that bad a place? It didn\\'t seem so awful in this movie. Actually I didn\\'t think the wave came off, since the shadow left Burton\\'s face that had been cast by the wave. Was it only Burton\\'s apocalypse? Heck, that happens every day to people who lose it. It wasn\\'t of any interest if it was only him.<br /><br />The most frightening scene, and the one that gives the best indication of Weir\\'s potential, was in Charlie\\'s apartment where Burton has gone to confront the old man for scaring Burton\\'s wife. Charlie keeps asking him \"Who are you?\" and it becomes truly disturbing after a while. Unfortunately, the movie never followed suit.', 'label': 0}\n",
      "{'text': 'The perfect murder is foiled when a wife(played by Mary Ellen Trainor, once the wife to director Robert Zemeckis, who helmed this episode), who murders her husband with a poker, has the misfortune of receiving a visitor as she is about to move the body outside..an escaped insane madman dressed in a Santa Claus suit(played by a deviously hideous Larry Drake). She fends for her life while trying to find a way of hiding her husband\\'s corpse. She decides to use an ax, once she downs the Santa killer who misses several chances to chop off the woman\\'s head, to frame the killer for her husband\\'s murder. Santa killer locks her in a closet and pursues the woman\\'s daughter as she tries desperate to free herself to save the child.<br /><br />This episode of TALES FROM THE CRYPT just recycles tired material involving the old \"Santa kills\" theme while also adding the oft-used(add nauseum)woman-murders-her-husband-for-a-man-she\\'s-been-cheating-with routine. It\\'s essentially Trainor trying to find a way to avoid being caught with a dead body she kills while also keeping a safe distance from a maniac. There\\'s nothing refreshing or new about this plot which pretty much goes through the motions. Not one of the show\\'s highlights.', 'label': 0}\n",
      "{'text': 'Well, as Goethe once said, there really isn\\'t any point in trying to pass a negative judgement that aspires to be objective on \"something that has had a great effect\". \"La Maman et La Putain\" has surely passed into history as an influence on much of what\\'s been done in France and elsewhere in the past thirty years and no one interested in the history of film, certainly, should be dissuaded from watching it. To express a purely subjective judgement, however, I feel compelled to disagree with almost every other review posted here and say to people: \"Don\\'t watch it; it\\'s a waste of hours of your time that will just leave you feeling rather sick and angry.\" And by that I don\\'t mean \"sick and angry\" about \"the human condition\" or anything so general and profound as that, because that is exactly the line that most critics have adopted in their fulsome praise of the film - \"an ordeal to watch in its ruthless dissection of our emotional cowardice and cruelty\" and so on - and, if it really managed to put across a universally or even broadly relevant message of this sort, then the director would have good reason to be satisfied with himself, however pessimistic his conclusions may be. My beef with the film is rather that I don\\'t see this hours-long record of empty vanity and petty treachery as being justified or excused by any GENERALLY relevant message at all. All three main characters are deeply morally unattractive individuals: Alexandre to the greatest degree, of course, because we see by far the most of him and because he seldom shuts up for more than thirty seconds; Marie perhaps to the least degree, because we see the least of her. Alexandre\\'s affected and pretentious monologues have a kind of amusement value, of course, but the amusement wears thin as one comes more and more clearly to realize that Jean-Pierre Léaud is most likely not even acting and that, with absurd remarks like \"un homme beau comme un film de Nicholas Ray\", he really was just reproducing word-for-word opinions that were accepted as authentic and profound by the milieu in which he, along with the director Eustache, had been living for about ten years by the time of the making of the film. I suppose if the tone of relentless superficiality and triviality had been sustained throughout 100% of the film, it might have worked as a long sardonic comedy about a particularly shallow, worthless and despicable post-\\'68 milieu. What made, however, this viewer at least extremely angry with the director was his granting of at least one lengthy scene each to Alexandre and Veronika in which we are clearly expected to empathize with and feel for them as if they shared a moral universe with us. If a man can get away with living in the flat of and professing to love one woman, sleeping (mostly in this very flat) with another, and running around Paris proposing marriage to yet a third, well, I suppose I can wish him the best of luck in the dog-eat-dog world he\\'s chosen to create for himself. What I can\\'t, however, in all conscience do is listen even for a moment to maudlin monologues from him in which he speaks about his \"anxiety\" and his \"despair\". The same goes double for the even more despicable Veronika, whom we are shown barging drunk into the apartment and even the bed shared by Marie and Alexandre and behaving there with an infantile inconsistency tantamount to the most savage and heartless cruelty. As I say, if \"La Maman et La Putain\" is intended to be nothing more nor other than a portrait of Alexandre, Veronika and Marie, three individuals whom any even halfway decent person would never admit into their company let alone their home, then I suppose there is a kind of legitimacy in praising the director for being \"unflinching\" (though why one should even feel like \"flinching\" once one had consciously opted to create such thoroughly repellent characters to filmically observe I can\\'t imagine). The problem, however, is that the director is clearly convinced - and appears to have succeeded in convincing generations of critics - that Alexander, Veronika and Marie are somehow representative of human beings in general and of the limits of human beings\\' emotional capabilities. This latter idea, however, is arrant and offensive nonsense. There may indeed be an inherent fallibility and tendency to tragedy in human relations in general and sexual relations in particular. But the nature and degree of this fallibility and tendency to tragedy can only possibly be determined by people who make a sincere and serious effort to make such relations work. It surely needs no cinematic or authorial genius to convey to us the information that a man who behaves like Alexandre is going to end up hated, miserable, and alone, or that women who insist on expecting love from a man like Alexandre are going to end up disappointed and bitter. Watch \"La Maman et La Putain\" if you\\'re historically interested in what passed for culture and human interaction in a certain post-\\'68 Parisian milieu which was probably, unfortunately, not restricted to just a few particularly anti-social types like these. But please don\\'t make the mistake of believing that what is recorded here has any general relevance for humanity in the way that a film by Jean Renoir or Martin Scorsese might be argued to have.', 'label': 0}\n",
      "{'text': \"That's not the sound of bees, that's the effect induced by watching this extremely long, extremely boring, badly acted movie. How I ever made it through all 3 1/2 hours without falling asleep I'll never know. The plot is simple...3 thoroughly unlikable morons talk about sex for 3 1/2 hours. And you thought Rohmer was deadly. This is even worse, if that's possible. > I must really be a masochist if I could watch this entire movie without turning it off...or killing someone.\", 'label': 0}\n",
      "{'text': \"Iberia is nice to see on TV. But why see this in silver screen? Lot of dance and music. If you like classical music or modern dance this could be your date movie. But otherwise one and half hour is just too long time. If you like to see skillful dancing in silver screen it's better to see Bollywood movie. They know how to combine breath taking dancing to long movie. Director Carlos Saura knows how to shoot dancing from old experience. And time to time it's look really good. but when the movie is one and hour it should be at least most of time interesting. There are many kind of art not everything is bigger then life and this film is not too big.\", 'label': 0}\n",
      "{'text': 'That reviewers liked this movie surprises me. The plot is a muddle. The characters are wooden. Michael Bowen spends most of the film spying on the other characters and misjudging all of them. No one has any redeeming quality or point-of-interest. This is not an edgy work. It is not imaginative. It is not ironic. It is no clever. There is nothing straight forward about this tedious work. That is missed theatrical release is not surprise. That the \"This Network\" airs it diminishes that venue. I definitely recommend turning to a rerun of the Garden Smart show on PBS or even a good informational if you encountered this mess on late night television. If you encounter it on daytime television, take a long walk. Even if you walk in smog, you will feel better not having suffered through this shambles. Life is short. This movie is long.', 'label': 0}\n",
      "{'text': \"This is a terrible movie, terrible script, bad direction and nonsensical ending. Also, bad performances, except from Clancy Brown who is criminally underused here, and Michael Pollard. Watching this movie was purgatory--you do it to unload enough bad movie karma to actually see a good one further down the line.<br /><br />The movie presents a father and son who look like they couldn't every possibly have been related. The part of the male lead is not well written and seems uncharismatic in this role. You can see the plot points a mile away. The actions of the female lead and that of her brother, the cop, also make no sense. So, a major action on her part at the end of the movie makes no sense script-wise.\", 'label': 0}\n",
      "{'text': 'Burt Kennedy used to be a very good director, but you\\'d never know it by this lumbering mess. Not only does this film look cheap, it IS cheap--most of the battle scenes are lifted from the far superior \"The Last Command\" from 1955, and that footage, shot 32 years previously, looks more contemporary than anything in this picture. The few action scenes that were actually shot for this movie are disorganized, confused and incompetent, looking just as shoddy as the rest of the picture. This has the look and feel of a bad student film (and the budget didn\\'t seem to be a whole lot more). It moves like molasses, the acting for the most part is either over-the-top ham or under-the-top comatose--although Raul Julia comes off better than most of the rest of the cast--and it\\'s chock full of annoying historical inaccuracies. On top of that, it\\'s WAY too long. If you\\'re going to make a boring film, do it in an hour or so and get it over with--don\\'t stretch it out over three hours, like this one does. If you want to see a good movie about the Alamo, check out John Wayne\\'s 1960 version, or even the 1955 film from which this movie stole its action scenes. Hard to believe it took six producers to make a movie this lousy. Skip it.', 'label': 0}\n",
      "{'text': \"While being a great James Arness western, this film has gone down as the worst Alamo film ever made. The story was terrible, inaccuracy all through it, and just downright untruths to boot! Continuity was cast to the four winds. Anybody catch the cannon sequence? The Mexicans were dumb enough to fire cannons that obviously had mud and ramrods still sticking out of the tubes. Come on! Then there is Brian Keith's ridiculous hat! Costumer must of been away or something. Or just out of their mind!\", 'label': 0}\n",
      "{'text': \"This movie is flawed on many fronts. Like many before it, it portrays more of the mythology of the Alamo than the history. The production is poor, overall giving the impression of a welfare project for lots of actors who might have otherwise had to work on Hollywood Squares. This to me was the greatest flaw - I know the ages and general personalities of the real Alamo protagonists and the geriatric ensemble of TV actors chosen to portray them never let any hint of believability intrude.<br /><br />As a native Texan, I grew up with the mythology. I later learned more about the history. I can accept a decent production from either perspective (although I prefer more historical accuracy), but this never gave me a chance to enjoy it. Even John Wayne's or Fess Parker's versions had more life than this stolid mess, while being only slightly less accurate.<br /><br />Very disappointing - avoid it.\", 'label': 0}\n",
      "{'text': 'Slow and riddled with inaccuracy. Over-looking its flaws this is still an interesting account of the famed and heroic siege of the Alamo during the Texas fight for independence from Mexico. James Arness as Jim Bowie. Brian Keith as Davy Crockett. Alec Baldwin as Col. Travis. Raul Julia as General Santa Anna. This made-for-TV project also stars David Ogden Stiers, Kathleen York and Jim Metzler. Very good original music by Peter Bernstein.', 'label': 0}\n",
      "{'text': 'This film, The Alamo:Thirteen Days to Glory, is utter rubbish. The acting is awful, it is far too patriotic and its historical accuracy is not always at its best (Historians would have a field day). It does have a few good moments but not enough to keep interest because it is far too long. Rating * out of **********.', 'label': 0}\n",
      "{'text': \"The story by Norman Maclean is a masterwork; Redford's film is a mediocrity. He adds banal scenes of the Maclean brothers going over a falls and of them double-dating in a seedy bar that were not even hinted at in the story. The cipher, Brad Pitt, trying to play the charismatic Paul Maclean, a genius outdoors, proves either risible or depressing, depending on what the original story meant to you. Some of the fly casting scenes are beautiful. Also, Tom Skerritt as the father and Craig Sheffer as Norman are strong and masculine, as men were once expected to be. None of the women make an impression in the film, which is regrettable, because Maclean loved the women in his story and made this clear, even poetic.\", 'label': 0}\n",
      "{'text': \"The only good part about this film is the beautiful scenery. This movie was long and boring. The minister should have retired from the pulpit the time his son Paul strayed from the teachings he proclaimed. How many times can his boys take the Lord's name in vain in this film being from a Presbyterian background? It doesn't fit. I wished Paul was swept down the river without a boat at the very beginning to spare us the silly, smirkish, selfish story of Paul (Brad Pitt). So Norm becomes a teacher and Paul becomes a compulsive gambler who Norm wants to rescue but doesn't-so what. It's very uninteresting. We see the prejudiced whites being stood up to by Paul because of his native American girl. That was the only part that had some interest and maybe could have been developed into a real 'wild western'. What we only see is a sleepy town where the two minister's sons have nothing to do but 1. Norm chase a lame girlfriend and deal with her family and 2.Paul make up dumb stories at the newspaper shop while scratching his head and take a lot of swigs and tie a lot of flies. I'd rather watch a show about fishing that that film again-which will be never.\", 'label': 0}\n",
      "{'text': '... to not live in Montana and especially not to live there at the end of the 19th century.<br /><br />\"A river runs through it\" certainly is a well made movie from a cineastic stand-point. Great landscapes, Redford acting well.<br /><br />Unfortunately, the story is bad (if there is a story at all).<br /><br />I felt sorry for the narrator / author, who is as dry, narrow-minded a character as his father, a preacher. Being driven, not driving his own life, he is left to watch his brother, who is also caged in the small town environment, losing his life. The author never even comes close to undestand his brother\\'s motivations, but at least realizes, that he is lacking the slightest amount of homour / fun. All there is, is fly-fishing, where he follows even as an old man the style of his father.<br /><br />The end is not surprising, it is forseeable from the very beginning.<br /><br />Definitely NOT a must-see (3 / 10)<br /><br />', 'label': 0}\n",
      "{'text': 'I always felt that a good film should have a plot. This particular film was missing one, and I feel that it would have been more effective with a plot. This was made even worse by the fact that it seemed to go on forever; I was anxious for it to finally end. However, I just noticed that it was only 123 minutes long; it felt like four hours. Not only was there no plot but the film also lacked a notable conflict. It\\'s not the worst movie I\\'ve seen, but I used to say that it was until I saw \"The Fast And The Furious\". So, don\\'t think this review of mine is from someone who needs nothing but action. I actually hate most action films out today; it\\'s just that this film is all the way on the other side of the spectrum. Not much really happens in this movie. However, the scenery and costumes were nice.', 'label': 0}\n",
      "{'text': \"This movie has beautiful scenery. Unfortunately it has no plot. In order to have a plot there must be a conflict. This movie had none. It spent two hours painting a beautiful scene and failed to ever place any activity in it. The picture tries to be artistic but fails to pay attentions to the fundamentals of story telling.<br /><br />If you love Montana scenery and fly fishing you will find some value in this film just don't expect a story. There isn't one.\", 'label': 0}\n",
      "{'text': \"This movie has beautiful scenery. Unfortunately it has no plot. In order to have a plot there must be a conflict. This movie had none. It spent two hours painting a beautifule scene and failed to ever place any activity in it. The picture trys to be artistic but fails to pay attentions to the fundamentals of story telling.<br /><br />If you love Montana scenery and fly fishing you will find some value in this film just don't expect a story. There isn't one.\", 'label': 0}\n",
      "{'text': 'Sorry, gave it a 1, which is the rating I give to movies on which I walk out or fall asleep. In this case I fell asleep 10 minutes from the end, really, really bored and not caring at all about what happened next.', 'label': 0}\n",
      "{'text': 'I didn\\'t know whether to laugh or cry at this misrepresentation of Canadian history, particularly the disservice done to the history of the Mounted Police in the Yukon.<br /><br />I\\'ll leave it to Pierre Berton, noted historian, born and raised in Dawson City Yukon, and author of the definitive history of the Klondike gold rush, Klondike: The Last Great Gold Rush, 1896-1899 to express my exasperation with this silly movie: <br /><br />The American idea of an untamed frontier, subdued by individual heroes armed with six-guns, was continued in The Far Country, another story about a cowboy from the American west - Wyoming this time - driving his herd of beef cattle into gold country. The picture is a nightmare of geographical impossibilities, but the real incongruity is the major assumption on which the plot turns \\x96 that there was only one mounted policeman in all of the Canadian Yukon at the time of the gold rush and that he could not deal with the lawlessness. When James Stewart and Walter Brennan reach the Yukon border with their cattle, the customs shack is empty.<br /><br />\"Where is the constable? asks Brennan.<br /><br />\"Up on the Pelly River. Trouble with the Chilkats,\" someone replies. He\\'s got a real tough job, that constable. He patrols some ten or twenty thousand square miles. Sometimes he don\\'t get home for two or three months at a time.\" <br /><br />The historical truth is that the Yukon Territory during the gold rush was the closest thing to a police state British North America has ever seen. The Northwest Mounted Police was stationed in the territory in considerable numbers long before the Klondike strike. They controlled every route into the Yukon and they brooked no nonsense. They collected customs duties, often over the wails of the new arrivals, made arbitrary laws on the spot about river navigation, and turned men back if they didn\\'t have enough supplies, or if they simply looked bad. In true Canadian fashion, they laid down moral laws for the community. In Dawson the Lord\\'s Day Act was strictly observed; it was a crime punishable by a fine to cut your wood on Sunday; and plump young women were arrested for what the stern-faced police called \"giving a risqué performance in the theatre,\" generally nothing more than dancing suggestively on the stage in overly revealing tights.<br /><br />In such a community, a gunbelt was unthinkable. One notorious bad man from Tombstone who tried to pack a weapon on his hip was personally disarmed by a young constable, who had just ejected him from a saloon for the heinous crime of talking too loudly. The bad man left like a lamb but protested when the policeman, upon discovering he was carrying a gun told him to hand it over. \"No man has yet taken a gun away from me,\" said the American. \"Well, I\\'m taking it\", the constable said mildly and did so, without further resistance. So many revolvers were confiscated in Dawson that they were auctioned off by the police for as little as a dollar and purchased as souvenirs to keep on the mantelpiece.<br /><br />In 1898, the big year of the stampede, there wasn\\'t a serious crime \\x96 let alone a murder \\x96 in Dawson. The contrast with Skagway on the American side, which was a lawless town run by Soapy Smith, the Denver confidence man, was remarkable. But in The Far Country Dawson is seen as a community without any law, which a Soapy Smith character from Skagway \\x96 he is called Gannon in the picture \\x96 can easily control. (In real life, one of Smith\\'s men who tried to cross the border had all his equipment confiscated and was frogmarched right back again by a mounted police sergeant).<br /><br />{in the movie the lone Mountie says} \"Yes I\\'m the law. I represent the law in the Yukon Territory. About fifty thousand square miles of it.\"<br /><br />\"Then why aren\\'t there more of you?\"<br /><br />\"Because yesterday this was a wilderness. We didn\\'t expect you to pour in by the thousands. Now that you\\'re here, we\\'ll protect you.\"<br /><br />\"When?\"<br /><br />\"There\\'ll be a post established here in Dawson early in May.\"<br /><br />\"What happens between now and May? You going to be here to keep order?\"<br /><br />\"Part of the time.\"<br /><br />\"What about the rest of the time?\"<br /><br />\"Pick yourselves a good man. Swear him in. Have him act as marshal\\x85\"<br /><br />The movie Mountie leaves and does not appear again in the picture. His astonishing suggestion \\x96 that an American town marshal, complete with tin star, be sworn in by a group of townspeople living under British jurisprudence \\x96 is accepted. Naturally they want to make Jimmy Stewart the marshal; he clearly fits the part. But Stewart is playing the role of the Loner who looks after Number One and so another man is elected to get shot. And he does. Others get shot. Even Walter Brennan gets shot. Stewart finally comes to the reluctant conclusion that he must end all the shooting with some shooting of his own. He pins on the tin star and he and the bully, Gannon, blast away at each other in the inevitable western climax.<br /><br />To anybody with a passing knowledge of the Canadian north, this bald re-telling of the story passes rational belief. <br /><br />\\x85excerpt from Hollywood\\'s Canada, by Pierre Berton, 1975.', 'label': 0}\n",
      "{'text': \"The five or so really good westerns that Mann made are unequaled as an ensemble in Hollywood. Even John Ford never made that many with so much quality. The curious thing about them all is how uneven they are. Ford's My Darling Clementine is worth about two and a half of any of them. Or at least two. <br /><br />The real hero of them besides Mann and Stewart is Chase. Chase being responsible for the brilliant Red River. Chase wrote far country, bend of the river, and probably some others. But none of them are as finished as My Darling Clementine, but then very few films, western or otherwise are. <br /><br />Each of the five films of Mann have huge gaps, or is it six, lets see. Bend, Far, Man of the West, Furies, Winchester 73, and yep, six, Naked Spur. Each have magnificent scene after magnificent scene, with fairly glaring lapses. Yet so does Red River, which is still the single greatest western ever made. So perfection isn't everything. <br /><br />But The Far Country has huge, huge holes. It's mawkish, and really comes alive only when Stewart and Mc Entire are locking horns. The rest is pretty pedestrian, with the usual exception of Mann's camera. Mann's camera is a one man course in cinematography. It is about as good an eye as anybody who ever got behind a strip of moving film. It is almost never in the wrong place, never. <br /><br />The Far Country has one amazing moment. And as usual it comes from Stewart. Nobody in the history of cinema ever received physical punishment with the authority of that man. He is absolutely amazing: look at him in Bend, Far, Winchester, and Man from Laramie: in Bend has been beaten up and is hanging by a thread so believably and with such boiling hatred he looks like somebody displaced from Dachau, in Far he is shot off a raft with such violence, it looks so convincing that you wince, and of course when he is dragged through the fire in Man, well you find yourself looking for the burn marks. What an actor. Not to mention the moment in Winchester when he is beaten up early in the hotel room, also as well as anybody ever did it. <br /><br />But that was Mann's territory: look at Gary Cooper fighting with Jack Lord in Man of the West. As painful as any fight scene ever recorded. Cooper while not being quite as convincing as Stewart, nevertheless is somehow his equal in looking exhausted at the end of the fight. In short, nobody but nobody but nobody ever showed the human being in extremis as well as Mann. <br /><br />What a great, great director. <br /><br />See every western he ever made. They are his real monuments, even if all are scetchy. But so what. When he gets roaring with his great scenes they are as good as anybody, including Ford. And his six westerns as an ensemble are the best ever done by anyone, period.<br /><br />Thanks, Anthony.\", 'label': 0}\n",
      "{'text': 'Mann photographs the Alberta Rocky Mountains in a superb fashion, and Jimmy Stewart and Walter Brennan give enjoyable performances as they always seem to do. <br /><br />But come on Hollywood - a Mountie telling the people of Dawson City, Yukon to elect themselves a marshal (yes a marshal!) and to enforce the law themselves, then gunfighters battling it out on the streets for control of the town? <br /><br />Nothing even remotely resembling that happened on the Canadian side of the border during the Klondike gold rush. Mr. Mann and company appear to have mistaken Dawson City for Deadwood, the Canadian North for the American Wild West.<br /><br />Canadian viewers be prepared for a Reefer Madness type of enjoyable howl with this ludicrous plot, or, to shake your head in disgust.', 'label': 0}\n",
      "{'text': 'This is an action Western. James Steart leads an all star cast in the scenic Northwest, which is filmed in great splendor. The scenery and costumes are great. There is action and adventure. Stewart plays a wealthy cattleman who runs afoul of a crooked government in the old Nothwest.<br /><br />The main drawback is the stereotypical cynic that Hollywood has always made into a hero. Even when this movie was made, the cynic was the stereotypical hero, and the one Stewart portrays really has few saving graces. He is kind to his two partners, and that does give him an extra dimension of credibility and likability.<br /><br />However, he is so piggish to everyone else, it is hard to really care for him, or to accept him. He is much like the one dimensional spaghetti Western characters (cut not that bad).<br /><br />Still, the minor characters are quite enjoyable. Walter Brennan, Royal Dano, Harry Morgan, and others make this worth watching.', 'label': 0}\n",
      "{'text': \"This is the worst sequel on the face of the world of movies. Once again it doesn't make since. The killer still kills for fun. But this time he is killing people that are making a movie about what happened in the first movie. Which means that it is the stupidest movie ever.<br /><br />Don't watch this. If you value the one precious hour during this movie then don't watch it. You'll want to ask the director and the person beside you what made him make it. Because it just doesn't combine the original makes of horror, action, and crime.<br /><br />Don't let your children watch this. Teenager, young child or young adult, this movie has that sorta impact upon people.\", 'label': 0}\n",
      "{'text': 'Ah, Channel 5 of local Mexican t.v. Everyday, at 2:00 a.m. they air Horror movies from the 70\\'s to early 2000\\'s. It was \"Return To Cabin By The Lake\" the movie that aired yesterday. I regret for watching it.<br /><br />The original \"Cabin By The Lake\" was a regularly popular low budgeter and it was good accepted. The problem is that this sequel is horrible, not even unintentionally funny and tries to imitate the original. Ugh. The plot is really stupid in all the sense of the word.<br /><br />The movie at some points looks like a soap-opera because of it\\'s absurd dialogs, cinematography, and direction.<br /><br />My advice is : avoid this one at all costs. It\\'s a movie that it shouldn\\'t be watched by anyone. Not even for lovers of mediocre film-making.<br /><br />You have been warned.', 'label': 0}\n",
      "{'text': \"Preposterous sequel stretches credibility to a great degree as diabolical sociopath Stanley Kaldwell returns this time infiltrating the movie production of the novel he wrote for the garden drownings, assuming the identity of a second unit director he murdered.<br /><br />Film pokes gleeful fun at Hollywood, with a tongue-in-cheek script taking shots at tyrannical directors who sleep with their actresses(..looking for a way up the ladder)and dislike anyone challenging them for complete spotlight. Brian Krause, who I thought was dreadful, overacting to the point where the satire felt incredibly forced, portrays the loud, temperamental director who doesn't like the fact that his second unit director and screenplay writer, Alison(..played by Dahlia Salem)seem to be taking over the production. Andrew Moxham is Paul Parsons, who is the brother of a victim from the first film. The film's dark humor this time takes the idea of a serial killer actually operating as director of a movie set and exploits it for all it's worth. Nelson again ably slides back into his psycho role without any difficulty, with Stanley as clever as ever, using his brains to commandeer a film production, killing whoever he has to in order to maintain full control of his work, letting no one stand in his way..that is until Alison realizes who Stanley really is. Alison is the type of ambitious writer who wants to capture the essence of her subject..what motivated Stanley to kill, why would he do such a thing, and what led such a man down this dark path? The humor of Alison actually working with that very man is also part of the satire at the heart of this dark comedy thriller. Of course, you get the inevitable showdown between Alison and Stanley, with a really ridiculous, unbelievable conclusion regarding the killer's fate(..quite a hard pill to swallow). Unlike the first film, which was photographed with sophisticated polish, director Po-Chih Leong uses unnecessary techniques which are not needed(..such as shooting an all kinds of weird angles, slow-motion in a sepia color, and several instances which are captured on video)and rather annoy instead of impress. This sequel, to me, just wasn't on target as much as the original, with a lot of the humor less effective and more obvious.\", 'label': 0}\n",
      "{'text': 'Return to Cabin by the Lake just.... was lacking. It must have had a very low budget because a fair amount of the movie must have been filmed with a regular video camera. So, within the same scene - you\\'ll have some movie-quality camera shots AND simple video camera shots. It makes for a very odd blend! I think they should have found SOME way to not do the \"home video\" type effect! <br /><br />I think it\\'s worthwhile to see it IF you have seen the original CBTL because then you can compare and see the differences. But if you haven\\'t seen the original CBTL.... you\\'ll never want to see it if you see this one first! It will probably seem way too cheesy and turn you off from even caring about the original one.', 'label': 0}\n",
      "{'text': \"This movie was made-for-TV, so taking that into account, I'm not going to rip into it as hard as I would a feature film. The script is sub-par, but it does succeed in being mildly humorous in spots, whether it means to be or not. The acting is mostly over-the-top, but that is true for many lower-budget movies.<br /><br />The aspect of this movie that I really hated, though, was that 90-95% of it is shot on film, but in random places, there will be 5-10 seconds where the footage is shot on video. You can tell because there is less contrast, the colors are less vivid, and the footage is clearly 30 frames per second instead of film's 24 frames per second. I'm not sure if maybe these scenes had to be shot later and at that time they didn't have the money to shoot on film (I assume this is why, anyway), but it is disorienting and really makes the film look shoddier than it had to look.<br /><br />Anyway, I've definitely seen worse movies, but I definitely wouldn't say that I enjoyed this movie and I can't recommend that anyone see it.\", 'label': 0}\n",
      "{'text': \"IF you are planning to see this movie, please reconsider. I don't usually post my comments about something I've seen on television, but this one was such a waste of my life that I needed to do something productive to get that bad taste out of my mouth. Critiquing this movie would take far too long as there are so many things wrong with it. I will just simply say, please do not ever see this movie. It was a complete waste of my time and it WILL be a waste of yours. Anyone that wrote a positive review of this movie is one of two things; utterly inept, or working for the company that produced it. Again, I guarantee that you will indeed regret seeing this movie!\", 'label': 0}\n",
      "{'text': '<br /><br />I saw this on the Sci-Fi channel. It came on right after the first one. For some reason this movie kept me interested. I don\\'t know why, stop asking.<br /><br />---SPOILERS--- Okay... It was cheesy how this guy got involved with the making of the movie. In the first movie, he had a \"reason\" to kill people, but in this sequal, half of the killings/attempted killings were basicly for no reason. Stanley killed the director due to creative differences, he captured the co-writer due to creative differences, but what was the deal with trying to kill off the cast? No cast, no movie. He wanted it to \"look real when they died\"? If this was supposed to be such a high budget movie, use the special effects, MAN. Of course like the first one, the captured girl gets away, and Stanley ends up getting messed up, and dissapears. Woooooow (sarcasm). This movie HAD potential. And the saddest thing of all... the really sad part... I would watch a \"Cabin by the Lake 3\". Only because I like Judd Nelson, and he\\'s the only good part about this sequal.', 'label': 0}\n",
      "{'text': \"I watched Cabin by the Lake this afternoon on USA. Considering this movie was made for TV is was interesting enough to watch the sequel. So, I tune in for the airing this evening and was extremely disappointed. I knew I wouldn't like the movie, but I was not expecting to be perplexed by the use of DV (digital video). The movie would have been tolerable if it wasn't for these juxtaposed digital shots that seemed to come from nowhere. I expected the plot line to be tied in with these shots, but there seemed to be no logical explanation. (WARNING: THE FOLLOWING MAYBE A SPOILER!!!!) The open ending in Cabin by the Lake was acceptable, but the open ending on the sequel is ridiculous. I can only foresee Return of Return to The Cabin by the Lake being watch able is if the movie was shown up against nothing, but infomercials at 4 o'clock in the morning.\", 'label': 0}\n",
      "{'text': \"*Possible Spoiler*<br /><br />'Return to Cabin by the Lake' is a useless movie. The acting was not good and the plot wasn't even remotely interesting.<br /><br />'Cabin by the Lake' is a good TV movie. The sequel was not. Judd Nelson was very good in the first film and put a whole lot more into his character than in this. It seemed as if HE wasn't even interested in doing the sequel. His acting was good but it could have been better. I really don't want to comment on the rest of the cast because in my opinion, they're not even worth mentioning. But I'll do it. The character of Alison isn't even hardly shown in the first part of the film. All of a sudden she's the center of attention next to Stanley Caldwell. The role didn't make sense and it should have been thought out a little better. Dahlia Salem was absolutely terrible. Her acting was way below decent and the casting people should have looked for somebody else, anybody else. The director, Mike, was a confusing character. He seemed to have a purpose for being there but it didn't seem like his death was necessary. The acting for this role was good, nothing great but better than Salem's.<br /><br />The plot was real lousy if you think about it. Stanley, who is presumed dead, makes his way onto the set of 'Cabin by the Lake', the movie based on his script. He stumbles upon the director and in a short time, the director is dead and Stanley is running the show. Yeah, out of nowhere the crew is just going to let this stranger come into the picture and finish the film not knowing anything about him. There's some killings, not a whole lot, and the one's that are shown are ridiculous. One of the actresses on the set gets electrocuted while filming a scene. Another character gets chewed up by a motorboat. And one gets tangled up in a plant before drowning. These writers must have been hard up for excitement.<br /><br />I just have to say that I was not impressed with the filming of the movie. The way that it kept changing from looking low budget back to normal started to become irritating very fast. Also, the new cabin by the lake was poorly created. We aren't shown it but only in a few scenes, and the whole thing with the chain in the basement was useless. It worked in the first film only because we were shown the room a lot more, but it didn't work in this one.<br /><br />There were too many characters in this sequel. All of them except for a few had no reason to be there. The acting of what little is showed was really bad and...they just didn't have a purpose in this movie.<br /><br />All in all, 'Return to Cabin by the Lake' is a sequel picking up from where the first left off. 'Cabin by the Lake' I can take but this was just not impressive. Judd Nelson should have avoided this one and so should you. It's nothing like the first and it went entirely too slow. Nothing happened in the first hour and it continued to drag on for the second. Not to mention that the writing was horrible. Put this on only if you need some help getting to sleep.<br /><br />So, we see that Stanley defies death and is still alive and well. By the way he talks, it sounds like there could be a possible third installment to a movie good just by itself. Quit throwing in sequels and we may be alright!<br /><br />(Did the film makers not realize that they showed us how they filmed the lake scenes from the first one? They were all done in a tank. Never, never reveal the secrets of filming.)<br /><br />\", 'label': 0}\n",
      "{'text': 'A decent sequel, but does not pack the punch of the original. A murderous screenwriter(Judd Nelson)assumes new identities in order to direct his own novel CABIN BY THE LAKE. Still ruthless killing, but movie seems very tongue-in-cheek. Any humor is not of the funny kind. Total project seems to have the quality of a quickie and at times Nelson is way over the top. This movie is about a script being rewritten before going to the screen...this should have happened to this script.', 'label': 0}\n",
      "{'text': \"Return to Cabin by the Lake does not, in any way, stand up to the original. With only one main character (Stanley) returning for the sequal, the film is not even worth the 2 hours of your time. I am a huge fan of the first film, the story line and acting was really good, but this is one movie that I will never again watch. It is basically equal to what the sequals to Urban Legends and Blair Witch were like, but with much worse acting. I've personally seen better acting in soap operas, it is so pitiful that you just have to laugh. I, in no way, recommend this movie to anyone, watching it will just detract from the first.\", 'label': 0}\n",
      "{'text': 'I thought Hedy Burress (who managed to escape from the watery grave of part one) was going to be in part 2 Guess not. I just think they should of killed her off like in Friday The 13th Part 2 (you know what I mean).<br /><br />This movie like Scream 3, and Urban Legend 2 followed movies within a movie.<br /><br />This was PURE CRAP! The whole Movie within a Movie crap.<br /><br />BAD STAY AWAY!', 'label': 0}\n",
      "{'text': \"Viewers gushing over everything including the title sequence (now THAT is funny) would have us believe this is some sort of cinematic miracle, but, trust me folks, this is one of the most embarrassingly bad films you could ever see, and if you're not laughing at it five minutes in, I'd say you've lost your sense of humor.<br /><br />David Niven plays a doomed and bravado-besotted RAF pilot who somehow thinks it appropriate to engage an impressionable (female) air traffic controller in an emotional conversation about love, just as he's plunging to his certain and fiery death. (Isn't it romantic...) Of course, he's spared by a quirk of metaphysical chance, and washes up on the beach, just as this same air traffic controller is riding by on her bicycle. (They immediately clinch).<br /><br />Looking past the bizarre homo-erotic subtexts, (so over the top you really need to refer to them as supertexts, from a naked boy sitting bare-butted in the sand playing the movie's twilight-zone-esquire theme on his little flute, to a celestial courier so campy/queen-y his makeup is caked on more thoroughly than the ladies'), the most bizarre aspects of the movie are how it weaves such bad caricatures of national and racial stereotypes into a convoluted attempt to argue some kind of point about the universal nature and power of love. We get it--fly boys like girls in skirts and heels, and girls like 'em back, and, apparently, all you have to do is cry a little to make it noble enough for your movie to get 10 stars on IMDb...<br /><br />As for the quality of the production, the continuity/editing is poor enough to induce cringing, and the lighting is, perhaps, even worse than that, but you hardly have time to notice because the script is so bad. There are games played with Technicolor, (whatever passes for heaven is in black and white if you can figure out the sense in that), and foreshadowing, (so funny my fellow audience member who usually like movies like this actually cheered and laughed when then the doc's motorcycle finally ended up in a fiery wreck), and freeze-motion, (which is funniest of all because the female lead is so poor at standing still you know the stage hands were guffawing off camera).<br /><br />The best shots are the early ones on the beach, but, after that, it's all downhill. The (moving like an escalator is moving) staircase is hardly the Odessa Steps, to say the least, and I'd really caution anyone from feeling like they'd have to see this lame attempt at movie-making on their account. The movie overall is bad enough to be funny, and that's about the best thing I can say for it.\", 'label': 0}\n",
      "{'text': 'I saw this movie recently because a friend brought it with him from NYC. After 30 minutes, I said to him,\" You\\'ve got to be kidding. Is this some sort of joke?\" He thought it was good. I told him that I thought it was probably one of the silliest movies ever made. \"What was it supposed to be?\" I asked. \"A propaganda movie made for children?\" The plot is stupid. The acting is the worst ever for most of the principals and frankly people who look at this sort of tripe and think it has anything to do with life, love or even afterlife, of which it offers an incredibly idiotic view...need some psychiatric help. Please, if someone tries to get you to stick this in your DVD or Video player, consider it like you would a virus introduced into your computer...it won\\'t destroy your player but it will destroy your evening. If they had made Razzies in the \\'40s, this would have won in every category. (PS. It also goes under the dubious sobriquet of \"Stairway to Heaven.\")', 'label': 0}\n",
      "{'text': 'Despite a decent first season this series never came close to realizing its potential. Set as a prequel to the original \"Star Trek\" series it was doomed almost from the start by an executive producer, Rick Berman, who felt compelled to artificially limit and constrict the definition of what a \"Star Trek\" series could be (which made this futuristic show increasingly anachronistic from a dramatic standpoint). The actual show-runner, Brannon Braga, didn\\'t help matters by his uninspired and tired rehashing of previous Trek episodes and careless disregard of the franchise\\'s internal mythology (it was painfully obvious early on that he was in it only for the paycheck). Never have I seen a series\\' that so consistently did a disservice to a cast of talented actors (Jolene Blaylock excepted)last so long. It is as if this entire series was produced in bubble existing outside the contemporary television landscape where the audience (even a Trekker audience) is more demanding and sophisticated in their dramatic wants and desires. Unfortunately it appears as if Berman and Braga have succeeded in convincing the higher ups at Paramount that \"Enterprise\" suffered from \"franchise fatigue\" and that its core audience was did not walk away but was driven off. Produce a quality offering that lives up to the high ideals and standards of its predecessors and they (the audience) will come.<br /><br />Simply put, In a TeeVee universe where we are given shows like \"Battlestar: Galactica\" and \"The Shield\" the powers-that-be must give the viewing public a \"Star Trek\" that measures up and is dramatically competitive. It is just that straightforward and easy.', 'label': 0}\n",
      "{'text': \"Anybody who has ever been a fan of the original series, or even has a clue about the storyline should be embarrassed by this series. The Borg does not come around until Q brings the Enterprise to the Gamma sector, the Klingons are NEVER seen until Kirk encounters them, the NCC-1701 was the FIRST ship to carry the Enterprise name....need I go on? Berman and Pilliar have made a mockery of Gene Roddenberry's creation. After he died, they only saw $$$$ and just went their own way. No wonder Majel Barrett was in every single episode of star trek until this series. I don't blame her for not being involved with this mess. Poor Bakula. He's a great actor, as are the entire cast. I like them all, but the storyline is tragic and ignores all of the precedents set by the original series. Just check the ratings. I think more people watched Deep Space 9 (which was untimely canceled).\", 'label': 0}\n",
      "{'text': 'Okay first of all, I didn\\'t sit down to watch the premier of a \"Star Trek\" Series to see a cowboy flying around in space. this is how a normal Enterprise episode works<br /><br />1 Archer finds a nebula or something aloung the lines of that and wants to take a closer look but it might destroy the ship.<br /><br />2 he sends a shuttle into the nebula and and the shuttle get damaged...<br /><br />in all of the episodes I have seen, all of the problems are happening because of Archer\\'s stupid mistakes. Oh and did you see the preview of one episode showing Archer and T\\'pol kissing?!?!?!?!?!?!? I was planning to watch that episode but after that I totally gave up on Enterprise and turned to TV right off. Come on!!!! This is star trek!!!!!!!!!!!!!!!!!!!!<br /><br />Also what was with the banana slug?? In one episode, Hoshi had a banana slug but had to leave it behind for some stupid reason. Okay fine, little dumb to bring you pet slug in space but whatever. Okay that was what I thought until they left it on a desert planet!!!!! A BANANA SLUG CANNOT LEAVE IN A DESERT!!!!!!!!!!!! How dumb are these writers<br /><br />Any ways, just saying if Enterprise is on DON\\'T WATCH IT!!!!!', 'label': 0}\n",
      "{'text': 'While it\\'s early to say how the series will evolve, I can say that the pilot was less than I thought it would be. There is still potential for the series, however. Of course when I first saw Voyager I thought it had potential, too - but was sorely disappointed. My gut tells me Enterprise won\\'t be as bad as Voyager, however.<br /><br />As for the impressions of the pilot...<br /><br />The pilot had some good ideas and good themes. I liked the introduction. The show\\'s opening credits were interesting, with the progress of exploration and a fitting theme song. Scott Bakula is excellent in the role of captain.<br /><br />Where it fell short for me was largely that the story lacked the \"feel\" of setting out on a grand adventure. The plot of the episode itself was more a \"generic\" Trek story with the themes of \"exploration\" and \"first step towards space\" merely subplot and subtext. Were you to edit out the references to this being the first deep space mission, the plot would be hard to differentiate between the eras of Enterprise, TOS or TNG. The central plot didn\\'t reflect or do justice to the grand theme of the series.<br /><br /> The plot of launching the first mission would have been grand enough without the \"action\". Instead of isolated references to the newness of exploration, they could have been the story. Get a little more nostalgic and philosophical about it (oh, for a TV show that once again would make us THINK). Make us feel the excitement of \"the wind\" and being on \"the sea\" instead of distracting us with a rescue and a plethora of gunplay. There was WAY too much gunplay.<br /><br />We had the feeling more that humans were the \"freshmen\" in an established school. New kids on the block, as opposed to venturing into a largely unknown universe. Sadly, the Klingons landed on our doorstep instead of us finding them. That meeting could have been far more historic and far more sociological. Just how DO two such different societies interact? Don\\'t just hint about it, SHOW it!<br /><br />I had to think of it more as `Trek with an akward crew and limited technology\\' as opposed to `the first brave steps into the unknown\\'. I wanted to see something newer and fresher. The series promises to have a new concept but so far I haven\\'t seen this new, great concept.<br /><br />I will conclude with reiterating the sentiment that the series has potential. There are some interesting characters. Bakula is wonderful. Blalock has potential. The overall theme is the most interesting since we first saw Kirk in a world before Apollo 11. If only future episodes can do justice to this grand and wonderful theme, we will have a show which will create new legends.<br /><br />You shoot an arrow into the air... Good luck Capt. Archer.<br /><br />To the producers: TAKE MORE RISKS AND MAKE US *THINK*! :-)', 'label': 0}\n",
      "{'text': \"I'm not a huge Star Trek fan, but I was looking forward to this. I was intrigued by the pre-hype descriptions of the Enterprise, its cramped-submarine styling and rough-edged technology compared to the Treks we are used to.<br /><br />I didn't see anything all that interesting in this pilot. I found the plot to be convoluted and confusing.<br /><br />I will admit that I did like some of the character development - the depictions of the humans as an 'adolescent' species ready to outgrow their britches was entertaining.<br /><br />And that Vulcan babe had one hell of an incredible rack.<br /><br />But I don't think I'm going to get hooked on this series.<br /><br />3/10\", 'label': 0}\n",
      "{'text': 'The earlier part of the film was rather enjoyable but towards the end it became trite. Although Turturro is an actor I generally like, his Luzhin often resembled a bad Rain Man impression and the portrayal of the genius as a semi-autistic man was annoying. Overall it seems as if this film is trying to hard and ends up looking pompous in spite of mostly fine performances.', 'label': 0}\n",
      "{'text': 'a movie that attempts to be far smarter than its makers are capable of producing. the movie twists and turns through miriad plot \"surprises\" at a desperate attempt to kep the audience guessing, offcourse puncturing the \"plot\" with steamy scenes they thought would help it along.<br /><br />james belushi is involved in this pseudo-intellectual attempt and just sleep walks through the movie. the same applies for the other \"actors\". the plot is quite silly and tacky. whih in itelf is not such a crime, but towards the end, the tremendous plot-twists get very tiresome and boring.<br /><br />however, the movie does manage to generate some interest in the middle. in all worth a lazy watch on a really boring day, but don\\'t fret if you miss this one.<br /><br />a rather lame 4!', 'label': 0}\n",
      "{'text': 'If you can imagine Mickey Mouse as a New York street pimp, or John Wayne as a Communist spy, then you might believe Pat Boone as a juvenile delinquent on his uncle\\'s farm in Kentucky and you could conceivably enjoy this movie.<br /><br />This film is so stupid that it isn\\'t even campy for a mid 1950s sexless love story. And the problem is that Hollywood made such a big deal about Pat Boone\\'s refusal to kiss a woman not his wife on screen before its release that the audience knows he won\\'t kiss Shirley Jones so you cannot build any anticipation for the \"screen consummation\" of their love. It\\'s sort of like watching a western in which the cowboys don\\'t have guns.<br /><br />The story is pointless. Even the title song is sung with pained enthusiasm.<br /><br />April Love belongs in the worst film bargain bin along with Ishtar and Plan 9 from Outer Space.', 'label': 0}\n",
      "{'text': 'I really wanted to like this western, being a fan of the genre and a fan of \"Buffalo Bill,\" \"Wild Bill Hickok,\" and \"Calamity Jane,\" all of whom are in this story! Add to the mix Gary Cooper as the lead actor, and it sounded great. <br /><br />The trouble was.....it wasn\\'t. I found myself looking at my watch just 40 minutes into this, being bored to death. Jean Arthur\\'s character was somewhat annoying and James Ellison just did not look like nor act like \"Buffalo Bill.\" Cooper wasn\\'t at his best, either, sounding too wooden. This was several years before he hit his prime as an actor.<br /><br />In a nutshell, his western shot blanks. Head up the pass and watch another oater because most of \\'em were far better than this one.', 'label': 0}\n",
      "{'text': \"I have always admired Susan Sarandon for her integrity and honesty in her private life as well as her talents as an actor. I therefor found it strange that she would appear in a film that so distorted that facts. Her character's rescue from the South Pole was done by a Canadian charter company from Edmonton, Alberta flying a Canadian designed and built Twin Otter aircraft. The trip had been turned down by the US Airforce, Navy and Coast Guard as beyond their capabilities. The same company staged a similar rescue a few years later to bring out a man from the South Pole base. I feel that the film fairly represented a very gripping subject and documented a very courageous woman facing a frightening task. I fail to see why the producers would find it necessary ignore the bravery of the rescue pilots and show the rescue plane as a USAF Hercules.\", 'label': 0}\n",
      "{'text': 'Warning Spoilers following. Superb recreation of the base in Antarctica where the real events of the film took place. Other than that, libelous!, scandalous! Filmed in Canada; presumably by a largely Canadian crew and cast. I caught the last half of this film recently on Global television here in Canada. Nothing much to say other than how thoroughly appalled I was at what a blatant piece of American historical revisionist propaganda it is; and starring Susan Sarandon of all people! I can only assume that Canadian born director Roger Spottiswoode was coerced to make the USAF the heroes of the film when in fact the real rescuers where a small private airline based in Calgary; Kenn Borek Air.', 'label': 0}\n",
      "{'text': \"OK first of all the video looks like it was filmed in the 80s I was shocked to find out it was released in 2001. Secondly the plot was all over the place, right off the bat the story is confusing. Had there been some brief prologue or introduction the story would've been better. Also I appreciate fantasy but this film was too much. It was bizarre and badly filmed. The scenes did not flow smoothly and the characters were odd. It was hard to follow and maybe it was the translation but it was even hard to understand. I love Chinese epic films but if you're looking for a Chinese epic fantasy film i would recommend the Promise (visually stunning, the plot is interesting and good character development) not this film. Beware you will be disappointed.\", 'label': 0}\n",
      "{'text': \"Zu Warriors most definitely should've been an animated series because as a movie it's like watching an old anime on acid.The movie just starts out of nowhere and people just fly around fighting with metal wings and other stupid weapons until this princess sacrifices herself for her lover on a cloud or something.Whether this princess is a god or an angel is beyond me but soon enough this flying wind bad guy comes in and kills her while the guy with the razor wings fights some other mystical God /Demon/Wizard thing.The plot line is either not there or extremely hard to follow you need to be insanely intelligent to get this movie.The plot soon follows this Chinese mortal who is called upon by this god to fight the evil flying,princess killing bad guy and soon we have a very badly choreographed Uwe Boll like fight scene complete with terrible martial arts on a mountain or something.Even the visuals are weird some might say they are stunning and colorful but i'm going to say they are blurry and acid trip like (yes that's a word!).I watched it both dubbed and with subtitles and both were equally bad and hard to understand....who am i kidding i didn't understand it at all.It felt like i was watching episode 30 of some 1980's anime and completely missed how the story began or like i started reading a comic series of 5 at number 4 because i had no clue how this thing started where it was going or how it would end i was lost the entire time.I can honestly say this was one of the worst film experiences ever it was like watching Inu-Yasha at episode 134 drunk...yeah that's right you don't know what the hell is going on.Don't waste your brain trying to figure this out.\", 'label': 0}\n",
      "{'text': 'This is not so much film as big budget children\\'s television. As far as I can tell, the villain is a giant swarm of chocolate covered espresso beans. This theory seems to be verified by the fact that the subtitles refer to it as \\'Insomnia\\'. When it\\'s first mentioned that a civilization had been wiped out by insomnia, I thought \"Wow! A nihilistic martial arts film!\" but no such luck. Although you have to consider it experimental cinema when the villain is strangled by an old man\\'s long, white eyebrows. Zu Warriors makes exactly the same amount of sense whether the subtitles are on or off. That\\'s not a good sign. I found the special effects to be somewhere between Ray Harryhausen and Xena: Warrior Princess. Primitive.', 'label': 0}\n",
      "{'text': \"Watched this on DVD in original language with English subs. Either the subtitling was very poor or the actual dialog doesn't make much of story and give any character development. There are quite a few HK stars in this but the movie doesn't need their presence to make it better or worse. It's just bad. The bright and colorful scenes done in CG are attractive for the sheer colors and brilliance but it can get overwhelming before long. If anything this makes me think of a child's movie with its nonstop barrage of cg, fight scenes, and crap plot. I'm certain I grasped what took place in the film but the whole delivery of the story was rather lousy.\", 'label': 0}\n",
      "{'text': '\"Spielberg loves the smell of sentiment in the morning. But sentiment at the expense of narrative honesty? Nobody should love that.\" - Lucius Shepard<br /><br />\"The Color Purple\" takes place in the Deep South during the early 1900s, and tells the story of Celie and Nettie, two African American sisters. The film opens with the girls playing in a field of purple flowers, an idyllic haven which is promptly shattered by the appearance of their stepfather. This motif \\x96 innocence interrupted by men \\x96 permeates the entire film.<br /><br />The film then launches into a series of short sequences. Celie is revealed to have been twice impregnated by her stepfather, gives birth in a dirty barn, has her newborn child taken away and is forced to marry a local widow named Albert Johnson, a violent oaf who rapes her repeatedly, forcing her to cook, clean and look after his children.<br /><br />All these horrific scenes are given little screen time, and are instead surrounded by moments of pixie-dust cinematography, a meddlesome symphonic score, incongruous comedy and overly exuberant camera work. The cumulative effect is like the merging of a Disney cartoon and a rape movie, a jarring aesthetic which caused Stanley Kubrick to remark that \"The Color Purple\" made him so nauseated that he had to turn it off after ten minutes. Ten minutes? He lasted a long time.<br /><br />The film is often said to deal which \"racism\", \"sexism\" and \"black culture\", but this is not true. Alice Walker, the author of the novel upon which the film is based, claims to be a bisexual but is actually a closet lesbian. Her book is a lesbian fantasy, a story of female liberation and self-discovery, which paints men as violent brutes who stymie women. For Walker, the only way out of this maze is for women to bond together in a kind of lesbian utopia, black sisterhood and female independence celebrated.<br /><br />Spielberg\\'s film, however, re-frames Walker\\'s story through the lens of comforting American mythologies. This is a film in which the salvific power of Christianity overcomes the natural cruelty of men. A film in which Albert finds himself in various ridiculous situations, moments of misplaced comedy inserted to make him look like a bumbling fool. A film in which all the characters are derived from racist minstrel shows, the cast comprised of lecherous men (always beaming with devilish smiles and toothy grins), stereotypical fat mammies, jazz bands and gospel choirs. <br /><br />This is a film in which black people are naturally childlike, readily and happily accepting their social conditions. A film in which black people are over-sexed, carnal sensualists dominated by violent passions. A film in which poverty and class issues are entirely invisible (Albert lives in a huge house) and black men are completely inept. This is not the Old South, this is the Old South as derived from \"Gone With The Wind\", MGM Muscals, \"Song of the South\", Warner Cartoons, \"Halleluha!\" and banned Disney movies. In other words, it\\'s the South as seen by a child raised on 50s TV. It\\'s all so cartoonish, so racist in the way it reduces these human beings to one dimensional ethnic stereotypes, that black novelist Ishmael Reed famously likened it to a Nazi conspiracy.<br /><br />Of course, in typical Spielberg fashion the film ends with family bonds being healed. This reconciliation was in Walker\\'s novel, but Spielberg goes further by having every character in the story reconcile with their kin.<br /><br />Beyond Walker\\'s hate letter to black men and Spielberg\\'s bizarre caricaturing of black life, we are shown nothing of the black community. We have only the vaguest ideas as to how any of these characters make a living and no insight into how they interact with others in their community. Instead, Spielberg\\'s camera jumps about, desperately fighting for our attention (one of Celie\\'s kitchen contraptions seems like it belongs in a \"Home Alone\" movie), every emotion over played, the director never stopping to just observe something or to allow a little bit of life to simply pass by. Couple this with Quincy Jones\\' ridiculously \"white\" music, and you have one of the strangest films in cinema history: an angry feminist tract filmed by a white Jew in the style of Disney and Griffith, scored by a black man trying to emulate John Williams.<br /><br />Problematic too is the lack of white characters. Consider this: the men in this film aren\\'t portrayed as being rough to each other, nor do they dominate women because they are brutalised by a racist society which reduces their manhood. No, they are cruel by nature. And the women, whether quietly suffering like Celie or rebellious and tough like her sister, persevere and survive only because the men are too stupid to destroy them. A better film would not have focused solely on the oppression of women as it occurs among the oppressed, rather, it would have shown that it is societal abuse which has led to spousal abuse, that enslaved black women are forced to perform the very same tasks as their male counterparts (whilst still fulfilling traditional female roles) and that African American domestic violence occurs largely because of economic factors, women unable to support themselves and their children alone.<br /><br />And so there\\'s a hidden ideology at work here. Late in the film one character tells another that since he didn\\'t respect his wife, she wound up getting severely beaten and imprisoned by whites. The implication is that blacks need to return to their African roots to restore their own dignity and that it is their fault that whites unjustly crush them. ie- Respect one another in your poor minority community and you won\\'t run afoul of the dominant white culture. <br /><br />3/10 - A failure to confront sex and lesbianism, inappropriate musical numbers, countless sequence loaded with extraneous visual pizazz, incongruous comic business, emphatic music cues, and wildly hyped emotionality, all contribute to rendering \"The Color Purple\" worthless.', 'label': 0}\n",
      "{'text': 'You may consider a couple of facts in the discussion to be spoilers.<br /><br />I\\'m sorry, but Spielberg didn\\'t deserve to win any Oscar for this piece, and I think the Academy was right in that vote. (Other Oscars for best actor nominations and such... that I don\\'t know about. But it would be hard to justify, given what they were told to do and what you see in the final product.) The way Spielberg directs this is so contrived, so meddlesome. While watching this movie a distinction made during a Film as Art course I have taken was screaming at me: \"Sentiment is honest emotion honestly rendered. Sentimentality is sugary and unreal, a false view of life.\" This is over-the-top sentimentality. When in real life to two people ever begin to read out loud in synchronicity, as Celie and Shug Avery do when sitting on the bed going over the letters from Nettie they have found? There are examples of this type of faux behavior throughout the film: all the men crowding around Miss Millie\\'s car and then jumping in unison like a flock of birds taking off when she goes to drive away; Harpo falling through the roofs of various buildings he\\'s working on (a cheap slapstick gag); the whole troop of revelers heading from the Jook Joint en masse to the chapel, as if magically entranced by the choir\\'s singing... on and on. Nothing rings true. I even wondered if Harpo\\'s name was chosen purposefully because it\\'s his wife Sophia\\'s real name, \"Oprah,\" backwards. Spielberg isn\\'t above such \"cuteness.\"<br /><br />It\\'s not that Spielberg is incapable of honestly rendered action and emotion. Schindler\\'s List was amazing, deeply touching for me, and I greatly admire Saving Private Ryan too for its realism, even if the story is a bit contrived.', 'label': 0}\n",
      "{'text': \"This is really terrible.<br /><br />The only redeeming feature about this movie is that the next time people ask me what is the worst vampire movie I have ever watched, I would have a suitable reply.<br /><br />I think it is filmed on 35 mm so it is already tacky like hell. I wouldn't have bothered commenting but I noticed some fanboys (probably connected to the movie) had claimed that this was the best movie since the Matrix. Let me debunk the myths and lies.<br /><br />There is nothing good in the movie. Everything yells tacky. The actress is ugly. The fight choreography is the worst I have ever seen. The fight scenes are unbelievably amateurish. Imagine a girl flailing her arms around in a circle helplessly and delivering weak kicks which wouldn't hurt a kitten. Obviously, the director just pulled people off the street to give them roles in the movie.<br /><br />I know the director did not have much budget for the movie but still better movies have been made on smaller budget before. Unforgivable.\", 'label': 0}\n",
      "{'text': \"Dude, really!!!! where have you guys been the past 20 years, this is shocking in all kind of ways, horror ? This is a joke, there is nothing wrong with being low budget, but this is a laugh, If you want to look at the classics, Freaks of Tod Browning, the victims of Dracula and Frankenstein, the Undying Monster, Ernest Thesiger, Paul Wegener's The Golem and the passengers of The Ghost Train, you can't compare it, it gives it a bad name, bad acting, bad screenplay etc. Total waist of money and free time, have watched a lot of movies, were as horror is my all time favorite, I really am speechless, have nothing more to say that please don't do the effort to watch something so daft, please understand\", 'label': 0}\n",
      "{'text': \"Well, you know the rest! This has to be the worst movie I've seen in a long long time. I can only imagine that Stephanie Beaham had some bills to pay when taking on this role.<br /><br />The lead role is played by (to me) a complete unknown and I would imagine disappeared right back into obscurity right after this turkey.<br /><br />Bruce Lee led the martial arts charge in the early 70's and since then fight scenes have to be either martial arts based or at least brutal if using street fighting techniques. This movie uses fast cuts to show off the martial arts, however, even this can't disguise the fact that the lady doesn't know how to throw a punch. An average 8 year old boy would take her apart on this showing.<br /><br />Sorry, the only mystery on show here is how this didn't win the golden raspberry for its year.\", 'label': 0}\n",
      "{'text': 'I\\'m in Iraq right now doing a job that gives plenty of time for watching movies. We also have access to plenty of pirated movies, this gem came along with 11 other movies, and this is easily the worst I\\'ve seen in a long time. I\\'ve seen a few other reviews that claim this movie doesn\\'t take itself too seriously, but really, I think that\\'s a cover up for the fact that its horrible. It\\'s not tongue in cheek, the writers really thought they were improving on the movie Blade. This movie is just one notch above Vampire Assassin, which if you haven\\'t seen, i recommend. At least that movie is so unbelievably bad that you\\'ll laugh harder than you thought possible. This is right at that cusp of no redeeming qualities what so ever. from the bad acting, to cliché visual (ie opening credits), to the adobe premier special effects. they couldn\\'t even get blanks for the guns, which may have to do with where the movie was filmed, but if you\\'re going to use effects, make them close to accurate. as for the cast, it seems like they just went to a tae bo class and picked up the first not to ugly chick that walked out. Once again, like Ron Hall in Vampire Assassin, don\\'t let stunt folk act, they can\\'t. Also, the comment about this being a \"return of old vampire movies\"...no, it\\'s not. This is exactly what all new vampire movies are about. Buffy the Vampire Slayer, Blade, Underworld, they\\'re all about some super star fighting the vampires. This is the newest vampire genre, with bad blood, fake screams, and cheesy over acting. obviously anyone who wrote a good review about this is somehow connected to the movie, or friends of the cast. But what do I care, I paid 33 cents for it. Anyway, to wrap this up, someone in their first semester of film school decided to make a movie, I give them credit because it\\'s better than I could do. Of course I also know I can\\'t make movies so I don\\'t try. I do know how to watch movies though. I work 12 hour nights, 6 days a week, I\\'ve seen several thousand in the year I\\'ve been out here and this was so bad that half way through i was hoping for a mortar attack.', 'label': 0}\n",
      "{'text': '\"Valentine\" is another horror movie to add to the stalk and slash movie list (think \"Halloween\", \"Friday the 13th\", \"Scream\", and \"I Know What You Did Last Summer\"). It certainly isn\\'t as good as those movies that I have listed about, but it\\'s better than most of the ripoffs that came out after the first \"Friday the 13th\" film. One of those films was the 1981 Canadian made \"My Bloody Valentine\", which I hated alot. \"Valentine\" is a better film than that one, but it\\'s not saying much. The plot: a nerdy young boy is teased and pranked by a couple of his classmates at the beginning of the film. Then the film moves years later when those classmates are all grown up, then they\\'re picked off one-by-one. The killer is presumed to be the young boy now all grown up looking for revenge. But is it him? Or could it be somebody else? \"Valentine\" has an attractive cast which includes Denise Richards, David Boreanaz, Marley Shelton, Jessica Capshaw, and Katherine Heigl. They do what they can with the material they\\'ve got, but a lackluster script doesn\\'t really do them any justice. There are some scary moments throughout, however. <br /><br />** (out of four)', 'label': 0}\n",
      "{'text': \"There's one line that makes it worth to rent for Angel fans. Everyone else: this is just a very bad horror flick. The female characters are typical horror movies females. They are wooden, annoying and dumb. You are glad when they are killed off. Long live the strong female character in a horror movie!!\", 'label': 0}\n",
      "{'text': 'There are so many puns to play on the title of the spectacularly bad Valentine that I don\\'t know where to begin. I will say this though; here is a movie that makes me long for the complexity of the Valentine cards we used to give out in elementary school. You know, the ones with Batman exclaiming \"You\\'re a super crime-fighting valentine!\"<br /><br />Valentine is a slasher movie without the slightest hint of irony, one of the few horror movies in recent years that ignores the influence of Scream. The villain is omniscient and nigh-invulnerable. The heroes are easily scared when people run around corners and grab them by the shoulders screaming \"HeyIjustleftmycoatbehind!\" The score is more overbearing than Norman Bates\\' mother.<br /><br />The flimsy plot follows several childhood friends, now grown up and extremely curvaceous. Since the film gives them nothing else to do, they stand around and wait until a masked stalker kills them one by one. This stalker appears to be former nerd Jeremy Melton, who was constantly rejected by women and beaten by men in high school. With Valentine\\'s Day approaching, the women begin receiving scary cards foretelling their doom. Melton seems like the obvious suspect. Only problem is, as numerous characters warns, in thirteen years Melton could have changed his appearance to look buff and handsome. So (insert terrified gasp here) everyone is a suspect!<br /><br />Here\\'s problem one. In order to have any sense of suspense while watching Valentine, you have to accept a reality in which a high school nerd is capable of becoming David Boreanaz. Nerds don\\'t turn into Angel when they grown up, they turn into older, balder nerds. He\\'s not a terrible actor, but the script, by no less than four writers, gives him and the rest of the cast nothing to do but scream and make out. Denise Richards (the bustiest actress in Hollywood never to star in Baywatch) is especially exploited; most shamefully in the blatant excuse to get her in a bathing suit just before a crucial suspense scene. Note to self: always bring a bathing suit to a Valentine\\'s Day party. Just because it\\'s February doesn\\'t mean you might not feel like taking a little dip.<br /><br />The slasher in Valentine dresses in head-to-toe black with a Cherub\\'s mask. Here\\'s problem number two. The filmmakers clearly thought this would be a disturbing image to have on the head of someone who\\'s whacking people in the face with hot irons. Plain and simple, it\\'s not. Instead, it just made me wonder how a guy with a mask that covers his entire face, including his eyes and ears, can move so stealthily without bumping his shins on chairs or tables. Then again, given the things the Cupid Killer does, maybe he can teleport and his eyes are on his hands. <br /><br />Not only is the movie bad, it isn\\'t even sure who the killer is; the final \"twist\" is more \"Huh?\" than \"Hah!\" When you\\'re not scratching your head you\\'re yawning, then groaning, then searching for the nearest exit. Do not watch this movie. Even if you\\'re alone on Valentine\\'s Day, find something, ANYTHING, else to do. You\\'ll be glad you did.', 'label': 0}\n",
      "{'text': 'There is no way to describe how really, really, really bad this movie is. It\\'s a shame that I actually sat through this movie, this very tiresome and predictable movie. What\\'s wrong with it? Acting: There is not one performance that is even remotely close to even being sub-par (atleast they are all very pretty). Soundtrack (songs): \"If we get Orgy on the soundtrack then everyone will know that they are watching a horror film!\"; Soundtrack (score): Okay, but anyone with a keyboard can make an okay soundtrack these days. Don\\'t even get me started on the \"What the hell?\" moments, here are a few: Killer can move at the speed of light--door opens actress turns, no one is there, turns back, there is something sitting in front of her.; Out of now where The killer shows up with a power drill, a really big one! The filmmakers get points for at least plugging it in, but can I really believe that the killer took the time to find the power outlet to plug it in. I feel like one of the guards at the beginning of Holy Grail and want to say \"Where\\'d you get the power drill?\". I could go on and on about how bad this film is but I only have 1000 words. I will give this 2 out of ten stars. One star for making me laugh and another star for all the cleavage. Seriously, do not waste your time with this one.', 'label': 0}\n",
      "{'text': \"In an attempt to bring back the teen slasher genre that was taken away by spoofs like Scary Movie and Shriek if you know what I did last Friday the 13th, Valentine fails. Why did people like Halloween? Because it was original, new and went beyond anything that's ever been done. Why did they like Scream? Because at least it made sense. Valentine is just a stupid slasher-flick that has hardly any gore what so-ever. The plot is so similar to Halloween and Urban Legend it's not funny. And the moment the killer comes on screen, you know who it is, it's just sssssssssssooooooooooooo predictable. The teen slasher genre is DEAD Get over it!<br /><br />0 out of 10\", 'label': 0}\n",
      "{'text': \"Firstly, there are some good things about this film, but it's all cliche slasher stuff combined with a teen movie. In the advertising of this movie, that I've seen, a large emphasis was on the fact that Denise Richards is in it, but she's a poor actress, and not as good looking as people try to make her out to be (not that that has anything to do with the movie). And what's with that look she gives everyone? Perhaps it's part of the character, but like I said, the acting... Still, the writing is fine. You know who it is all throughout the movie, and you can almost predict what is about to happen, but not in an irritating way. I think the book it's based on is probably good, judging by the plot line, but next time I'll read the book to find out rather than watch this.\", 'label': 0}\n",
      "{'text': \"This stalk and slash turkey manages to bring nothing new to an increasingly stale genre. A masked killer stalks young, pert girls and slaughters them in a variety of gruesome ways, none of which are particularly inventive.<br /><br />It's not scary, it's not clever, and it's not funny. So what was the point of it?\", 'label': 0}\n",
      "{'text': \"Valentine is a horrible movie. This is what I thought of it:<br /><br />Acting: Very bad. Katherine Heigl can not act. The other's weren't much better.<br /><br />Story: The story was okay, but it could have been more developed. This movie had the potential to be a great movie, but it failed.<br /><br />Music: Yes, some of the music was pretty cool.<br /><br />Originality: Not very original. The name `Paige Prescott' Recognize Prescott?<br /><br />Bottom Line: Don't see Valentine. It's a really stupid movie.<br /><br />1/10<br /><br />\", 'label': 0}\n",
      "{'text': \"This movie was rented by a friend. Her choice is normally good. I read the cover first and was expecting a good movie. Although it<br /><br />was a horror movie. Which i don't prefer. But no horror came to mind while watching the movie. It was a dull,<br /><br />not very entertaining movie. The appearance of Denise Richards<br /><br />was again a pleasure for the eye. But that's it. We (the four of us)<br /><br />we're a little bit disappointed. But feel free to see this movie and<br /><br />judge it yourself.\", 'label': 0}\n",
      "{'text': 'The Good: I liked this movie because it was the first horror movie I\\'ve seen in a long time that actually scared me. The acting wasn\\'t too bad, and the \"Cupid\" killer was believable and disturbing.<br /><br />The Bad: The story line and plot of this movie is incredibly weak. There just wasn\\'t much to it. The ways the killer killed his victims was very horrifying and disgusting. I do not recommend this movie to anyone who can not handle gore.<br /><br />Overall: A good scare, but a bad story.<br /><br />** out of *****', 'label': 0}\n",
      "{'text': \"Its plain to see why the makers of Scary Movie found it so easy to spoof these 'teen slasher' movies. They are so unbelievably formulaic. And if Valentine had been released a year or so earlier, I'm sure they would have been spoofing this film too - that's if they found any actual original material to distinguish it from the Screams, I know what you did last summers, and Urban Legends.<br /><br />Valentine offers nothing new to this genre, except a better than usual ending which, of course, leaves lots of room for the inevitable sequel. As always, a masked psychotic killer stalks a bunch of beautiful young women, killing the main character's friends, one by one, in typically over the top style. Lots of T&A on display, no character development, bad acting, and overly elaborate bloodshed.<br /><br />The thing I can't stand about these kind of movies is that they pass themselves off as 'who done its?'. The thing is that they aren't because the motive is only revealed once the killer has unmasked, and tells the main character who's friends have now all been murdered. Usually something that was never made at all clear during the film anyway (eg. main character's mother's uncle's fishing partner kicked his friend's father's dog). Everybody still left alive throughout the film is a 'suspect', but they are more 'Red Herrings' than suspects. As we all know at this point the main character manages an implausible escape and kills the unmasked psycho killer after the motive is revealed.<br /><br />Valentine followed this formula almost to the letter. ***************SPOILER!!!!!! (mini spoiler anyway)*************** In Valentine the motive was not revealed, but more, left for you to think about given that the film didn't quite conclude in the typical 'teen slash' way. The issue is only part resolved, and the goal of the lead killer may or may not have been fulfilled by surviving the bloodshed and killing almost everybody. Will the killer want more, or were the demons truly vanquished?<br /><br />This still didn't make Valentine a good film, instead it simply saved it from being as bad as usual, which still doesn't count for much. To anybody thinking of making another film along these lines, please don't. Originality is so important, and its hard to see any originality coming out of this genre.\", 'label': 0}\n",
      "{'text': '***SPOILERS*** ***SPOILERS*** Are all teen slasher flicks suffering from a drought of originality? It awfully seems so. First of all, this is a noble premise that could\\'ve been utilized well. A rejected young nerd who grows up, stalks and murders all the girls who tortured the hell out of him when he was in junior high? Can\\'t say you had nothing to work with. But this film goes through the same motions as all the other recent slashers. Everything from the score to the camera angles allow us to predict exactly when a false alarm is coming and exactly when the killer will strike. We know the pattern by now. These stupid slasher movies push the credibility envelope more and more by the minute. Let me ask you something: Who, in their right mind, is going to surprise a friend of theirs in a dark, dreary morgue in the middle of the night and just surprise her out of the blue while she\\'s all alone and surrounded by corpses? Does that make any damn sense at all?<br /><br />\"Valentine\" is only occasionally innovative. One good shot involves the butchering of Denise Richards\\' character. She gets trapped inside a pool and the killer pokes at her with a chainsaw. There\\'s some good songs in the soundtrack, including one cool track by Orgy. The music video is contained in the special features section on the DVD.<br /><br />Even the acting is mediocre at best. The actors all sleep through their roles. Of course, David Boreanaz is often stoic, even in his portrayal as the title character on \"Angel.\" Denise Richards is a fine actress, though, and she keeps a stoneface throughout the movie.<br /><br />\"Valentine\" is just like you\\'d expect: pretentious, implausible, forgettable, cheesy and without a good scare in sight. Don\\'t even bother.<br /><br />My score: 4 (out of 10)', 'label': 0}\n",
      "{'text': \"here was no effort put into Valentine to prevent it from being just another teenage slasher film, a sub-genre of horror films of which we have seen entirely too many over the last decade or so. I've heard a lot of people complaining that the film rips off several previous horror movies, including everything from Halloween to Prom Night to Carrie, and as much as I hate to be redundant, the rip off is so blatant that it is impossible not to say anything. The punch bowl over poor Jeremy's head early in the film is so obviously taken from Carrie that they may as well have just said it right in the movie (`Hey everyone, this is the director, and the following is my Carrie-rip-off scene. Enjoy!'). But that's just a suggestion.<br /><br />(spoilers) The film is structured piece by piece exactly the same way that every other goofy teen thriller is structured. We get to know some girl briefly at the beginning, she gets killed, people wonder in the old oh-but-that-stuff-only-happens-to-other-people tone, and then THEY start to get killed. The problem here is that the director and the writers clearly and honestly want to keep the film mysterious and suspenseful, but they have no idea how to do it. Take Jason, for example. Here is this hopelessly arrogant guy who is so full of himself and bad with women that he divides the check on a date according to what each person had, and as one of the first characters seen in the film after the brief history lesson about how bad poor Jeremy was treated, he is assumed to carry some significance. Besides that, and more importantly, he has the same initials as the little boy that all the girls terrorized in sixth grade, and the same initials that are signed at the bottom of all of those vicious Valentine's Day cards. <br /><br />It is not uncommon for the audience to be deliberately and sometimes successfully misled by the behavior of one or more characters that appear to be prime suspects, and Jason is a perfect example of the effort, but not such a good example of a successful effort. Sure, I thought for a while that he might very well be the killer, but that's not the point. We know from early on that he is terrible with women, which links him to the little boy at the beginning of the film, but then in the middle of the film, he appears at a party, smiles flirtatiously at two of the main girls, and then gives them a hateful look and walks away, disappearing from the party and from the movie with no explanation. We already know he is a cardboard character, but his role in the film was so poorly thought out that they just took him out altogether when they were done with him.<br /><br />On the positive side, the killer's true identity was, in fact, made difficult to predict in at least one subtle way which was also, unfortunately, yet another rip-off. Early in the film, when Shelley stabs the killer in the leg with his own scalpel, he makes no sound, suggesting that the killer might be a female staying silent to prevent revealing herself as a female, rather than a male as everyone suspects. But then for the rest of the film, we just have this stolid, relentless, unstoppable killer with the emotionless mask and that gigantic butcher knife. Director Jamie Blanks (who, with all due respect, looks like he had some trouble with the girls himself in the sixth grade) mentions being influenced by Halloween. This is, of course, completely unnecessary, because it's so obvious from how badly he plagiarizes the film. The only difference between the killer in Valentine and Michael Meyer's is that Michael's mask was so much more effective and he didn't have a problem with nosebleeds. This stuff is shameless. <br /><br />At the end, there is a brief attempt to mislead us one more time as to who the killer is (complete with slow and drawn out `and-the-killer-is' mask removal), but then we see Adam's nose start to bleed as he holds Kate, his often reluctant girlfriend, and we know that he's been the killer all along. Nothing in the film hinted that he might be the killer until the final act, and these unexplained nosebleeds were not exactly the cleverest way to identify the true killer at the end of the film. Valentine is not scary (I watched it in an empty house by myself after midnight, and I have been afraid of the dark for as long as I can remember, and even I wasn't scared), and the characters might be possible to care about if it weren't so obvious that they were just going to die. I remember being impressed by the theatrical previews (although the film was in and out of the theater's faster than Battlefield Earth), but the end result is the same old thing.\", 'label': 0}\n",
      "{'text': 'This movie in away was super-clever. It\\'s theme rhymes with every single horror movie ever made. Valentine makes ZERO attempt to be original. What is valentine anyway? It\\'s a bunch of people giving each other the same lame messages that were given to the same people a year earlier. There is nothing original in Valentine. <br /><br />I only saw it once, and in that one viewing here are some of the films it ripped off. 1.Prom Night 2.Carrie 3.Scream 4.Any other horror movie in which somebody is killing somebody.<br /><br />I know there is more, but my mind was slowly turning into a puddle of silk so it couldn\\'t grab them as fast as they came.<br /><br />Valentine had no chance of being a good movie. How come every horror movie has to have a \"suprise\" killer, people you don\\'t care about because their emotions take a turn every other scene. One minute a nice girl turns into an evil B--ch, then she\\'s an insecure woman, and so on and son on.<br /><br />Normally any horror movie (in my book) can be saved by gore, once again Valentine doesn\\'t have this. It was as if they tried to make it PG-13 but failed, so they left the edit. <br /><br />Do not see this overly-inspired, rip-off unless you hate yourself, and you want to die.<br /><br />*1/2 (3) -J.Leonard Rollins-', 'label': 0}\n"
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